Showing posts with label Jung Kyung Ho. Show all posts
Showing posts with label Jung Kyung Ho. Show all posts

Tuesday, 23 June 2020

Smart Doctor Living

Smart Doctor Living

8/10
Smart Doctor Living
Genre:                                                    Episodes: 12                                    Year: 2020
Comedy
Melodrama

Synopsis:
Five friends entered the same university in 1999, and now work at the same hospital. 

Cast:
Jeon Mi Do (Chae Song Hwa)
Jo Jung Seok (Lee Ik Joon)
Jung Kyung Ho (Kim Joon Wan)
Yoo Yeon Seok (Ahn Jong Won)
Kim Dae Myung (Yang Seok Hyung)
Shin Hyun Bin (Jang Gyo Wool)
Kim Joon Han (Ahn Chi Yong)
Ahn Eun Jin (Chu Min Ha)
Jung Moon Sung (Do Jae Hak)
Kwan Sun Young (Lee Ik Soon)
Kim Hae Sook (Jung Ro Sa)
Kim Gap Soo (Joo Jong Soo)
General Thoughts:
The director and writer duo, Shin Wo Ho and Lee Woo Jung, are back! I just don’t think these two can help but make fantastic shows that are filled with heart and wonderful characters.
A new group of loveable characters
(If you didn’t know, this is the pair behind the three seasons of the ‘Reply’ series, and ‘Smart Prison Living’). Similarly to their previous works, ‘Smart Doctor Living’ focuses a lot on world building. The writer gives a highly detailed and understandable place for our characters to live and interact, and such comprehensive world building lets the characters really shine and develop.
Whoever even heard of a doctor wanting to be a priest
What I really enjoyed about this particular world building for this particular show, is that it very cleverly played with viewers expectations, and then subverted them. The first time I noticed this was during the discussion of who was the heir of the hospital- it played with using a Baptismal name, and not showing a face to the youngest child of the late Chairman. If you’ve watched any of the ‘Reply’ series, you’d know that this is a trademark of their work- all three seasons of ‘Reply’ focus on not knowing who the heroine would marry by using clever tricks, such as nicknames and shots framed to exclude the husband’s face, which is a similar thing they did here. Just as I found myself thinking ‘oh surely we aren’t doing this again’, they revealed that the son was Jong Won. It was a cute little ‘gotcha’ moment that felt very meta, and was quite fun. Again a few scenes later we are teased into thinking that Jong Won, as the Chairman’s son, and Jong Soo, as the hospital Director, are going to have a political war about who would inherit the Chairman seat after the Jong Won’s father’s death.
I don't think I've seen a single other K-Drama where the Director/CEO has been a genuinely good person
We see familiar scenes of people wondering if a shareholder meeting will be called, and discussing where they think the cards will fall- how many times have we seen these set ups in literally ANY K-drama that includes a big corporate body. Only in ‘Smart Doctor Living’ we get another ‘gotcha’ moment when Jong Won simply states he doesn’t care about being Chairman and hands it over to Jong Soo.
Ik Joon is my new favourite character ever
Who then also turns out to be a big softie who is very close to Jong Won’s mother. It was a nice surprise to find that hospital politics were not going to be prominent in a drama that was all about a hospital. I’m not sure how realistic it is, but it was a lovely surprise to find that most of the doctors and people in high positions were actually kind and reasonable, and were wanting the best for their patients, juniors and the hospital as a whole. The characters were of course at the heart of the show, and it was their relationships and hardships that were the focus for the plot. Similarly to ‘Smart Prison Living’ there were so many characters. So. Many. Due to the slightly smaller episode count this time around, I did feel like we were a little rushed in some of the character introductions. There were also some fairly big gaps between some characters’ introductions and the next time we saw them on screen, and I will admit that I occasionally forgot certain characters and who they were and what department they belonged to.
Who...who are you people?
I also usually have no issue with remembering characters names- sure if I met you on the street I might not be able to tell you the main characters’ names then, but when I hear them discussed in drama, I pretty much always know who they are referring to. That was not always the case in ‘Smart Doctor Living’. A good few times I struggled to realise who a group of characters were referring to, and unfortunately I think that meant I missed a few nice character revelation moments.
Characters are also 80% harder to identify when in scrubs
Sure, it wasn’t anything major that I missed, but I was a little bummed that I didn’t know exactly who they were talking about. I think one of the issues with this is that characters were getting referred to by different names by different characters. Jong Won alone had Andrea, Jong Won, Professor Ahn, Daddy Long Legs. It was a lot to keep track of, and I often got Jong Won and Joon Wan confused when they were being discussed but were not present- what can I say, as a non-Korean speaker the two names look kind of similar to me! Chi Yong and Jong Won also sometimes got mixed up for me, because they both had the surname Ahn, and sometimes all my subtitles gave me was a vague ‘Doctor Ahn’. I know Jong Won is normally ‘Professor Ahn’, but I really wish that Chi Yong had been given a different last name to spare some confusion. Although I was getting some names mixed up, I loved how individualised and unique each of our characters were.
I love all the intricate relationships 
Even down to the supporting characters who weren’t seen that often- everyone was completely different and showcased those differences brilliantly. One of the better outcomes of these differences was showing the different strengths that each health care worker had. While Joon Wan was a brilliant doctor and surgeon, he had terrible bedside manner. On the flip side Jae Hak was less confident as a doctor, but had brilliant interpersonal skills with his patients. No one was perfect, and each character was continually learning and growing, both as people and as professionals.
Everyone loves some personal growth
A
nother thing I adored about this drama was the way it fought the stereotype that men and women can’t be friends. While the five doctor friends were the main characters, I actually think this was most perfectly expressed in Ro Sa and Jong Soo’s relationship. They had been close friends for so long, and shared so much of their lives together. Each had their own families and had a spouse that they had loved very much- but none of those things impacted their friendship. There was nothing romantic between them at all, and they were simply shown to be very close friends, even after their partners had passed away. It really was a beautiful relationship- it was a doubly good one because not only was it showing so plainly that men and women CAN be friends with absolutely no romantic undertones, but it was also a friendship between two older characters. So often characters over the age of, let’s say 50, are relegated to being a mother, a father, a professional, and that’s pretty much it. I adored that Ro Sa and Jong Soo were still individual characters that had their own lives that didn’t stop when they became partners to their spouses or parents to their children.
A middle aged friendship sounds oh so boring, but it was actually really fun and really refreshing
It’s not something that’s often seen in K-Drama, so I found Ro Sa and Jong Soo’s friendship really precious and really special. As for actual romantic relationships, there were a fair few that were floating around in this show. It’s not uncommon for workplaces to be the spark that lights crushes, and it was cute how a lot of these crushes played out.
My poor heart can't handle all these unresolved love-lines
Min Ha had the direct, blunt approach to Seok Hyung, and while I can’t really see them working out (though I bet Season 2 will pair them up), it was fun and endearing to see Min Ha take the front foot in expressing her feelings. In many ways she was the most likely to get hurt- she was a woman and she was also in a lower position in the hospital. It was unexpected and very brave of her to be so forward, but because she was so straightforward despite being in a more vulnerable position, you just couldn't help but cheer for her. Gyo Wool’s crush on Jong Won was much quieter and she kept it a secret from him right until the last episode. This relationship was probably the one I was least enthusiastic about (and ironically is the only one that actually came to fruition). My lack of enthusiasm mostly stemmed from not really seeing what it was that sparked their interest in each other. Love at first sight isn’t something unusual for K-Drama, but I honestly expected something with a little more depth from this writer, so I felt a little let down when this was Gyo Wool’s answer to Ik Joon asking why she like Jong Won.
Of all the love-lines in this show, I am most surprised that this is the only concluded one
As for Jong Won, I still am not exactly sure why/how he ended up falling for Gyo Wool. I don’t think I’m wrong in thinking that when this show started he didn’t really have any romantic feelings for her, so I’m not sure what changed over the course of the show. Whether it was Ik Joon’s friendship with Gyo Wool making her more noticeable, or Gyo Wool making the effort to really better herself as a doctor, I wish the show had expressed a little more clearly what exactly it was about Gyo Wool that made Jong Won
Can't Song Hwa see that she fits in so perfectly with this lil' family?
want to give up his life long dream of becoming a priest (even though we all kind of knew that he liked being a doctor better than a priest anyway). My absolute favourite of the romantic pairings was Ik Joon and Song Hwa. They had such a solid friendship to build their relationship on, and the scene of the two of them looking after Ik Joon’s son when he was sick really solidified to me that they could be happy and feel fulfilled together. I guess we’ll have to wait til next year to find out. Sadface. Chi Hong was cute too, and his crush on Song Hwa was sweet, but once the show started suggesting that Ik Joon liked Song Hwa too, I just couldn’t root for him- sorry Chi Hong! Joon Wan and Ik Soon were an adorable pairing too, and I really enjoyed watching their relationship develop and how they went out of their way to accommodate each other and grow together. I think the long distance will be a hurdle for them next season, but it was a nice contrast to have one relationship going so well while all the others were not quite finding their feet.
Why do I feel like Season 2 is going to be tough on them?

What Was Great:

Fabulous Five:
The characters and cast were absolutely delightful, especially the main circle of friends. There were a couple of familiar faces- Yoo Yeon Seok was a major character in ‘Reply 1994’, and Jung Kyung Ho was a main lead in 2018s ‘Smart Prison Living’ (there were also copious cameos from actors that had appeared in other works by Shin Won Ho and Lee Woo Jung also).
Some familiar faces and some new ones too
Both Yoo Yeon Seok and Jung Kyung Ho played characters that had similar traits to their previous characters, but they were different enough that it didn’t feel like they were playing the same characters in a different universe. It was more like the writer knew their strengths and added that into the characters, or cast someone familiar that they knew could really sell the type of character they were aiming to portray.
He's hilarious and delightful and all kinds of adorable
Jo Jung Seok was absolutely delightful in his role here as the social butterfly doctor. The role suit him well and really let him bring out his goofy, cheeky side. He is just ridiculously charming, and he channeled all his energy to give us a bright, energising character. His scenes with Kim Joon, who played his son, were so adorable and were doubly cute knowing that he is going to be a father for real soon. Jeon Mi Do was the only female in the main group, and she was fabulous. The way her character was described by other people made her sound like an absolute goddess, and I think Jeon Mi Do did an excellent job at making Song Hwa seem like a real person, and not someone’s fantasy of what the perfect woman would look like. Her bumbling responses to Chi Hong and Ik Joon’s confessions made her feel realistic and awkward, and she had a certain ‘grannyish’ quality to her where she liked what was comfy and convenient over what was trendy and cool. Song Hwa was grounded and reliable and Jeon Mi Do played her so, so well- I almost couldn’t believe when I searched her up and saw that she’d only been in one other drama and only one movie! She was great!
Song Hwa- please love him next season
Kim Dae Myung rounded out the main cast, and he was so wonderfully awkward. While the other four had great qualities that were obvious from the start, Seok Hyung’s good traits took a while to be revealed. Much like he was closed off to other characters in the drama, he started out as a bit of a mystery to us viewers as well. We learned about his gentle, considerate character as the drama progressed, right along with the rest of his team.
Seok Hyung was surprisingly sweet
Kim Dae Myung did a great job at slowly lowing Seok Hyung’s walls and gradually showing more and more aspects of his character. Of all the characters, Seok Hyung tended to have the subtlest character development moments, were he quietly went about his business in an unobtrusive, yet caring manner that was easy for other workers in the hospital to overlook. While each of the main five were wonderful on their own, magic really happened when they were all together. It didn’t have to be all five of them together at once either- whether it was Ik Joon and Joon Wan, or Song Hwa and Jong Won, or all five of them together, they were always endearing and often hilarious. I liked how the show gave enough focus on each of the relationships between each of the characters. The friendship between Joon Wan and Jong Won was different to the friendship between Joon Wan and Ik Joon, and I appreciate that the show took the time to show the intricacies and layers of these friendships.  

Character Driven:
Despite being in a hospital setting and a lot of patients and surgeries being major parts driving the plot, this drama was so much more than a medical drama. I don’t think I’d even want to describe this show as a medical drama because it was so character focused.
Dat drunken tension
Most drams that take place in a hospital have a sort of ‘patient of the week’ episodic format. ‘Smart Doctor Living’ sometimes had three or four patients in a single episode, and sometimes had one patient over a couple of episodes. Whether the surgery was successful or not wasn't really the point of the show or the story the drama was trying to tell.
So many small stories with so many thoughtful moments
The show instead focused on the smaller character beats that these patients brought. We got to see our beloved characters breaking bad news to loved ones, we got to see the strain of family members doing nothing but sit in a waiting room dwelling on their powerlessness. In one episode we were seeing a family have to let go of a loved one who was brain dead and donating his organs. In the next episode we saw a family helplessly praying for a brain dead organ donor to save their loved one’s life. And the doctors were the same- they saw both sides of the story, the grief and the relief and it weighed differently on all of them. This writer-PD duo do so extremely well at finding the small character beats in a busy, complex drama, and in making their characters so endearing and relatable. It’s become a kind of signature for their dramas, and it has always been brilliant, and has never disappointed. The characters moved the story forward, not necessarily by what they were doing, but by who they were being, and how they responded and reacted to events and people around them. 

What Wasn’t:

Inconclusive: 
The episode count of ‘Smart Doctor Living’ was 4 episodes shorter than ‘Smart Prison Living’, which had 16 episodes. I am not sure if the smaller episode count was a calculated decision in order to get a second season out of it, or if this show was always going to be 12 episodes regardless of if it got a second season or not.
I want more of these characters and I want it right now!
I am never really super enthusiastic about K-Dramas having a second season or multi-season format. One of the things that originally drew me into K-Dramas was the single season format- whether a show is great or terrible, it will tell its story in the allotted number of episodes and I can be satisfied that however it ends, that will be the story all wrapped up.
2021 feels so far away...
I get this impending sense of dread when I get about halfway through a final episode and things don’t seem to be wrapping up fast enough. It’s not that I want the show to rush through everything nor that I need every single thing to be tied off in a neat bow- but I do want a conclusion to the main storylines of the drama. So I wasn’t that thrilled when ‘Smart Hospital Living’ left several important plot lines unresolved (primarily Song Hwa’s answer to Ik Joon’s confession) and finished up with a ‘Smart Doctor Living will return in 2021!’ And really, there were only a few things that needed to be touched on in order to bring a satisfying close to the story, which made the Season 2 pill even harder to swallow. If there did have to be a second season, I don’t think it would have been that hard to wrap things up in Season One in a satisfying manner and still have room to explore relationships and events in Season 2. On the bright side, this does mean we get these wonderful characters for another 12ish episodes. But I still don’t like multiple seasons. 

Recommend?
Absolutely- this is one of those one size fits all type of dramas, and I think you would have to try really hard to not like this show.
It is truly delightful

Saturday, 25 August 2018

Life on Mars

Life on Mars

7.5/10
Life on Mars
Genre:                                                  Episodes: 16                                       Year: 2018
Mystery
Thriller

Synopsis:
Han Tae Joo is a detective who believes in facts and follows procedure. While investigating a case, Tae Joo is involved in an accident and wakes up 30 years in the past.

Cast:
Jung Kyung Ho (Han Tae Joo)
Park Sung Woong (Kang Dong Cheol)
Go Ah Sung (Yoon Na Young)
Oh Dae Hwan (Lee Yong Ki)
Noh Jong Hyun (Cho Nam Shik)
Jeon Suk Ho (Han Chong Ho)
Jeon Hye Bin (Jung Seo Hyun)
Kwak Jung Wook (Kim Hyun Suk)
General Thoughts:
Just to start with, I have never seen the original British show. I’d heard about it, knew the general premise, and remembered seeing ads for it on TV when it was first released, but I have never ever watched the show or heard about its finer details. So unfortunately, I won’t be able to compare this remake to its original.
Beginnings of bromance
That being said, I really enjoyed this drama. You definitely didn’t need to have any knowledge of the British version in order to understand and enjoy this Korean remake. OCN has pretty much got the monopoly on crime and thriller dramas in Korea, and for good reason. The channel is willing to make dramas a little bit darker than others are, and that makes for some darn good thriller watching.
Maybe I'm morbid, but I like a bit of blood
There are certain similarities between ‘Life on Mars’ and another OCN time travel-crime drama that aired last year (‘Tunnel’), but the two had enough differences that it didn’t feel like the station was putting a new face on an old show and releasing it again. ‘Life on Mars’ was a little bit darker than ‘Tunnel’, with more attacks and crimes being shown on screen. Anyone who’s watched a K-Drama knows that they tend to err away from actually showing any sort of violence on screen. And then when they do, it’s usually pretty heavily censored. I cannot forget how annoyed I was with the drama ‘Voice’ because they censored virtually everything, so I wondered why they even bothered filming it at all. The writer and PD behind ‘Life on Mars’ seemed to have a much better understanding of what was likely to be blurred out, and so they managed to create scenes that were confronting and gave you the chills, without snapping you out of the moment by having a big blurry blob across a weapon or a wound or a victim. In fact, the directing of the show was pretty brilliant overall- particularly when it came to traces of Tae Joo’s present leaking into the past.
Jung Kyung Ho acted the crazy really well
The interruptions from Tae Joo’s doctors or family never felt random or unfitting. In fact, the way the show brought snippets of 2018 into the 1988 world was one of my favourite things about the drama. It was unsettling and unnerving, and helped add a sense of urgency to the drama.
First guy to treat her like an actual officer- no wonder she likes him
These moments of breakthrough never distracted from the crimes or relationships that were developing in 1988, but they definitely created an atmosphere of uncertainty around our hero, Tae Joo. Because Tae Joo’s life was never really threatened all that much in 1988, it was nice (in a adrenaline-inducing way) to have these reminders sneak in every now and then telling us that Tae Joo was in a very precarious position. The writing of the show overall was very good- and that’s something the show can boast for itself- because even as it’s a remake, it doesn’t stick exactly to the source material, and created situations and characters that were utterly unique. Tae Joo was a brilliant character to have as our lead- cold, but not completely emotionless, and somehow oddly displaced in both 2018 and 1988. Jung Kyung Ho acted the character to perfection, having a great strait-face and doing a brilliant job at creating a sort of emotional barrier between himself and other characters without ever cutting the audience off.
They suit each other perfectly
Despite Tae Joo’s actions sometimes causing confusion and misunderstandings with other characters, we as viewers pretty much always knew what was going through Tae Joo’s mind thanks to Jung Kyung Ho’s subtle and nuanced performance. Park Sung Woong also delivered a brilliant performance (as usual) as the gruff, fists-first ‘80s detective.
So cute you two
Seriously, this role fit him perfectly. While at times I did find Dong Cheol a little bit too fists-first, Park Sung Woong made it easy to like him despite his tendency to beat up suspects before they’re even proven guilty. He has a great comedic streak, and he really used that here to bring out Dong Cheol’s more endearing side. Go Ah Sung really blew me away with her portrayal of the sweet and encouraging Na Young. I think she was perfectly cast, as not only did she bring out Na Young’s intelligent and uplifting nature, but there was something about her voice that just really sold me on her character. Na Young was a quiet and understated character, but Go Ah Sung played her with such impact that she really became one of the most pivotal aspects of the show. Casting these three main characters so perfectly did the show wonders. Even though the writing and directing of the show was brilliant on its own, having these three characters so well cast, and have such great chemistry with each other really elevated the drama to the next level.
Gotta love a solid squad
As I already mentioned, the writing behind this drama was really excellent. As this show was a crime drama, as most crime dramas have there were a fair few crimes sprinkled throughout the show for our heroes to solve. What made the writing feel better than other dramas is that no smaller conflict was dragged on for too long.
Though it did bug me how long it took Tae Joo to realise his Dad was shady
While some crime dramas stretch a case for three-four episodes, ‘Life on Mars’ only gave each smaller plot line enough screen time for it to be concluded, which kept the momentum high and prevented the storyline from dragging. Not only this, but each smaller plot in some way contributed to developing our main story. There were no redundant or unnecessary scenes, and it always felt like what we were seeing on screen was important or relevant to the show’s main plot. Most of the crimes that the squad were solving were related to the mystery of the manicure murders- the case Tae Joo was working on when he was snapped back in time/fell into his coma. The crimes that weren’t related to our main murder duo’s past tended to be cases that developed the relationships between our main trio. With the smaller plot-lines working to develop either the modus operandi of our murderer or fostering Tae Joo’s sense of belonging in 1988, every episode was important and necessary for the development of the story’s main plot. 

What Was Great:

Cohesive: 
Everything in this drama fit together really well. Given that it’s based off some strong source materiel it’s not really a big surprise, but it’s still worth commending. Time travel dramas can be pretty tricky with making the two timelines flow smoothly and making them both seem as important as each other.
Admittedly, 1988 did feel slightly more important
The time travel (or whatever it was) here was done brilliantly. The elements of 2018 that managed to sneak into 1988 reminded us that there was another timeline out there somewhere, and kept us from getting too wrapped up in the 1988 universe. Once Tae Joo was back in 2018, the ghost-like apparitions of the 1988 squad were a great way to keep us pining for what had been left behind,
I mean, no one in 2018 can make Tae Joo smile like that
and make us want some way for our hero to return and save the people we had come to care about so much. Which was also done really smoothly. Tae Joo had no existing connection with the officers in 1988, so it was a hard sell to have this stoic, emotionless man come to love this team. However, as Tae Joo gradually learned about the others through each case in 1988, he came to appreciate their talents, dedication, and most importantly their good intentions. Their 1988 gruffness had a way of getting through Tae Joo’s walls that 2018 politeness just couldn’t. It didn’t feel unrealistic that Tae Joo would come to care about these people as much as he did, as they are the first to really trust him and stand on his side. Tae Joo’s relationship with Na Young was so sweet, and was developed so beautifully. Her soft, caring nature is exactly what Tae Joo needed during his most turbulent time. While I adore the two of them together, I appreciate that the show didn’t push the romance too hard. There were hints of growing romantic interest, and while some small baby steps were taken, there were no big declarations of love or grand gestures- which I think suited 1988 and Tae Joo perfectly. 
Nothing builds romance quite like respect and understanding

Brilliant Remake:
Remakes are nothing new in K-Drama, with there being a pretty wide selection of Japanese to Korean remakes, and even some Taiwanese and Chinese ones. K-Drama also takes its source material from books, manhwas and webtoons. In the past year though I have heard more about K-Dramas taking on some Western materiel.
I've a feeling we're not in England anymore
I haven’t actually watched any of them, but I know they’re out there. This takes on a slightly different tone, as American series tend to have waaaaaaaay more than a single season. In this case, the British version had 2 seasons of 8 episodes each- so that’s the same amount as the Korean remake. Despite not knowing much about the original, I have heard that the Korean version stays pretty in tune with tone of the original. However, it also isn’t simply a copy-paste scenario. The drama took the tone, themes, and heart of the British show, and wrapped it up in pretty Korean packaging. The characters and their environment do not feel British. At all. The show takes place in 1988, which is a pretty memorable year for Korea, what with the Seoul Olympics and all. The cases in the Korean version felt much more geared toward a Korean audience, with one of them even being based on an actual hostage situation that took place in Korea.
So I doubt that case is in the BBC version
The way the 1988 detectives were more brawn than brain, and the way their very competent female officer was constantly overlooked made the 1988 characters fell very real, and most importantly very Korean. While the drama probably would have still been very enjoyable if it had followed the script of the original exactly, where the real magic of this show came was taking a great idea that had worked previously and giving it a fresh new coating.
And I must say, I like this coating
The two shows felt the same, and had some very similar ideas, but as far as I’m aware they were very different shows. The Korean version definitely made a space of its own beside a very well loved and well regarded show. 

What Wasn’t:

More Questions Than Answers:
As this drama went on and I got more and more invested in the story, I did start to wonder if it was going to end in a way that I found intellectually satisfying. Arrogant and obnoxious as that might sound (particularly as I’m not outstandingly bright), I do prefer it when dramas don’t treat me like a complete idiot
This mystery wrapped up pretty well
and actually have a conclusion to the mystery that makes logical sense. I adored all the different questions the show was throwing out there, and there were so many ways the show could have wrapped up. Overall I am satisfied with the way the drama was concluded, but I must say that it didn’t exactly answer all the questions that were raised throughout its 16 episodes. The big main mystery of who the serial murderer was and who was helping him was wrapped up pretty perfectly, and I can’t really fault how the show got to its conclusion on that front- it all made sense, and I was happy with how both the brothers were arrested in 2018. But to me, the mystery that was far more compelling was whether or not Tae Joo had actually gone back in time, or if the whole 1988 world was actually just a big dream while Tae Joo was in his coma. There’s evidence to support either way. Tae Joo
was looking at the files of cold cases that included the murder of our 1988 squad, so it’s possible that Tae Joo’s brain turned the stories in those files into a detailed world for him to live in.
But I so desperately want these guys to be real
There’s also the whole thing where Tae Joo’s family and doctors were communicating with his coma-body and that was leaking through to 1988 Tae Joo. But on the other hand, these were cold cases, and 1988 Tae Joo was able to solve some of them while he was there. Being a cold case, the information to solve the cases wouldn’t have been in the files,
I feel like he'd notice if the detective chasing him hadn't aged
so there was no way that Tae Joo’s brain could have incorporated an accurate solving of cases into a dream. Also, the squad was an actual group of people that did exist in 1988. But on the other, other hand, no one who Tae Joo interacted with in 1988 seemed to remember him being there. Like I’m pretty sure his Mum might have noticed if her son grew up to look exactly like the detective that was investigating her husband who had the exact same name as her son. But nope, nothing from Mum. So what is really going on here? We’ll never know, because the show never decided to tell us. It left it all open for people to wonder and be confused and debate over what was real and what wasn’t. And I can kinda, sorta see the fun in that. But I also really don’t like open endings and generally prefer when dramas actually tell me what is happening. Or at least give pretty big, decisive hints.
Come on show, I want to know if these people are real or not and if they're dead or not
With Tae Joo jumping of a building to get back to 1988 and save the lives of his squad, I am hoping that it was a time-travel or alternate reality sort of thing, because otherwise he just tried to kill himself in order to get back to a dream that isn’t even real, and all his family have to suffer through him being comatose or dead in the real world. And that’s pretty bloody grim. 


Recommend:
Yes- if you’ve seen the original series and what to watch the remake, or if you just enjoy a good crime drama I definitely recommend giving this one a go.
This picture sums the squad up pretty well