Showing posts with label I'm Not a Robot. Show all posts
Showing posts with label I'm Not a Robot. Show all posts

Monday, 2 March 2020

2018 Jaybird Awards

2018 Jaybird Awards


Guess who's back, back, back, back again, gain, gain, Shady's back, back, back, tell a friend. Oh wait, no, It's just me. Seriously though, It's been so long that I've practically forgotten how this blog works- how do I post things, what format do I use, how do you even review things? It's been a pretty busy year for me, with my job becoming full time and (gasp) getting a boyfriend, which has severely limited the time in which I can watch K-Drama and write reviews. But fear not, I plan to be continue on, though I can't promise I will be as regular as I once was- though I will try! Now on to the Awards! I know, I know- 2018 was two years ago. I have missed a whole year of K-Drama. But with this review/awards, let's just pretend that 2019 was a year of K-Drama that didn't happen, and we'll be back on track! 



Best Drama:

Ooooooooh man was this a good drama. It may have come out ages ago now, but I can still remember it so vividly. Despite how long the runtime was, I watched this drama twice. From the director-writer duo of all the Reply series, this was always going to be a show to keep an eye on. As expected, the cast, characters and plot all pulled together to deliver an emotional, heartwarming, and insanely addictive viewing experience. The momentum of the series was picture perfect, with the episodes all having enough content to fill out their runtimes, and the series as a whole never felt draggy or overly long. The drama hit just the right balance between funny and dramatic, without ever getting bogged down in its own angst, or having the comedy take away from the serious moments. Everything in this show was perfectly balanced, and I would not hesitate to recommend 'Smart Prison Living' to anyone who was requesting a good K-Drama (or good series in general) to sink their teeth into.

Runner Up: The Guest


Best Actor:

Lee Seung Gi (Hwayugi)

Despite 'Hwayugi' itself being a complete and total flop, Lee Seung Gi was completely able to dazzle. To be honest, I have never quite understood what the big deal was with Lee Seung Gi (granted I haven't seen too many of his dramas), but in 'Hwayugi' Lee Seung Gi was able to brilliantly showcase his acting ability. The cheeky, petulant character suit him extremely well, and Lee Seung Gi was able to bring an endearing spark to him that prevented the Monkey God from being an irritating character. Lee Seung Gi shined in all aspects of the show, from the CGI fight scenes, to the humour, to the heartache, to the romance. There is not a single scene in the drama where he is not giving 110%, and all his efforts gave us a loveable, charming character that will not fade from memory any time soon.

Runner Up: Park Hae Soo (Smart Prison Living)


Best Actress:

Jin Ki Joo (Come Here and Hug Me)

Despite being a fairly new actress (her first drama was in 2015), and not leaving much of an impression in her side roles, Jin Ki Joo completely blew me away in the drama she headed up this year. The role she played was one that required a multitude of different feelings, and quite a large amount of emotional acting. And Jin Ki Joo most certainly pulled it off. With this role and this performance, Jin Ki Joo made sure that she's be a name and a face to remember, and captured audiences' hearts as the feisty, yet sweet and completely loveable heroine with a dark past. It certainly wasn't an easy role for Jin Ki Joo to have as her first leading role, but she gave a performance that was a resounding success.

Runner Up: Chae Soo Bin (I'm Not A Robot)


Best Short Series:


Okay, confession time. I did not watch very many short series in 2018. However, the fact that this was the only show in the running does not diminish the fact that this was a very good short series! The plot was a little whacky and veeeery arthouse, but the quality of the show was obvious for anyone to see. It had solid acting in Ji Soo and Yoo Jae Myung, and the cinematography was just lovely. The journey the show took us on was quiet and introspective, and it may not be remembered as a short that received a lot of love, but 'Ping Pong Ball' told the story it wanted to tell in a beautiful, thoughtful way, and it was evident that everyone who worked on this show put their best effort into making sure it was something they could be proud of.


Best Character:

Nam Shin III (Are You Human Too?)

'Are You Human Too?' was a show that did a lot of things well, but by far one of the best things it did was give us one of the most loveable heroes of the year. Not only was Nam Shin III sweet, charming, dreamy, and just all-around delightful, but he had the added interest of not being human. Having the hero be a robot was a risky move for the series, but one that ultimately paid off well. Being a robot that was learning emotion (cheesey as it sounds) gave Nam Shin III a lot of depth and so much room to grow. It made his actions even more heart-fluttering when they seemed impossible as it went against his programming. 'Are You Human Too?' was not without its flaws, but the hero it gave us was certainly not one of them.

Runner Up: Ahn Jang Mi (Live)


Best Second Lead:

Park Sung Woong (Life On Mars)

No one will ever not enjoy watching Park Sung Woong as a justice-driven cop from the past. Park Sung Woong has absolutely nailed the role of a no-nonsense fighter with a soft and squishy centre, and he absolutely shows off that talent in 'Life On Mars'. He plays a character whose heart is always in the right place (even if his fists aren't), and was able to showcase his character's growth as he started to accept and adapt to his partners milder, modern police techniques. His gruff attitude was oddly endearing, and he was certainly a character that we could root for all series long. Park Sung Woong delivered a great character, that played perfect support to the show's completely different hero.

Runner Up: Kwak Dong Yeon (My ID Is Gangnam Beauty)


Best Couple:


Despite K-Dramaland giving us an abundance of adorable, loveable couples to root for, there are actually very few of them that have healthy, respectful relationships that would last long term. So even though I have a bunch of dramas and OTPs that I adore each year, there are only a small few that I think are actually good couples. 'I'm Not A Robot' may have a silly premise (girl is impersonating a robot), but the two leads actually end up having an endearing and supportive relationship that made them so easy to root for. Sure, there was no shortage of cute moments, or charming dialogue, or heart-racing skinship, but it was the quieter moments of emotional support and consideration that made this couple such a great one. Chae Soo Bin and Yoo Seung Ho had dazzling chemistry as the metaphorical icing on the metaphorical cake.

Runner Up: What's Wong With Secretary Kim?


Best Kiss:


There were many, many, many (oh so many) things wrong with this drama, but the chemistry between the two leads and the resulting explosive skinship was certainly not one of them. This scene completely did away with the safe-for-work, barely even touching kisses of k-dramas past, and was oh so steamy. The kitchen scene is one of the most remembered moments from the whole series, and if we're all being honest, after that scene it is no wonder at all that the two actors had to dodge so many dating rumours after it showed on television. K-Dramas are not usually that touchy, but it was one of the reasons the couple in this show felt so real, and the emotions so raw. 

Runner Up: This Is When You Kiss (I'm Not A Robot)


Best Villain:

Park Il Do (The Guest)

Okay, this is a little different to the winners in previous years, mainly in that Park Il Do doesn't really have an actor. It's a mystery for most of the show's run who the demon is possessing, so there's no clear actor to credit the performance to. That being said, the atmosphere created around this character was so amazingly well constructed, that he is without a doubt the best villain of the year. Being able to manipulate lesser demons while remaining hidden made Park Il Do completely terrifying, and the idea that he could be lurking inside any of our characters was both thrilling and frightening. The lore that surrounded the supernatural horror of this show was done so well, and the fight between our main characters and Park Il Do was exhilarating and entertaining to watch unfold. Despite not having a physical body, Park Il Do was unquestioningly the most frightening and unsettling villain of 2018.

Runner Up: Lee Dong Gun (Sketch)


Best Ensemble:

Man, there was just so much to like about 'Smart Prison Living'. One of which is the cast. And this cast was HUGE. There were a lot of characters coming and going throughout this series (the prison was the perfect setting for it with inmates getting arrested and discharged and transferred), and most of them were totally loveable. It seems like an odd thing to like characters that are all in jail for doing something terrible (heck, our main character kills someone), but their stories are unveiled in ways that allow us as an audience to sympathise with the characters, even if we do not condone their actions. A large chunk of this series is made up of all the relationships between the prisoners and the guards, and this is what drives most of the plot. A lot was riding on the characters being written an acted well, so we can all be grateful that they were. Not one actor was underperformed, and not one character was poorly written.

Runner Up: Life On Mars


Best Bromance:

Usually the dramas I pick for best bromance have an adorable friendship, or beautifully melancholic relationship at its centre, but 2018s bromance of the year was one that was a little more subdued. The mentor-rookie relationship in 'Live' was under the radar, but had a whole lot of heart. As well as simply having the characters coming to care and watch out for one another, the two also learned a great deal about life and working on the police force from one another. The relationship was tumultuous to begin with, but that made the camaraderie that eventually blossomed between them feel hard-earned and well deserved, as the two had come to know so much about the other, and they both ended up really caring and respecting each other. It was a quieter bromance, but that didn't make it any less endearing.



Best Gal Pals:

What's Wrong With Secretary Kim?

Oooohhhhh dear. This was the category I was least looking forward to. Reason being that there were just not a lot of good girl friends in 2018, and this is also one of the last dramas I watched before my big hiatus. So I don't really remember it that well, and I don't have a review to fall back on and jog my memory. I do remember that the three girls in this show had a sweetly satisfying friendship, and that they were always enjoyable to watch on screen together. Do I think it was a particularly strong friendship that stands out amongst other k-dramas? Not really. But was it one of the better female friendships to come out of the dramas I watched in 2018? Yes, yes it was.



Best Idol Gone Actor:

Rowoon (Where Stars Land)

I am not particularly fond of Rowoon as an idol, but man the boy's a good actor. I was totally ready for him to be an awkward side character, but he completely blew me away with the level of maturity his acting showed. The character in 'Where Stars Land' was not particularly difficult, nor was it a leading role, but it was a great place for Rowoon to find his feet and get noticed in the acting world. His one sided love was heartbreaking and acted to perfection, and Rowoon had great chemistry with Chae Soo Bin (who was the leading lady). He is definitely an idol to keep an eye on as he makes his way into more acting projects, and I don't think it will be too long before he lands a leading role himself.

Runner Up: D.O (100 Days My Prince)


Worst Idol Gone Actor:

Suho (Rich Man)

Unlike Rowoon, Suho has not begun his acting career in a supporting role (though he may have done a few short series?) Unfortunately for him, this meant that there was nowhere for his acting weaknesses to hide. It's not to say Suho is an AWFUL actor- he's just very, very green, and his lack of experience showed through in 'Rich Man'. He didn't have the ability to deliver the more emotional scenes when they rolled around, and he didn't have the experience to inject a dose of likability into a character that was written as a very arrogant, yet bland character. The whole show was a bit of a mess, but I don't think anyone can claim that Suho did a great job here. Hopefully his next project is one in which he gets a bit more support from the other actors (because no one was really that great in this show), and he can build his skills and his confidence.

Runner Up: Cha Eun Woo (My ID Is Gangnam Beauty)


Least Convincing Couple:

That Man Oh Soo

There are many things I do not recall from 2018. Sadly, what a complete and utter train wreck this drama was is not one of them. Amid a confusing plot, sporadic characters and less-than convincing acting, we had a tepid romance. I had complete Second Male Lead Syndrome, and by the time the end of the show came around, I was not convinced that this couple were a) in love with each other, and b) going to last very long together. The drama tried to be too angsty and aimed for an emotional level that it just did not hit, which left the main romance feeling empty and completely falling flat. I was a fan of both the leads (though am unsure what to think of Lee Jong Hyun now after the icky scandal), but neither of them did a good job selling the romance. There was absolutely no chemistry to speak of.

Runner Up: About Time


Show Carrier:

Yoon Park (Radio Romance)

Man, I have watched a lot of not very good dramas in my time. 'Radio Romance' is one such drama. It really, really sucked. The only thing that 'Radio Romance' did well was casting Yoon Park as the second male lead. He absolutely killed it. Yoon Park was able to deliver a multi-dimensional character that was fun, quirky and memorable, in a K-drama world that was boring, pointless and forgettable. Yoon park brought an engaging energy to the show that it otherwise would have completely lacked, and dragged the awful show along right from start to finish with his performance alone. I do not drop a lot of dramas, but I was tempted by this one, and it was really only Yoon Park and his charming character that kept me going.

Runner Up: Lee Sang Yoon (About Time)


Biggest Disappointment:

Pretty Noona Who Buys Me Food

Hoo boy, did this drama burn a lot of people. The first half of the show was actually unbelievably good- there was an engaging noona romance at its heart, it had a solid male lead, and that chemistry was on FIRE. SMOKING. SIZZLING. It was, HOT, HOT, HOT. The drama had hearts fluttering and minds engaged for the first half of its run, before it promptly undid every good thing it had ever done. At risk of sounding rude, the second half of this drama sucked *ss. The relationship fell in on itself, the plot made little sense, and the heroine became one of the most irritating characters ever. It was painful. As the show continued it became evident that it was banking solely on the chemistry between the leads. And this did. Not. Work.

Runner Up: Radio Romance


Jaybird's Choice:


What do you mean I can't have the Best Drama and Jaybird's Choice being the same show? I CAN and I WILL. There's not much more I can say about this drama. It rocked. It pulled my heartstrings and I enjoyed every minute of it. I have also seriously contemplated watching it for a third time.









Runner Up: I'm Not A Robot


Familiar Wife
The Guest
Hundred Million Stars From The Sky
Hwayugi
I'm Not A Robot
Jugglers
Life on Mars
Live
Longing Heart
My ID Is Gangnam Beauty
Mystery Queen 2
Ping Pong Ball
Player
Pretty Noona Who Buys Me Food
Radio Romance
Rich Man
Sketch
Smart Prison Living
That Man Oh Soo
Thirty But Seventeen
Voice 2
What's Wrong With Secretary Kim?
Where Stars Land
Woohoo Waikiki
YG Future Strategy Office
You Drive Me Crazy
You Who Forgot Poetry

Thursday, 1 March 2018

I'm Not a Robot

I’m Not a Robot

8.5/10
I'm Not a Robot
Genre:                                                Episodes: 16                                           Year: 2018
Romance
Comedy

Synopsis:
Kim Min Gyu is the director of a finance company, but lives in seclusion after developing an allergy to human contact. Hong Baek Gyun is a developer of android robots, and his most recent AI, Aji 3, is based on his ex-girlfriend, Jo Ji Ah. Baek Gyun is in the process of selling Aji 3 to Min Gyu, when an accident causes the robot to break down. Baek Gyun offers to pay Ji Ah to pretend to be Aji 3 while the robot is being fixed.

Cast:
Chae Soo Bin (Jo Ji Ah/Aji 3)
Yoo Seung Ho (Kim Min Gyu)
Uhm Ki Joon (Hong Baek Gyun)
Park Se Wan (Pi)
Song Jae Ryong (Hoktal)
Kim Min Kyu (Ssanip)
Kang Ki Young (Hwang Yoo Cheol)
Hwang Seung Eon (Ye Ri El)
General Thoughts:
Well 2018 sure has started off strongly. After going through a year that had a bit of a drought of good romantic comedies, ‘I’m Not a Robot’ was like the long awaited rain. Hopefully this is a sign of things to come and not a start-with-a-bang-end-with-a-fizzle scenario.

This was the rom-com i needed in my life right now
The robot/human set-up is a new take on familiar trajectory, but it was handled so, so well. The path was pretty similar to a lot of typical rom-com stories- meeting-deception-falling in love-discovery of deception-fallout-make up. That being said, this drama had its own twist on that set-up that made everything seem much newer and more innovative than it actually was. 
Good Characters = Happy Audience
Rather than it seeming like this drama was treading the same path as a hundred others before it, it was more like this drama was coming along to show those hundred others how it should be done. Scenarios I usually find myself rolling my eyes at, such as the angsty patch in the middle, instead had me feeling invested and understanding. Because rather than using these situations to try and spur the plot along or fill out more episodes, ‘I’m Not a Robot’ used those moments to highlight character development and struggle that it had laid the groundwork for previously. What the show did so well is that it made its characters the main focal point- not the various occurrences in the plot. Yes, there were robot hijinks and a company backstory, but very clearly the main point was Ji Ah learning her self-worth and Min Gyu learning to trust others. The hows and whys were important too, but it was the way our characters responded to these situations that was the main draw. And of course the characters themselves.
The human allergy was constructed surprisingly well
Min Gyu was completely loveable, and quickly became a hero to root for in the very first episode. By opening with Min Gyu and not Ji Ah, the show allowed us to get a complete understanding of who he was, how is human allergy impacted his life, and ultimately how much he craved human contact. This was essential, as his first few interactions with Ji Ah didn’t exactly show him in the best light- he didn’t get out of his car to greet her, refused to pay her, and was basically a big ol’ jerk.
Yoo Seung Ho, please stay in rom-coms
But because we’d previously seen how terrified Min Gyu was of his allergy and how totally awkward he was (he threw a birthday party for his robo-vacuum), this scene became hilarious rather than being a reason to dislike the lead. Ji Ah wasn’t as whacky as our hero, but she was a refreshing and loveable heroine.
She may have the lowest IQ, but she has the most common sense
She did have a few Candy traits, but she was also innovative and stubborn, which gave her a sense of individuality. I loved that the show played her IQ for comedic effect as it was done in a sensitive way. No one was making fun of Ji Ah for being dumb, but the characters’ surprise (including coming from Ji Ah herself) when things worked out well for her were just hilarious. Such as her heart lamps being based on a complex hypotheses that took the scientists years to figure out, or her simple solutions to problems she couldn’t solve (such as breaking the box rather than finding the code to open it) that made Min Gyu think she was a extraordinary, futuristic robot. The side characters were all delightful, particularly those on the Santa Maria Robotics Team. Baek Gyun was a refreshing second lead, as it’s not often we get totally nerdy second leads actually being the ex-boyfriend of the heroine. They’re usually two completely different ballgames. But Baek Gyun had his own character arc of self discovery. I’m endlessly glad that the writer opted for Baek Gyun searching for the meaning behind his and Ji Ah’s break up, rather than simply having him compete with Min Gyu for her affections.
I always prefer when the second leads don't encroach on the happiness of the leads
There were certainly elements of regret and Beak Gyun wishing he could go back and be a better man to Ji Ah so that he could keep her, but his quiet, individual realisation that he and Ji Ah were now two different people made him and his arc so much more engaging and enjoyable. For a drama that had its heroine posing as an actual inanimate object for a large portion of its runtime, the male leads to an outstanding job at treating her like her own entity to be connected to and communicated with, but not fought over and won.
Teaching Min Gyu How to be Human Part 1
Hoktal and Ssanip were mostly there for comedic relief, and they were very funny, but they also had their more poignant moments. These came particularly when there were scenes of bonding between Min Gyu and the Santa Maria team. It’s Hoktal and Ssanip who are at the dinner Min Gyu throws, and it’s these two that chase after Min Gyu's car after he discovers Aji 3 was a human.
Scientists and love are always a fun time
Where the importance of these characters lie is that it shows Min Gyu opening up to a group of people, rather than only to Beak Gyun- which makes a world of difference for Min Gyu’s development. I was so happy to see that there were also a variety of female side characters- and they all had different, yet likeable personalities. How often does that happen? (For those of you who don’t know- not often). Pi was nerdy without being classically shy. She was bold and sure of herself, and was a great addition to the story. Her one-sided love and eventual love-line with Beak Gyun was super sweet and I always enjoyed watching the two interact, as Pi was often the greatest source of hard truths for Beak Gyun, as she was significantly more socially clued in than Baek Gyun. Sun Hye was used more for comedy alongside Hoktal and Ssanip, but in a similar way as Pi, she was the perfect person to deliver hard truths to Min Gyu. As someone who wasn’t a part of the Santa Maria Team, she was excluded from the complete betrayal Min Gyu felt when he discovered how the team had been deceiving him, and as such she was able to give him the facts of the situation without getting yelled at, scorned or ignored.
Learning to Forgive- also known as Teaching Min Gyu How to be Human Part 2
It was Sun Hye’s message that everyone would move on without Min Gyu if he didn’t choose to forgive that lead to the big reconciliation. Sun Hye’s character was carefully set up all series long with just the right amount of involvement so that she would be able to deliver this message- which I found to be an example of truly excellent writing.
Two thumbs up for a second female lead who isn't a basic b*tch
I was all primed to dislike the second female lead, Ri El, and I was so pleasantly surprised that she wasn’t at all how I thought she’d be. Rather than being the petty, shallow rich girl who comes to marry the hero, Ri El has a lot more depth. For one she has a conscience, which already depicts her differently from every other rich female character. Despite being the second female lead, I loved how separate her story was from Min Gyu’s, as it gave space for the main romance to grow and prevented us from getting annoyed by her character. Rather than watching her pine over the man she doesn’t get, we get to see Ri El begin to realise how her father is using her for his own agenda. Ri El doesn’t just sit meekly by, and goes out on her own to figure out how she can break away from her father and become her own person. Rounding out our support cast is Kang Ki Young as Min Gyu’s ex-friend. I’m so glad that Kang Ki Young is getting more meatier roles (he’s mostly had roles more like Hoktal and Ssnip before), as I’ve always found him a great actor. He’s an excellent comedic actor, but after seeing him as a kitten murderer in ‘While You Were Sleeping’, I’ve been excited to see him get more roles.
The company plot-line stayed where it belonged- in the background
He played Yoo Cheol with a great ambiguity. For a long time I was unsure if there was a simple misunderstanding between the men, or if Yoo Cheol actually seriously wronged Min Gyu. Yoo Cheol’s conflict was really interesting to watch, and provided some interest in the company plot-line. Like most company plot-lines, I didn’t actually care about what went on in the company,
I like you so much better in comedy than in melo
but Yoo Cheol’s actions in the company directly aligned with his relationship with Min Gyu. If Yoo Cheol supported his father he was abandoning Min Gyu for good, but his choice to walk away from his father and all his wrongdoings is what enabled him and Min Gyu to reconnect. With all great characters there of course needs to be great acting to back it up. Kang Ki Young wasn’t the only one that impressed me. I’ve sort of come to dislike Yoo Seung Ho a bit- not as a person, but as an actor. I don’t have any problem with his acting, which I find to be of a high quality, but then I started to realise that either his characters were annoying (Remember) or the drama was just bad (Ruler). I think that maybe because he’s so good at crying it gets overused a bit and his characters can sometimes be annoyingly weepy. But I like him so much more in rom-coms. He’s cute and funny and delightful, but also has the acting ability to back up the more emotional moments in the drama. I loved him as our hero, and he suited the role really well. Chae Soo Bin was just an absolute standout. Her last three dramas just fell of my to-watch list, but I’d heard good things about her.
She also kinda has the perfect face for playing an AI
Seeing her in action is so much better. She has a great flair for comedy and is a solid emotional actress- I was on board her rants and raves and all her heartbreak, and she made Ji Ah a beautifully relatable character. As well as making Ji Ah a wonderful heroine, I love Chae Soo Bin as Aji 3. There was great distinction in her facial expressions, her body movements and her voice, so it was always clear (to us) which character she was portraying.
Magic umbrella of magic
Also special shoutout to the Westerner who wasn’t the worst actor on the planet- what a nice change of pace from our usual white guys/gals. The directing and writing matched each other perfectly, and one thing that really stood out to me was the competence at which they told their story. The writer and director had faith that we were all smart little cookies and could follow along without feeling the need to overexplain anything, or rehash the same information again and again. This kept the story feeling fresh and the momentum racing. I also applaud the show for its minimal use of character flashbacks. Despite drawing parallels between the leads and why Ji Ah understood Min Gyu’s loneliness, the show didn't feel the need to actually show us a childhood version of Ji Ah being similarly solitary. Instead we heard this information as we needed it from characters in the present, which also allowed us to see Min Gyu’s response- which we wouldn't get in a flashback. I’ve never been a big fan of overusing flashbacks, and despite how easy it would have been to do that here, we don’t get an overload of them.

What Was Great:

Human Emotion:
I’m finding more and more that what gets me invested in dramas and causes me to really fall in love with them are the characters behind the story.
And I love these characters
A lot of the time it feels like we’re just going through the motions and using the same old formula when it comes to the rom-com storyboard. ‘I’m Not a Robot’ doesn’t do anything groundbreaking story-wise
Rather than using miscommunication as a plot device, this drama actively avoided it
(in fact it follows that old formula to a tee), but it’s the way the characters were written so humanely that made the drama so great. The characters feel like people- not just figments of some writer’s imagination. Often the problems presented could only be overcome through our characters’ development, and it worked because our characters acted like actual people and tried to learn from their mistakes and better themselves. And they communicated well- how much do I love that practically a whole episode was devoted to Ji Ah and Min Gyu sitting down and having an open, honest discussion about their feelings and how they wanted to proceed (hint- I loved it a lot). The writer knew exactly what scenes would be impactful and could draw the exact emotion she wanted out of the audience- a trait that a lot of rom-com writers seem to lack. 

Bearable Angst:
Usually I hate angst in rom-coms. There’s always a patch of it, usually just on the other side of halfway, and usually it’s ridiculously unbearable and completely avoidable. However, in this drama the angst made sense.
I get why they can't be together and I get why that sucks
Falling love with a robot is pretty angsty stuff. She’s not real, she’ll never be real, and the ‘person’ you’ve fallen in love with is just a machine with pre-coded responses (or so Min Gyu thought). Min Gyu’s choice to reset the robot in an attempt to overcome his feelings for her was believably sad.
It is inadvisable to fall in love with your pre-programmed companion
This was helped along by the fact that his complete isolation and lack of interaction with people from the outside world made it understandable how he could end up falling for a humanoid robot where most other people would be able to clearly draw a distinction between human and robot. The heartbreak from both the leads after the reset also made complete sense. There was no plausible way for the two to see each other again at that time. Min Gyu thought the robot he’d fallen in love with had been completely reset, and Ji Ah can’t reveal that she’s a human for fear that Min Gyu’s feelings of betrayal will trigger a fatal allergic reaction. Min Gyu’s actual feelings of betrayal are again understandable, as he’d been lied to by people he’d come to trust and love completely. There was no easy away around this particular angst- from the moment the drama synopsis first became available we knew we’d be headed for this particular territory. Because there’s just no way to come out of that sort of deception (as innocently as you may have gone into it) without hurting the one who was deceived.
This situation could not have been avoided
There was no moment when Ji Ah should have told Min Gyu and just didn’t, because from the moment she stood in as Aji 3, Min Gyu was always going to feel betrayed when he discovered the truth. The pièce de résistance was that the angst was just the right length. It wasn’t so short that it made the characters’ reconciliations unbelievable, and it wasn’t so long that I stopped caring.  

What Wasn’t:

Forgotten Plotline: 
I know it was pretty strongly hinted that Min Gyu’s groundskeeper was Madame X, but the whole Madame X thing just kinda got ignored a bit.
I don't even have a screenshot to go in this section- just shows how little airtime this plot-line got
I didn’t necessarily need a big Madame X reveal, but at least a little confirmation, or backstory or something would have been nice. As it was it just kinda felt like they ran out of time to include that particular plot-line.

Recommend?
I 100% recommend this for those that are lovers of a good rom-com. 
I adore all the parallels of this kiss