Showing posts with label Life on Mars. Show all posts
Showing posts with label Life on Mars. Show all posts

Monday, 2 March 2020

2018 Jaybird Awards

2018 Jaybird Awards


Guess who's back, back, back, back again, gain, gain, Shady's back, back, back, tell a friend. Oh wait, no, It's just me. Seriously though, It's been so long that I've practically forgotten how this blog works- how do I post things, what format do I use, how do you even review things? It's been a pretty busy year for me, with my job becoming full time and (gasp) getting a boyfriend, which has severely limited the time in which I can watch K-Drama and write reviews. But fear not, I plan to be continue on, though I can't promise I will be as regular as I once was- though I will try! Now on to the Awards! I know, I know- 2018 was two years ago. I have missed a whole year of K-Drama. But with this review/awards, let's just pretend that 2019 was a year of K-Drama that didn't happen, and we'll be back on track! 



Best Drama:

Ooooooooh man was this a good drama. It may have come out ages ago now, but I can still remember it so vividly. Despite how long the runtime was, I watched this drama twice. From the director-writer duo of all the Reply series, this was always going to be a show to keep an eye on. As expected, the cast, characters and plot all pulled together to deliver an emotional, heartwarming, and insanely addictive viewing experience. The momentum of the series was picture perfect, with the episodes all having enough content to fill out their runtimes, and the series as a whole never felt draggy or overly long. The drama hit just the right balance between funny and dramatic, without ever getting bogged down in its own angst, or having the comedy take away from the serious moments. Everything in this show was perfectly balanced, and I would not hesitate to recommend 'Smart Prison Living' to anyone who was requesting a good K-Drama (or good series in general) to sink their teeth into.

Runner Up: The Guest


Best Actor:

Lee Seung Gi (Hwayugi)

Despite 'Hwayugi' itself being a complete and total flop, Lee Seung Gi was completely able to dazzle. To be honest, I have never quite understood what the big deal was with Lee Seung Gi (granted I haven't seen too many of his dramas), but in 'Hwayugi' Lee Seung Gi was able to brilliantly showcase his acting ability. The cheeky, petulant character suit him extremely well, and Lee Seung Gi was able to bring an endearing spark to him that prevented the Monkey God from being an irritating character. Lee Seung Gi shined in all aspects of the show, from the CGI fight scenes, to the humour, to the heartache, to the romance. There is not a single scene in the drama where he is not giving 110%, and all his efforts gave us a loveable, charming character that will not fade from memory any time soon.

Runner Up: Park Hae Soo (Smart Prison Living)


Best Actress:

Jin Ki Joo (Come Here and Hug Me)

Despite being a fairly new actress (her first drama was in 2015), and not leaving much of an impression in her side roles, Jin Ki Joo completely blew me away in the drama she headed up this year. The role she played was one that required a multitude of different feelings, and quite a large amount of emotional acting. And Jin Ki Joo most certainly pulled it off. With this role and this performance, Jin Ki Joo made sure that she's be a name and a face to remember, and captured audiences' hearts as the feisty, yet sweet and completely loveable heroine with a dark past. It certainly wasn't an easy role for Jin Ki Joo to have as her first leading role, but she gave a performance that was a resounding success.

Runner Up: Chae Soo Bin (I'm Not A Robot)


Best Short Series:


Okay, confession time. I did not watch very many short series in 2018. However, the fact that this was the only show in the running does not diminish the fact that this was a very good short series! The plot was a little whacky and veeeery arthouse, but the quality of the show was obvious for anyone to see. It had solid acting in Ji Soo and Yoo Jae Myung, and the cinematography was just lovely. The journey the show took us on was quiet and introspective, and it may not be remembered as a short that received a lot of love, but 'Ping Pong Ball' told the story it wanted to tell in a beautiful, thoughtful way, and it was evident that everyone who worked on this show put their best effort into making sure it was something they could be proud of.


Best Character:

Nam Shin III (Are You Human Too?)

'Are You Human Too?' was a show that did a lot of things well, but by far one of the best things it did was give us one of the most loveable heroes of the year. Not only was Nam Shin III sweet, charming, dreamy, and just all-around delightful, but he had the added interest of not being human. Having the hero be a robot was a risky move for the series, but one that ultimately paid off well. Being a robot that was learning emotion (cheesey as it sounds) gave Nam Shin III a lot of depth and so much room to grow. It made his actions even more heart-fluttering when they seemed impossible as it went against his programming. 'Are You Human Too?' was not without its flaws, but the hero it gave us was certainly not one of them.

Runner Up: Ahn Jang Mi (Live)


Best Second Lead:

Park Sung Woong (Life On Mars)

No one will ever not enjoy watching Park Sung Woong as a justice-driven cop from the past. Park Sung Woong has absolutely nailed the role of a no-nonsense fighter with a soft and squishy centre, and he absolutely shows off that talent in 'Life On Mars'. He plays a character whose heart is always in the right place (even if his fists aren't), and was able to showcase his character's growth as he started to accept and adapt to his partners milder, modern police techniques. His gruff attitude was oddly endearing, and he was certainly a character that we could root for all series long. Park Sung Woong delivered a great character, that played perfect support to the show's completely different hero.

Runner Up: Kwak Dong Yeon (My ID Is Gangnam Beauty)


Best Couple:


Despite K-Dramaland giving us an abundance of adorable, loveable couples to root for, there are actually very few of them that have healthy, respectful relationships that would last long term. So even though I have a bunch of dramas and OTPs that I adore each year, there are only a small few that I think are actually good couples. 'I'm Not A Robot' may have a silly premise (girl is impersonating a robot), but the two leads actually end up having an endearing and supportive relationship that made them so easy to root for. Sure, there was no shortage of cute moments, or charming dialogue, or heart-racing skinship, but it was the quieter moments of emotional support and consideration that made this couple such a great one. Chae Soo Bin and Yoo Seung Ho had dazzling chemistry as the metaphorical icing on the metaphorical cake.

Runner Up: What's Wong With Secretary Kim?


Best Kiss:


There were many, many, many (oh so many) things wrong with this drama, but the chemistry between the two leads and the resulting explosive skinship was certainly not one of them. This scene completely did away with the safe-for-work, barely even touching kisses of k-dramas past, and was oh so steamy. The kitchen scene is one of the most remembered moments from the whole series, and if we're all being honest, after that scene it is no wonder at all that the two actors had to dodge so many dating rumours after it showed on television. K-Dramas are not usually that touchy, but it was one of the reasons the couple in this show felt so real, and the emotions so raw. 

Runner Up: This Is When You Kiss (I'm Not A Robot)


Best Villain:

Park Il Do (The Guest)

Okay, this is a little different to the winners in previous years, mainly in that Park Il Do doesn't really have an actor. It's a mystery for most of the show's run who the demon is possessing, so there's no clear actor to credit the performance to. That being said, the atmosphere created around this character was so amazingly well constructed, that he is without a doubt the best villain of the year. Being able to manipulate lesser demons while remaining hidden made Park Il Do completely terrifying, and the idea that he could be lurking inside any of our characters was both thrilling and frightening. The lore that surrounded the supernatural horror of this show was done so well, and the fight between our main characters and Park Il Do was exhilarating and entertaining to watch unfold. Despite not having a physical body, Park Il Do was unquestioningly the most frightening and unsettling villain of 2018.

Runner Up: Lee Dong Gun (Sketch)


Best Ensemble:

Man, there was just so much to like about 'Smart Prison Living'. One of which is the cast. And this cast was HUGE. There were a lot of characters coming and going throughout this series (the prison was the perfect setting for it with inmates getting arrested and discharged and transferred), and most of them were totally loveable. It seems like an odd thing to like characters that are all in jail for doing something terrible (heck, our main character kills someone), but their stories are unveiled in ways that allow us as an audience to sympathise with the characters, even if we do not condone their actions. A large chunk of this series is made up of all the relationships between the prisoners and the guards, and this is what drives most of the plot. A lot was riding on the characters being written an acted well, so we can all be grateful that they were. Not one actor was underperformed, and not one character was poorly written.

Runner Up: Life On Mars


Best Bromance:

Usually the dramas I pick for best bromance have an adorable friendship, or beautifully melancholic relationship at its centre, but 2018s bromance of the year was one that was a little more subdued. The mentor-rookie relationship in 'Live' was under the radar, but had a whole lot of heart. As well as simply having the characters coming to care and watch out for one another, the two also learned a great deal about life and working on the police force from one another. The relationship was tumultuous to begin with, but that made the camaraderie that eventually blossomed between them feel hard-earned and well deserved, as the two had come to know so much about the other, and they both ended up really caring and respecting each other. It was a quieter bromance, but that didn't make it any less endearing.



Best Gal Pals:

What's Wrong With Secretary Kim?

Oooohhhhh dear. This was the category I was least looking forward to. Reason being that there were just not a lot of good girl friends in 2018, and this is also one of the last dramas I watched before my big hiatus. So I don't really remember it that well, and I don't have a review to fall back on and jog my memory. I do remember that the three girls in this show had a sweetly satisfying friendship, and that they were always enjoyable to watch on screen together. Do I think it was a particularly strong friendship that stands out amongst other k-dramas? Not really. But was it one of the better female friendships to come out of the dramas I watched in 2018? Yes, yes it was.



Best Idol Gone Actor:

Rowoon (Where Stars Land)

I am not particularly fond of Rowoon as an idol, but man the boy's a good actor. I was totally ready for him to be an awkward side character, but he completely blew me away with the level of maturity his acting showed. The character in 'Where Stars Land' was not particularly difficult, nor was it a leading role, but it was a great place for Rowoon to find his feet and get noticed in the acting world. His one sided love was heartbreaking and acted to perfection, and Rowoon had great chemistry with Chae Soo Bin (who was the leading lady). He is definitely an idol to keep an eye on as he makes his way into more acting projects, and I don't think it will be too long before he lands a leading role himself.

Runner Up: D.O (100 Days My Prince)


Worst Idol Gone Actor:

Suho (Rich Man)

Unlike Rowoon, Suho has not begun his acting career in a supporting role (though he may have done a few short series?) Unfortunately for him, this meant that there was nowhere for his acting weaknesses to hide. It's not to say Suho is an AWFUL actor- he's just very, very green, and his lack of experience showed through in 'Rich Man'. He didn't have the ability to deliver the more emotional scenes when they rolled around, and he didn't have the experience to inject a dose of likability into a character that was written as a very arrogant, yet bland character. The whole show was a bit of a mess, but I don't think anyone can claim that Suho did a great job here. Hopefully his next project is one in which he gets a bit more support from the other actors (because no one was really that great in this show), and he can build his skills and his confidence.

Runner Up: Cha Eun Woo (My ID Is Gangnam Beauty)


Least Convincing Couple:

That Man Oh Soo

There are many things I do not recall from 2018. Sadly, what a complete and utter train wreck this drama was is not one of them. Amid a confusing plot, sporadic characters and less-than convincing acting, we had a tepid romance. I had complete Second Male Lead Syndrome, and by the time the end of the show came around, I was not convinced that this couple were a) in love with each other, and b) going to last very long together. The drama tried to be too angsty and aimed for an emotional level that it just did not hit, which left the main romance feeling empty and completely falling flat. I was a fan of both the leads (though am unsure what to think of Lee Jong Hyun now after the icky scandal), but neither of them did a good job selling the romance. There was absolutely no chemistry to speak of.

Runner Up: About Time


Show Carrier:

Yoon Park (Radio Romance)

Man, I have watched a lot of not very good dramas in my time. 'Radio Romance' is one such drama. It really, really sucked. The only thing that 'Radio Romance' did well was casting Yoon Park as the second male lead. He absolutely killed it. Yoon Park was able to deliver a multi-dimensional character that was fun, quirky and memorable, in a K-drama world that was boring, pointless and forgettable. Yoon park brought an engaging energy to the show that it otherwise would have completely lacked, and dragged the awful show along right from start to finish with his performance alone. I do not drop a lot of dramas, but I was tempted by this one, and it was really only Yoon Park and his charming character that kept me going.

Runner Up: Lee Sang Yoon (About Time)


Biggest Disappointment:

Pretty Noona Who Buys Me Food

Hoo boy, did this drama burn a lot of people. The first half of the show was actually unbelievably good- there was an engaging noona romance at its heart, it had a solid male lead, and that chemistry was on FIRE. SMOKING. SIZZLING. It was, HOT, HOT, HOT. The drama had hearts fluttering and minds engaged for the first half of its run, before it promptly undid every good thing it had ever done. At risk of sounding rude, the second half of this drama sucked *ss. The relationship fell in on itself, the plot made little sense, and the heroine became one of the most irritating characters ever. It was painful. As the show continued it became evident that it was banking solely on the chemistry between the leads. And this did. Not. Work.

Runner Up: Radio Romance


Jaybird's Choice:


What do you mean I can't have the Best Drama and Jaybird's Choice being the same show? I CAN and I WILL. There's not much more I can say about this drama. It rocked. It pulled my heartstrings and I enjoyed every minute of it. I have also seriously contemplated watching it for a third time.









Runner Up: I'm Not A Robot


Familiar Wife
The Guest
Hundred Million Stars From The Sky
Hwayugi
I'm Not A Robot
Jugglers
Life on Mars
Live
Longing Heart
My ID Is Gangnam Beauty
Mystery Queen 2
Ping Pong Ball
Player
Pretty Noona Who Buys Me Food
Radio Romance
Rich Man
Sketch
Smart Prison Living
That Man Oh Soo
Thirty But Seventeen
Voice 2
What's Wrong With Secretary Kim?
Where Stars Land
Woohoo Waikiki
YG Future Strategy Office
You Drive Me Crazy
You Who Forgot Poetry

Saturday, 25 August 2018

Life on Mars

Life on Mars

7.5/10
Life on Mars
Genre:                                                  Episodes: 16                                       Year: 2018
Mystery
Thriller

Synopsis:
Han Tae Joo is a detective who believes in facts and follows procedure. While investigating a case, Tae Joo is involved in an accident and wakes up 30 years in the past.

Cast:
Jung Kyung Ho (Han Tae Joo)
Park Sung Woong (Kang Dong Cheol)
Go Ah Sung (Yoon Na Young)
Oh Dae Hwan (Lee Yong Ki)
Noh Jong Hyun (Cho Nam Shik)
Jeon Suk Ho (Han Chong Ho)
Jeon Hye Bin (Jung Seo Hyun)
Kwak Jung Wook (Kim Hyun Suk)
General Thoughts:
Just to start with, I have never seen the original British show. I’d heard about it, knew the general premise, and remembered seeing ads for it on TV when it was first released, but I have never ever watched the show or heard about its finer details. So unfortunately, I won’t be able to compare this remake to its original.
Beginnings of bromance
That being said, I really enjoyed this drama. You definitely didn’t need to have any knowledge of the British version in order to understand and enjoy this Korean remake. OCN has pretty much got the monopoly on crime and thriller dramas in Korea, and for good reason. The channel is willing to make dramas a little bit darker than others are, and that makes for some darn good thriller watching.
Maybe I'm morbid, but I like a bit of blood
There are certain similarities between ‘Life on Mars’ and another OCN time travel-crime drama that aired last year (‘Tunnel’), but the two had enough differences that it didn’t feel like the station was putting a new face on an old show and releasing it again. ‘Life on Mars’ was a little bit darker than ‘Tunnel’, with more attacks and crimes being shown on screen. Anyone who’s watched a K-Drama knows that they tend to err away from actually showing any sort of violence on screen. And then when they do, it’s usually pretty heavily censored. I cannot forget how annoyed I was with the drama ‘Voice’ because they censored virtually everything, so I wondered why they even bothered filming it at all. The writer and PD behind ‘Life on Mars’ seemed to have a much better understanding of what was likely to be blurred out, and so they managed to create scenes that were confronting and gave you the chills, without snapping you out of the moment by having a big blurry blob across a weapon or a wound or a victim. In fact, the directing of the show was pretty brilliant overall- particularly when it came to traces of Tae Joo’s present leaking into the past.
Jung Kyung Ho acted the crazy really well
The interruptions from Tae Joo’s doctors or family never felt random or unfitting. In fact, the way the show brought snippets of 2018 into the 1988 world was one of my favourite things about the drama. It was unsettling and unnerving, and helped add a sense of urgency to the drama.
First guy to treat her like an actual officer- no wonder she likes him
These moments of breakthrough never distracted from the crimes or relationships that were developing in 1988, but they definitely created an atmosphere of uncertainty around our hero, Tae Joo. Because Tae Joo’s life was never really threatened all that much in 1988, it was nice (in a adrenaline-inducing way) to have these reminders sneak in every now and then telling us that Tae Joo was in a very precarious position. The writing of the show overall was very good- and that’s something the show can boast for itself- because even as it’s a remake, it doesn’t stick exactly to the source material, and created situations and characters that were utterly unique. Tae Joo was a brilliant character to have as our lead- cold, but not completely emotionless, and somehow oddly displaced in both 2018 and 1988. Jung Kyung Ho acted the character to perfection, having a great strait-face and doing a brilliant job at creating a sort of emotional barrier between himself and other characters without ever cutting the audience off.
They suit each other perfectly
Despite Tae Joo’s actions sometimes causing confusion and misunderstandings with other characters, we as viewers pretty much always knew what was going through Tae Joo’s mind thanks to Jung Kyung Ho’s subtle and nuanced performance. Park Sung Woong also delivered a brilliant performance (as usual) as the gruff, fists-first ‘80s detective.
So cute you two
Seriously, this role fit him perfectly. While at times I did find Dong Cheol a little bit too fists-first, Park Sung Woong made it easy to like him despite his tendency to beat up suspects before they’re even proven guilty. He has a great comedic streak, and he really used that here to bring out Dong Cheol’s more endearing side. Go Ah Sung really blew me away with her portrayal of the sweet and encouraging Na Young. I think she was perfectly cast, as not only did she bring out Na Young’s intelligent and uplifting nature, but there was something about her voice that just really sold me on her character. Na Young was a quiet and understated character, but Go Ah Sung played her with such impact that she really became one of the most pivotal aspects of the show. Casting these three main characters so perfectly did the show wonders. Even though the writing and directing of the show was brilliant on its own, having these three characters so well cast, and have such great chemistry with each other really elevated the drama to the next level.
Gotta love a solid squad
As I already mentioned, the writing behind this drama was really excellent. As this show was a crime drama, as most crime dramas have there were a fair few crimes sprinkled throughout the show for our heroes to solve. What made the writing feel better than other dramas is that no smaller conflict was dragged on for too long.
Though it did bug me how long it took Tae Joo to realise his Dad was shady
While some crime dramas stretch a case for three-four episodes, ‘Life on Mars’ only gave each smaller plot line enough screen time for it to be concluded, which kept the momentum high and prevented the storyline from dragging. Not only this, but each smaller plot in some way contributed to developing our main story. There were no redundant or unnecessary scenes, and it always felt like what we were seeing on screen was important or relevant to the show’s main plot. Most of the crimes that the squad were solving were related to the mystery of the manicure murders- the case Tae Joo was working on when he was snapped back in time/fell into his coma. The crimes that weren’t related to our main murder duo’s past tended to be cases that developed the relationships between our main trio. With the smaller plot-lines working to develop either the modus operandi of our murderer or fostering Tae Joo’s sense of belonging in 1988, every episode was important and necessary for the development of the story’s main plot. 

What Was Great:

Cohesive: 
Everything in this drama fit together really well. Given that it’s based off some strong source materiel it’s not really a big surprise, but it’s still worth commending. Time travel dramas can be pretty tricky with making the two timelines flow smoothly and making them both seem as important as each other.
Admittedly, 1988 did feel slightly more important
The time travel (or whatever it was) here was done brilliantly. The elements of 2018 that managed to sneak into 1988 reminded us that there was another timeline out there somewhere, and kept us from getting too wrapped up in the 1988 universe. Once Tae Joo was back in 2018, the ghost-like apparitions of the 1988 squad were a great way to keep us pining for what had been left behind,
I mean, no one in 2018 can make Tae Joo smile like that
and make us want some way for our hero to return and save the people we had come to care about so much. Which was also done really smoothly. Tae Joo had no existing connection with the officers in 1988, so it was a hard sell to have this stoic, emotionless man come to love this team. However, as Tae Joo gradually learned about the others through each case in 1988, he came to appreciate their talents, dedication, and most importantly their good intentions. Their 1988 gruffness had a way of getting through Tae Joo’s walls that 2018 politeness just couldn’t. It didn’t feel unrealistic that Tae Joo would come to care about these people as much as he did, as they are the first to really trust him and stand on his side. Tae Joo’s relationship with Na Young was so sweet, and was developed so beautifully. Her soft, caring nature is exactly what Tae Joo needed during his most turbulent time. While I adore the two of them together, I appreciate that the show didn’t push the romance too hard. There were hints of growing romantic interest, and while some small baby steps were taken, there were no big declarations of love or grand gestures- which I think suited 1988 and Tae Joo perfectly. 
Nothing builds romance quite like respect and understanding

Brilliant Remake:
Remakes are nothing new in K-Drama, with there being a pretty wide selection of Japanese to Korean remakes, and even some Taiwanese and Chinese ones. K-Drama also takes its source material from books, manhwas and webtoons. In the past year though I have heard more about K-Dramas taking on some Western materiel.
I've a feeling we're not in England anymore
I haven’t actually watched any of them, but I know they’re out there. This takes on a slightly different tone, as American series tend to have waaaaaaaay more than a single season. In this case, the British version had 2 seasons of 8 episodes each- so that’s the same amount as the Korean remake. Despite not knowing much about the original, I have heard that the Korean version stays pretty in tune with tone of the original. However, it also isn’t simply a copy-paste scenario. The drama took the tone, themes, and heart of the British show, and wrapped it up in pretty Korean packaging. The characters and their environment do not feel British. At all. The show takes place in 1988, which is a pretty memorable year for Korea, what with the Seoul Olympics and all. The cases in the Korean version felt much more geared toward a Korean audience, with one of them even being based on an actual hostage situation that took place in Korea.
So I doubt that case is in the BBC version
The way the 1988 detectives were more brawn than brain, and the way their very competent female officer was constantly overlooked made the 1988 characters fell very real, and most importantly very Korean. While the drama probably would have still been very enjoyable if it had followed the script of the original exactly, where the real magic of this show came was taking a great idea that had worked previously and giving it a fresh new coating.
And I must say, I like this coating
The two shows felt the same, and had some very similar ideas, but as far as I’m aware they were very different shows. The Korean version definitely made a space of its own beside a very well loved and well regarded show. 

What Wasn’t:

More Questions Than Answers:
As this drama went on and I got more and more invested in the story, I did start to wonder if it was going to end in a way that I found intellectually satisfying. Arrogant and obnoxious as that might sound (particularly as I’m not outstandingly bright), I do prefer it when dramas don’t treat me like a complete idiot
This mystery wrapped up pretty well
and actually have a conclusion to the mystery that makes logical sense. I adored all the different questions the show was throwing out there, and there were so many ways the show could have wrapped up. Overall I am satisfied with the way the drama was concluded, but I must say that it didn’t exactly answer all the questions that were raised throughout its 16 episodes. The big main mystery of who the serial murderer was and who was helping him was wrapped up pretty perfectly, and I can’t really fault how the show got to its conclusion on that front- it all made sense, and I was happy with how both the brothers were arrested in 2018. But to me, the mystery that was far more compelling was whether or not Tae Joo had actually gone back in time, or if the whole 1988 world was actually just a big dream while Tae Joo was in his coma. There’s evidence to support either way. Tae Joo
was looking at the files of cold cases that included the murder of our 1988 squad, so it’s possible that Tae Joo’s brain turned the stories in those files into a detailed world for him to live in.
But I so desperately want these guys to be real
There’s also the whole thing where Tae Joo’s family and doctors were communicating with his coma-body and that was leaking through to 1988 Tae Joo. But on the other hand, these were cold cases, and 1988 Tae Joo was able to solve some of them while he was there. Being a cold case, the information to solve the cases wouldn’t have been in the files,
I feel like he'd notice if the detective chasing him hadn't aged
so there was no way that Tae Joo’s brain could have incorporated an accurate solving of cases into a dream. Also, the squad was an actual group of people that did exist in 1988. But on the other, other hand, no one who Tae Joo interacted with in 1988 seemed to remember him being there. Like I’m pretty sure his Mum might have noticed if her son grew up to look exactly like the detective that was investigating her husband who had the exact same name as her son. But nope, nothing from Mum. So what is really going on here? We’ll never know, because the show never decided to tell us. It left it all open for people to wonder and be confused and debate over what was real and what wasn’t. And I can kinda, sorta see the fun in that. But I also really don’t like open endings and generally prefer when dramas actually tell me what is happening. Or at least give pretty big, decisive hints.
Come on show, I want to know if these people are real or not and if they're dead or not
With Tae Joo jumping of a building to get back to 1988 and save the lives of his squad, I am hoping that it was a time-travel or alternate reality sort of thing, because otherwise he just tried to kill himself in order to get back to a dream that isn’t even real, and all his family have to suffer through him being comatose or dead in the real world. And that’s pretty bloody grim. 


Recommend:
Yes- if you’ve seen the original series and what to watch the remake, or if you just enjoy a good crime drama I definitely recommend giving this one a go.
This picture sums the squad up pretty well