Showing posts with label Jaybird Awards. Show all posts
Showing posts with label Jaybird Awards. Show all posts

Sunday, 4 June 2023

2022 Jaybird Awards

 2022 Jaybird Awards



So we are basically halfway through 2023 and the 2022 shows I watched have still gone mostly uncommented on. I’m sorry I’m so busy! This has actually been written up for quite some time, it’s just taken me a while to get around to posting. I have to say that I wasn’t super enthusiastic about a lot of the dramas that I watched in 2022- there were a few good ones, but I feel like mostly they just felt average or kinda bad. I think with the limited number of dramas I can watch per year now, I just got mostly unlucky and picked some not-so-great shows to invest my time into. Hopefully my choices this year will be better!




Best RomCom AND Jaybird’s Choice: Business Proposal


I just thoroughly enjoyed this show. Which is quite amazing as it didn’t really deliver anything new or revolutionary in the K-Drama world. This show is solid proof that tropes are tropes for a reason- when they are done well they are so fun, so enjoyable, and so addictive. The cast was absolutely delightful and really brought the characters to life, and the whole show was just so darn FUN. The jokes were funny, the chemistry between the leads was sparky, and we even had a really wonderful, equally sparky second lead couple to fill in time that wasn’t dedicated to the main loveline. Every episode was a good time and it was easy to watch the next episode after each one ended. Just a good time all around.


Runner Up: Shooting Stars




Best Melodrama: Pachinko


I feel a little weird talking about ‘Pachinko’ because unlike a lot of dramas I watch which are light and fluffy and fairly inconsequential, ‘Pachinko’ felt like a big production and an important story. It was really a phenomenal drama. It touched on huge concepts such as identity, isolation from culture, and ostracism and discrimination. It’s a massive, intergenerational story that explores these themes and ideas from various time points and character perspectives. It’s shot so beautifully and the production quality is absolutely through the roof. The storytelling throughout the drama is so incredible and so emotive- you really feel for the characters and their struggles and the writing has this magical way of making you feel so connected to these characters, even though you might have absolutely nothing in common with them. It's an emotional story that has been brought to the screen in a truly brilliant way.

 



Best Thriller: All of Us Are Dead


What can I say, I like zombie shows. I don’t have much of a stomach for horror, but zombies are something I’m usually able to handle. I wouldn’t say ‘All of Us Are Dead’ did anything ground-breaking in the world of zombies, but it was an interesting watch all the same. I kind of like that in zombie movies and TV shows there’s a certain level of predictability- or maybe consistency is a better word? The show didn’t have to waste time explaining how zombies are infectious or how they work- it’s all common lore/mythos so the show is able to do a bit of character introduction and set up before jumping right into the zombie outbreak. I thought the setting of the school was a great new environment- all the characters are already acquainted and it also served to lower the age of the characters too. It was fascinating to watch the teens struggle between waiting for help from adults or striking out on their own. The young cast also delivered strong performances and made their characters understandable and empathetic. It was a great show with high stakes and high tension in each episode and is a great little addition into the zombie genre.

 



Least Thrilling Thriller: Through the Darkness


I wanted to like this show. I really, really, really wanted this to just be the absolute best show of the year. Evidently, I didn’t end up thinking it was, but I really tried to like this one. I've studied psychology and I have recently become an avid listener of a true crime podcast during my work commute, so this drama seemed like it should have been right up my alley! It’s literally a show about the psychology behind criminals! But despite the interesting synopsis, I never really found the show that engaging. I appreciated the time it took to show that the idea of a criminal profiler was difficult to introduce to detectives who had been making their way through their careers without it (and honestly, it would sound a bit like bullsh*t if you’d never heard of it before), but it was quite difficult to watch our little team constantly coming up against roadblocks from within  the police force itself. And then a huge chunk of this drama focused on how the compiling of the murderers’ stories was negatively impacting Ha Young’s mental health. Which is fair and a great point for the drama to delve into. I just don’t think it did it in a particularly interesting way.

 



Biggest Disappointment: Bad and Crazy


This is a drama that I have almost completed wiped from my memory. I was so excited for it and just got more and more hyped with every piece of promo material that came out. It was starring Lee Dong Wook who I will always be excited to see in a drama’s lineup. It also had a fabulous second male lead in Wi Ha Joon, fresh of the success of ‘Squid Game’. The drama promised excitement, comedy and best of all BROMANCE! But I am sad to say that it did not end up being very bromatic at all. The two main characters essentially fought all series long, and only came to an understanding in the last few episodes. And even then the cute friendship scenes were pretty minimal. The plot really dragged and I can’t remember finding any of the episodes all that exciting to watch. The ‘twist’ of Wi Ha Joon’s character not being real was pretty obvious and lacked emotional impact, and is probably part of the reason why the bromance suffered- can’t really be doing lots of cute friend things when there’s only one of you. I am also sad to say (trust me, I don’t like saying it) I don’t think the acting was very good. I know that both of these men are great actors so I can only assume that it was the blandness and shallowness of the script that was impacting on the two’s performances. Or maybe they were just having an off drama. Maybe both.

 



Most Overrated: Extraordinary Attorney Woo


It wasn’t a bad drama, but I certainly wouldn’t label it one of the best K-Drama’s I’ve ever seen. It was pleasantly mediocre. I’m not sure if it’s because it was a Korean drama aired on Netflix (and that it wasn’t dark and depressing like most Korean Netflix shows), or if it was because Park Eun Bin acted amazingly in it (which she did), but I was seeing this show absolutely EVERYWHERE. It was the first time I’d been getting K-drama snippets on my Instagram reels! Everyone was saying the show was insanely cute and insanely ground-breaking and it just…wasn’t really. It was simply fine. But I think after hearing it get talked up so much, I was expecting the drama to deliver more than it did, and I was left feeling a little disappointed.


Runner Up: Yumi’s Cells 2

 



Best Worldbuilding: Our Blues


It took me a little while to warm up to ‘Our Blues’, but once I fell into the style of storytelling and figured out how the drama was telling it’s story, I really enjoyed it. What the show did was introduce us to this one location in this one snippet of time, and then thoroughly explore the lives of a handful of characters that lived there. It’s not a super common way for a drama to unfold- most shows pick one main storyline and run with it, whereas ‘Our Blues’ had many smaller stories that all interweaved and interconnected. It gave us a really rich and vibrant selection of characters that interacted with each other at varying levels throughout the show’s run. A person that was a background character in one story was the main focus of another story- every background character had their own lives, their own struggles, and their own hopes and dreams. It made this little town feel very real and lived in, and exploring all the different characters in detail had a way of bringing the whole setting to life.

 



Biggest Disappointment: Love in Contract


Really only one word comes to mind when I think of this drama. Boring. Boring, boring, boring. Nothing was happening in the plot, the characters weren’t interesting, and there was less than zero chemistry between the leads. This show promised a lot of things that I usually enjoy- a contract relationship, Park Min Young, a cute, younger second-male lead, but it just didn’t deliver. The writing was all over the place, the pacing of the show was excruciatingly slow, and the heroine was kind of unlikeable. Looking back it seems that this was this writer’s first ever drama, so it kinda makes sense that it’s not this super clean script, but oh man, I just expected (and wanted) it to be better. I avoided Park Min Young’s last drama ‘Forecasting Love and Weather’ because I’d heard it was pretty bad, and honestly I sort of wish I’d done the same thing here. Is her drama before that ‘I’ll Find You on a Beautiful Day’ any better? Please, someone, anyone… I just want to watch Park Min Young in a drama that isn’t cr*p…


Sunday, 15 January 2023

2021 Jaybird Awards

2021 Jaybird Awards



As 2022 draws to a close I am increasingly aware that I never did a Jaybird Awards post for the K-Dramas of 2021. I’m sorry 2021. The main reason for this is just that I didn’t really watch that many dramas last year (and even less this year…) so it felt kind of superfluous, and also felt as though I wouldn’t be doing the dramas of 2021 any justice- because I had missed so many of them! So for 2021 and for 2022 when it comes to a close, rather than sticking to my usual structure of Awards, I’ll be giving every single drama I watched in 2021 an award (or at least a runner up). They won’t be the best or the worst out of all 2021 K-Dramas, only of the small handful I’ve managed to watch. Hopefully 2023 is less hectic and I’ll get more time to dedicate to watching K-Dramas and writing reviews.



Best Mystery/Thriller:


Beyond Evil

This was by far one of the best dramas of 2021. I pride myself a fair bit on being able to guess twists and surprises in TV shows and movies, and I have to say, I just had no idea who was behind anything in ‘Beyond Evil’. And not in a confused, what the heck is happening, nothing makes sense way, but in a layered, everyone has something to hide way. The acting in this was PHENOMENAL. I haven’t seen Shin Ha Kyun in anything before but wow, that man can act. He perfectly balanced between being creepy and being desperate. The whole cast was fabulous and the storytelling was tight, well paced and addictive. It was a great mystery, a great thriller, and an all around great show.


Runner Up: The Silent Sea

 


Best RomCom:


Mr. Queen

It was one of the first dramas in 2021 that I watched, and I clearly remember thinking ‘jeez, it’s going to be hard to beat this one’. It was quirky without being ridiculous and low-stakes without being boring. The writers gave themselves plenty of space to bring in plot with palace politics, but thankfully never let the show get bogged down in too much angst or boring politicking which can often happen to romcoms in historical settings. This drama also gave us Shin Hye Sun doing comedy which was something I didn’t realise I needed in my life until ‘Mr Queen’.


Runner Up: Yumi’s Cells

 


Best Melodrama AND Jaybird’s Choice:


Navillera

I don’t usually like melodramas. I find them too slow and either too cringey or too depressing. But I adored ‘Navillera’. It was a beautiful story with wonderful characters and an extremely talented cast to back it up. Good dramas are the ones that make you feel something towards the story and the characters, and ‘Navillera’ did just that. It was a lovely story and I am glad that I took the time to experience this well-crafted show.





 


Cutest Cast:


Racket Boys

I nearly bowed out of this drama after the first episode because it was young, silly and nothing made sense. And then I realised that I had started on episode four which is why nothing made sense. After starting from the first episode the show was still young and silly, but it had a certain heart and warmth to it that made it an enjoyable watch. So much of this came from the group of young actors portraying the main cast. They brought a great energy to the show and did a great job at showcasing their growing talents as actors. ‘Racket Boys’ was a sweet story with a charming young ensemble.



 

Worst Second Male Lead:


Sunbae, Don’t Put On That Lipstick

Second male leads can be a tricky thing to navigate. You don’t want them to be too swoony otherwise they will overshadow the male lead and none of the viewers will be on board with the main romance. But you also don’t want them to be too terrible, because otherwise why is the heroine even considering them? Hitting that sweet spot in the middle where the second lead is fabulous but just not the right fit for the heroine is where every drama love-triangle aims to be. And that’s exactly where ‘Sunbae’ ISN’T. Lee Jae Shin was a long-term cheater, a liar, and all around *sshole. I didn’t want to watch him on my screen any more than was necessary, and I certainly didn’t want to watch that bulls*t redemption arc the show gave him. He’s just gross.


 

Most Popular:


Squid Game

‘Squid Game’ was a massive success. And rightly so- it was a great drama. I wouldn’t say it’s the best drama I’ve ever seen (I wouldn’t even say it’s the best drama I saw in 2021!), but it was by far the most talked about K-Drama I’ve ever seen. It was addictive and unique and massively appealing to both people who watch K-Dramas regularly, and those who don’t.








 

Most Depressing:


D.P

Objectively this was a good show. But did I like it? No. No I did not. I kind of don’t know why people make shows like this. I guess there’s something to be said about a drama showing realism in order to make social commentary, but to be honest I don’t want to watch characters get physically and emotionally abused in my free time. It’s just not fun. Nothing good happened in ‘D.P’- it was a dark show full of selfish and hateful people and an authority body that did nothing to protect the vulnerable from people who would take advantage of them. Low-key regret watching this one to be honest...


Runner Up: One Ordinary Day

 


Most Forgettable:


The Veil

Apparently I watched this? I remember seeing Namgoong Min in a revenge mystery/thriller and this must be it. I do not remember anything that happened. I think there were some good fight scenes though, and I’ also pretty sure I remember thinking that all the hero’s problems would have been solved if he’d just never given himself amnesia in the first place? But yeah, that’s pretty much it. It’s a show. That I did indeed watch.



Runner Up: The Witch’s Diner



 

Least Convincing Couple AND Biggest Disappointment:


Doom At Your Service

I disliked this show. I disliked it quite a bit. There were so many things wrong with it. But there were so many things that should have been right with it- which is why it ended up feeling like such a massive disappointment. My expectations were far too high. It had Park Bo Young and Seo In Guk- the chemistry should have been so intense it was short-circuiting my laptop! Instead we got barely a fizzle. The whole plotline had varying levels of frustration throughout, and the story just didn’t really incorporate the fantasy elements very well. It ended up being quite a struggle to get through all the episodes this drama had as it was so slow moving, and really, I just didn't care after a certain point.



 

Highest Body Count:


Mouse

K-Drama loves a good serial killer storyline. Even romcoms can’t get away from it. I guess nothing heightens the tension in a show quite like the possibility that anyone could die- regardless of if it fits the genre or not. And ‘Mouse’ had not one but TWO serial killers! Such tension! (I mean not really, the whole show felt strangely both too confusing and too predictable at the same time). But boy were there a lot of deaths. And I mean a LOT. People were dying left, right and centre. Strangers, family members, main characters- no one was safe. I think all in all the drama could have come together better than it did, but boy the writers did not care about who they killed off and in a world that is filled to the brim of characters protected by plot armour, it's a pretty refreshing direction for a drama to take.


 

Best Sequel:


Hospital Playlist 2

This is basically a continuation of the first season- you could go through watching the last episode of Season 1 to the first episode of Season 2 and probably not even know you had entered a new season. The show gave viewers everything they loved about the first season, but just changed up the development and the main plot points a bit so we weren’t given an exact replica. The cast and characters remained delightful and the story remained engaging and heartfelt. A win all around.





 

Most Haunted:


Sell Your Haunted House

Was this the only show I watched with ghosts in it in 2021? Maybe. Do I remember much about the ghosts? Not really. Jang Nara gave a wonderful performance and I appreciated her taking on a darker role that her usual chipper, baby faced, loveable heroines. Jung Yong Hwa was passable in his role. There were ghosts and possession and a mystery that centred around the death of our heroine’s Mum, and it was a pretty good ghost show all things considered.






Saturday, 6 March 2021

2020 Jaybird Awards

 2020 Jaybird Awards 


Another year gone, and what an interesting year it was. I think a lot of people are quite happy to see 2020 in their rear-view mirrors, but it wasn’t a year that was all bad. I am unsure whether it was just due to me luckily picking good shows, but 2020 seemed to have a higher number of good dramas than usual. There seemed to be a bit of a trend towards the melo side of things- there weren’t a whole heap of pure rom-coms that were generating a lot of buzz, so maybe it’s this tonal shift that allowed last year to have such a wide spread of great shows. Usually there’s only one or two dramas that I really fall in love with, but last year there were so many that I really enjoyed watching- and that’s even with me missing some of the bigger absolute smash hits like ‘Crash Landing on You’ and ‘The World of the Married’. I didn’t get to watch as many K-Dramas as I would have liked this year, but it’s a hell of a lot better than the number of 2019 shows I got through the year before that! I will do my best to continue reviewing as many as I’m able in the hopes that I’ll be able to bring you a great 2021 Jaybird Awards this/next year too!




Best Drama: 


Nobody Knows

Ahhhh this was a tricky one to choose this year! Usually there’s an absolute standout, but as I already mentioned, there were so many wonderful K-Dramas in 2020. What I found really special about ‘Nobody Knows’ is that it’s really difficult to get a mystery-thriller done just right. And this drama was a mystery-thriller done just right. The story-line was paced perfectly with new information being revealed at appropriate times so that there was always something new happening, the heroine never felt like she was facing an unwinnable battle, and while the many mysteries of the show remained mysterious, there was enough revealed to the audience that it never felt like we weren’t being fed enough information. The tone was set so brilliantly with moody lighting, interesting camera shots and a dramatic score to back it all up. Every actor involved in the project delivered amazing performances, and the unique friendship between a lonely teenage boy and an isolated middle-aged woman was surprisingly endearing and such a breath of fresh air. This show was able to be dark without being depressing, and the eventual victory for our hero and heroine felt well earned and didn’t come too easily or too impossibly. ‘Nobody Knows’ was an extremely well executed mystery-thriller that was able to grab attention in it’s first episode and maintain that engagement until its final episode. 


Runner Up: It’s Okay To Not Be Okay



Best Actor:


Kim Soo Hyun (It’s Okay To Not Be Okay)


It’s been entirely too long since Kim Soo Hyun has been on my screen (not since ‘The Producers’ in 2015 in fact). I nearly had a heart-attack during his cameo in ‘Hotel Del Luna’. I wondered if he’d lost any of his acting talent during his long hiatus, especially when I heard his last movie was such a plonker. I think we can all agree that my fears were baseless, and we can all be very thankful that Kim Soo Hyun’s amazing acting talent has not waned during his military service and brief period of inaction. ‘It’s Okay’ was a fabulous drama on so many fronts, and it gave Kim Soo Hyun such an interesting character to work with. While Kang Tae doesn’t sound like such an interesting person on paper (nurse with an autistic brother who falls in love with a whacky author), there was so much emotional depth to the character. There was a lot of struggle and grief that Kim Soo Hyun needed to portray for this role, along with scenes of such love and happiness. His character’s brother and lover caused him so much heart-ache but also provided so much joy, and it was amazing to see Kim Soo Hyun showcase this vast array of emotions particularly when the source of these deep emotions were the same people. ‘It’s Okay’ was a story that focused a lot on relationships and feelings, and they really couldn’t have picked a better actor for the job. Kim Soo Hyun was so amazingly emotive and immersed in his character, it was impossible not to get sucked into the characters and story along with him.


Runner Up: Park Seo Joon (Itaewon Class)



Best Actress:


Seo Ye Ji (It’s Okay To Not Be Okay)


I feel kind of cheeky putting both of the leads of ‘It’s Okay’ down as best actor and actress, but honestly, their performances in this show were virtually flawless. Seo Ye Ji was certainly not overshadowed by Kim Soo Hyun in this drama, and absolutely gave the performance of her career to date. While I have always thought she was a highly talented actress, she previously felt liked she lacked a bit of that special something- warmth? Charisma? Not here. In ‘It’s Okay’ Seo Ye Ji is icy cold, fiery hot, girl-crush confident, and crushingly vulnerable. While her character wasn’t exactly likeable, Seo Ye Ji gave her such an unexpected dose of heart- she forced you to like Moon Young. You didn’t have a choice. As Moon Young was a bit full-on, Seo Ye Ji had to inject so much energy into the role, and that energy shone through so brightly. Moon Young was certainly a character to remember, and Seo Ye Ji brought her to life in such a wonderfully charming way.


Runner Up: Kim Seo Hyung (Nobody Knows)



Best Short Series:


Kingdom 2


For the last few years I’ve kind of felt like there haven’t been that many great short series going around. They have all sort of seemed like low-budget, poorly scripted rom-coms that are more cringey than cute. With Netflix stepping into the K-Drama scene, it’s kind of opened a new door for K-Dramas with a short run time. Dramas such as ‘Kingdom’. ‘Kingdom’ is certainly not low budget and it’s far, far, far from a comedy. The quality of the first season was absolutely amazing, and the second instalment did not disappoint. Following off the back of Season 1, which involved a lot of set-up, Season 2 really got to get into the meat of the story. All our characters were developed a bit more, and the political intrigue really stepped it up a notch. The zombies remained a constant threat (and were so wonderfully realistic in their costuming and makeup), but we also had numerous threats in other people who wanted utilise the chaos of the zombies for their own agendas. The Crown Prince remind a likeable hero that was easy to root for, and the whole show just felt like one big Blockbuster. ‘Kingdom 2’ is pure quality from its writing to its acting to its production, and it was an absolute standout in the year.


Runner Up: Big Data Romance



Best Character: 


Lee Ik Joon (Smart Doctor Living)


‘Smart Doctor Living’ was a drama that was filled with so much heart and warmth, and every character that inhabited this world was endearing and so very enjoyable to watch on screen. But the character that really won my heart, not just in the drama alone, but out of all the characters I watched in 2020, was Lee Ik Joon, portrayed by Jo Jung Suk. There was just so much life and love all wrapped up in the one character, and having him be a single parent of a young son just added a heap of emotional depth to his character. Ik Joon was juggling so much in his life, but always had time for his patients, his son and his friends. He cared for everyone and was always trying to help in whatever way he could- it was just impossible to not love him. Jo Jung Suk filed the character with so much life and energy- Ik Joon felt like a very real and lived in character. Despite the character’s goofiness, he never came across as one dimensional or shallow- in fact quite the opposite. He was layered and complex with his own struggles and heartaches, but his sunny disposition and lovely relationships with all the other characters made him such a joy to watch, and made it so easy to root for him in all his endeavours- even his one-sided crush on Song Hwa (sorry Chi Yong).


Runner Up: Yeong/Eun Seob (The King: Eternal Monarch)



Best Second Lead: 


Oh Jung Min (Hi Bye, Mama)


While this drama didn’t really do much for me as a whole (it got bogged down in waaaaaaay too much avoidable angst), there is one thing about this show that I found truly special. The second female lead, who was the second wife of the male lead, was not portrayed in a negative light. When I think of love-triangles in K-Drama I can name a dozen shows were both the men vying for the heroine’s heart have been wonderful, amazing individuals. But when the triangle is two women and one man, I struggle to think of shows were both the women are respected and likeable characters- so often one is delegated to the role of ‘villain’. But in ‘Hi Bye, Mama’ Min Jung is developed as her own entity outside of the love triangle, and that entity turns out to be very likeable. While she isn’t the typical bubbly, sunny heroine, Min Jung had a quiet strength in her, and was able to care for and love Yoo Ri’s daughter as if she were her own, all while feeling an immense inadequacy to her husband’s deceased first wife. Min Jung was put in an extremely difficult and uncomfortable position, and yet she never hated or despised her husband’s late wife (even when she came back to life), and the friendship the two women were able to develop was so special and extremely heartwarming to watch play out. I loved that Min Jung was given so much development, and that she was written as a character to empathise with rather than a villain or a jilted ex-lover. I loved Min Jung as a character because she portrayed a different type of endearing female character, and while I personally didn’t love that she took back Kang Hwa after the way he treated her during his dead wife’s brief resurrection, it was also an interesting and unusual end where the second female-lead ended up with the male lead.


Runner Up: Rang (Tale of the Nine Tailed)



Best Couple: 


Kang Tae and Moon Young (It’s Okay To Not Be Okay)


Best Actor, Best Actress, Best Couple…am I giving too many awards to the one show? Perhaps. But did ‘It’s Okay To Not Be Okay’ earn every single compliment I am giving it? Absolutely. I’m not really sure there’s much more I can say about these two characters. There were amazing individually and they were amazing together. I liked that the show was less about the two ‘fixing’ each other, and more about finding someone who could love you with all the baggage you bring with you. Kang Tae and Moon Young didn’t love every single thing about the other, but they accepted each others weaknesses and insecurities because they loved each other. They worked on issues together, struggled, fought, laughed, and supported each other, and I thought it was a pretty good depiction of a loving and caring partnership. While relationships would ideally have far less issues and a lot lighter baggage, the two of them were able to become a family with Kang Tae’s brother and face all of their struggles and victories together as a team. The chemistry was absolutely sizzling and Kim Soo Hyung and So Ye Ji were just dynamic together. There was such energy between the two of them whether the characters were fighting or flirting you could really feel the tension in the air. 


Runner Up: Chan Hyuk and Eun Hee (My Unfamiliar Family)



Best Villain: 


Park Hoon (Nobody Knows)


For a mystery/thriller drama to be successful, you really do need a compelling villain behind it. Having a non-threatening villain or a reveal that lacks a dynamic punch can really hurt how good a drama feels. ‘Nobody Knows’ was a superb mystery/thriller, and so it stands to reason that the villain would be superb as well. While Sang Ho wasn’t exactly a hidden villain (it was certainly obvious he was shady- the question was more about to what extent), it was truly creepy to see just how dark his character went and how far his reach could go. Sang Ho wasn’t afraid to hurt whoever got in his way, and what made him more frightening was the intelligence behind his character. While it may not always be obvious to those around him, Sang Ho was certainly a strategic thinker and knew how to manipulate situations and people to his advantage. And Park Hoon played the character to perfection. The helpful, charismatic charade that Sang Ho wore always had a distinct creepiness to it, even when it Park Hoon himself wasn’t exactly doing anything outright creepy. Park Hoon had this weird ability to appear both completely welcoming and completely unsettling at the same time, while never failing to absolutely ooze charisma. Whether that charisma was being put to use to flatter and deceive or threaten and coerce, it was always there. Sang Ho was one of the most detailed, complex and intelligent villains I’ve seen in a while, and Park Hoon brought him to life so splendidly. 


Runner Up: Kim Hye Joon (Kingdom 2)



Best Ensemble: 


Smart Doctor Living


It just can’t be helped, I’m sorry. Any time this writer/PD duo have a drama it’s just going to be the best ensemble of the year. At this point it’s just the law. It’s almost amazing because I have so much expectation placed on the cast and the character relationships whenever a drama by this team comes out, and yet somehow they never disappoint. While some of their shows are better than others, and there are some plot points or storylines I don’t always vibe with, one thing that never disappoints is the cast, the characters and the chemistry. While usually this team pick more overlooked or unknown actors, this time we were given quite a large amount of extremely popular actors- Jo Jung Suk, Yoo Yeon Seok amd Jung Kyung Ho are far from unknown or underrated actors. They are big names that will draw big interest. Kim Dae Myung and Jeon Mi Do rounded out the cast of the main characters, and I’m glad to say that they could completely hold their own next to these other bigger name actors. The characters all had different strengths and weaknesses, both in their personal and professional lives, and the ways they banded together to face their problems and support one another was just great television. Every relationship between the characters was unique and different, and the cast all seemed to be having a great time filming this show. I always say that when the cast seem to be having a good time that it really translates well and that sense of joy and fun can really be felt by the audience. The chemistry was fabulous between everyone in the cast- Jo Jung Suk is really a chemistry king, so it’s no surprise there that he was able to bring huge emotion. This whole show was filled with a lot of heart and so much of that came from how the individual characters were constructed and how well all these different characters vibed and interacted together.


Runner Up: My Unfamiliar Family



Best Bromance: 


Kang Tae and Sang Tae (It’s Okay To Not Be Okay)


Yes, yes, another award for ‘It’s Okay’. It’s not my fault- the show was really great! One of the biggest draws in this drama for me was the way the show handled the representation of Kang Tae’s autistic brother. So often I find media either leans too far to either characterising intellectually disabled characters as unintelligent, horrible people or sweet, puppy-like people who have nothing but love to give. I thought ‘It’s Okay’ did an excellent job at showing how Sang Tae had behaviours that were both extremely endearing and extremely challenging. There were a lot of ups and downs in the brothers’ relationship, and their relationship was always a bit weighed down by the feeling of responsibility Kang Tae felt. Kang Tae’s journey in the drama was very much about how he could relinquish some of his responsibility and over-protectiveness and it didn’t mean that he loved or cared for his brother any less. As Kang Tae started to learn this, it really gave space for their relationship to grow. With Sang Tae able to take on a bit more responsibility himself- such as getting a job, he allowed Kang Tae to have more freedom in his own life. As the strain between them lessened, their love and consideration for each other could truly be felt- even if they expressed this in different ways from each other. The relationship between the two brothers was such a big part of the show, and also a big part of the main romance. While Moon Young had many shortcomings, she always treated Sang Tae as his own person who was capable of making his own choices and never babied him. How she interacted with Sang Tae was a big part of her and Kang Tae’s relationship, and I’m glad that this wonderful relationship was never pushed away in order to spend more time on the romance, but rather each relationship was shown to strengthen the others.


Runner Up: Gon and Young (The King: Eternal Monarch)



Best Gal Pals: 


My Unfamiliar Family


This must have been a good year for family characters in K-Dramaland as both the best bromance and the best gal pals are actually siblings. While regular same sex friendships are nice to watch, there’s something a little bit special about sibling relationships. No matter how different you are and how your tastes may vary, there’s always going to be a link between siblings. And ‘Unfamiliar Family’ really demonstrated this well. Sun Hee and Eun Joo were polar opposites, but they managed to get along. Well, some of the time anyway. Had they not been sisters these two women probably wouldn’t have been friends at all, but being related they had to spend a lot of time together and learned so much about each others' strengths and weakness, communications styles and tastes. Despite fighting a lot in the show's run, it was clear that the two really cared for each other, and in their worst moments when they were really struggling they knew they could turn to the other for help. ‘Unfamiliar Family’ was a story all about family bonds and relationships, and these two sisters were so entertaining to watch. I think anyone with a sibling could relate to their issues and to the relationship that the two of them shared.  


Runner Up: Hi Bye, Mama



Best Idol Gone Actor: 


Sungjae (Mystic Pop Up Bar)


Strangely I don’t think I saw that many dramas in 2020 that had idol-actors in them. Or maybe I did and I just didn’t notice because I have absolutely zero idea about new-gen idols. I’m getting old it seems. Sungjae I mostly remember doing more serious roles, so I was looking forward to seeing how he was going to fare in a drama that seemed to be a bit more comedic. While I think Sungjae is more comfortable playing serious roles that have a bit of a fun or cheeky streak, I think he handled the more silly role of Kang Bae well. While his acting wasn’t flawless, I felt he did well to hold his own against Hwang Jung Eum, who love her or hate her is very experienced in comedic roles, and Choi Won Young, who is just a phenomenal actor in absolutely everything he’s in. It was nice to see Sungjae branching out a bit and experimenting with something new, and I do think this will help him develop his acting skills (which are already great) even further. He’s off to the army for 2021, but I’ll be curious to see what role he goes with once he’s back.


Runner Up: Dasom (Was It Love)



Best New Face: 


Lee Kyu Hyung (Hi Bye, Mama)


Okay, I’m not quite sure if Lee Kyu Hyung is actually a new face, or if he’s just kinda new to me. He blew me away in 2018 in ‘Smart Prison Living’, but I haven’t seen anything else he’s been in since so…he counts right? In ‘Smart Prison Living’ he was played predominantly for comedic effect, and ‘Hi Bye, Mama’ was a straight up melodrama, so I was curious to see how he would do. While ‘Hi Bye, Mama’ wasn’t exactly a great show, it did manage to show off a vast range of emotion and talent from Lee Kyu Kyung. Even when his character was being irritating or frustrating, Lee Kyu Hyung was able to make his character’s emotions easily felt. He did a great job with the materiel he had been given (which again, wasn’t great) and was able to make a memorable character. He did well with the melo genre (though I do prefer him in comedy) and it was great to see that he has such range and would be open to doing different styles of projects- I certainly don’t think he runs the risk of being typecast. If nothing else, ‘Hi Bye, Mama’ was a good watch just to see how Lee Kyu Hyung handled being in a lead role, and it did make me interested to see what project he would take on next, and if he would again return to our screens as the male lead.


Runner Up: Ahn Ji Ho (Nobody Knows)



Best Returning Face: 


Kim Bun (Tale of the Nine Tailed)

After a four year hiatus Kim Bum is back in K-Dramaland! Hooray! Between going off to the military and taking a break for his health, I was wondering if Kim Bum would ever be back on our screens. In his absence other actors have come and gone, and I must admit that I started to forget just how good of an actor this man is. There are some actors who are just perfect for certain roles, and loveable bad boys is something that Kim Bum does so, so well. Kim Bum has an extreme amount of charisma, and I’m so glad that he was able to showcase that so well in his returning project. While Lee Dong Wook is amazing and one of my favourite actors, I have to say that I think he was a little bit outperformed by Kim Bum in ‘Tale of the Nine Tailed’. Granted, the character of Rang (which Kim Bum played) was just a better character overall, but Kim Bum put so much passion and energy into his performance and gave us a strangely loveable character to root for. I was so excited to see Kim Bum returning, and I was certainly not disappointed. I’m looking forward to seeing what he comes out with next- he’s been cast in ‘Law School’ which is due to air this year, and while the synopsis sounds a bit boring (not gonna lie, law TV shows never get me particularly excited), I may have to check it out for the simple fact that it has Kim Bum in it. 


Runner Up: Kim Soo Hyun (It’s Okay To Not Be Okay)



Least Convincing Couple: 


Was It Love


Uuuuuggghhhhh. This drama. Was. BAD. Like yeah- seriously not good. And one of the reasons it was so bad was that the love-line sucked. Major donkey balls guys- this romance was not good. The show struggled a bit due to having so many men competing for the heroine’s heart (none of them being all that likeable either), and the show seemed to have no idea how to make the actual male lead seem like a better choice. There was a lot of misunderstanding and miscommunications between the two leads, and while the actors playing these two characters are good actors, the chemistry was extremely lacking. There was no warmth or spark between the two of them, and it honesty kind of felt like the characters didn’t really like each other that much- they were just trying to re-live their happier days when they were together in university. The show was leaning heavily on the fact that the male lead was the father of the heroine’s daughter, but honestly being the baby-daddy is just not enough to get me to cheer for a love-line. In fact, the whole time this show was going on I was really hoping it would do something different where the baby-daddy wouldn’t be the one that the heroine ended up with in the end. Spoiler alert- that did not happen, the show went the predictable route and we were saddled with a lacklustre romance as a result. If I were to imagine how the characters of this show would be doing in 2-3 years after the end of the drama, I 100% believe that the main couple would have broken up again. They were dysfunctional and selfish and just had no clue how to make solid relationship work.


Runner Up: Tale of the Nine Tailed



Show Carrier: 


Choi Jin Hyuk (Zombie Detective)


‘Zombie Detective’ wasn’t exactly a bad show, and there were other cast members and characters that were enjoyable in the drama as well as Choi Jin Hyuk and his portrayal of the zombie Moo Young. But I do thing that without Chi Jin Hyuk being the actor behind Moo Young the show would have gone very differently. Most of the screen time and storyline centred around Moo Young’s character, and the drama would have been an absolute disaster if the actor behind him had not been up to scratch. While I wouldn’t have called Choi Jin Hyuk a comedic actor before seeing this, I can say that he suits comedy really well. He has a willingness to do silly things and isn’t afraid of looking daft and it really let’s him get into the humour and fun of the show. His ability to have both serious and comedic acting at his disposal was a great asset in this drama, and he was able to shift very seamlessly between the funny zombie Moo Young, and the more serious zombie Moo Young. He was just a delight to watch here, and I think so much of the draw of this show came from how brilliantly he brought the titular zombie detective to life.


Runner Up: Lee Se Young (How Are You Bread)



Biggest Disappointment: 


Tale of the Nine Tailed


This drama was not terrible. In fact it was very enjoyable for a fair chunk of its run. But boy did this show fall victim to the big ol’ Hype Train. The promos for this drama were intriguing and suspenseful- we were promised a dramatic and heart-racing romance that had to stand against a dark and powerful threat that could destroy the human world as we know it. What we got was an okay-ish love-line between two characters who fell for each other weirdly quickly, and were so wrapped up in themselves that they didn’t really seem to care what happened to the human world. The spirit world was not as exciting as I was hoping for, with very few mystical creatures being explored and explained, and the Big Evil of this drama was pretty lame. While Imoogi probably has the highest body count of any K-Drama I’ve seen (he killed like 900 people in a 10 minute sequence), because we didn’t actually know (and thus care) about those people/characters, he didn’t seem all that threatening. Fate is a topic that is explored in many K-Dramas, and ‘Nine Tailed’ really added nothing new or explorative in that area. It felt like a handful of other reincarnation dramas I’ve already seen, and even the leads, Lee Dong Wook and Jo Bo Ah, kind of felt like they had given up on the show by the time it wrapped up. This show started with a bang and went out with a fizzle, and that’s never how you want your K-Drama to pan out. 


Runner Up: The School Nurse Files



Jaybird’s Choice: 


Smart Doctor Living


Shows with great characters will always win my heart. I love getting attached to characters and being invested in whatever it is they are doing- even if whatever it is they are doing is as mundane as being in a garage band with a terrible singer. This drama was fun and humorous and that made it easy to watch. These days with my life becoming busier, there’s less and less time to dedicate to watching K-Dramas- so I love when a show comes along that is easy to watch- I don’t have to push myself to watch another episode because I’m already so invested in what is happening on screen. With so little of my time now being spent on K-Dramas nothing is more disappointing than to set aside an hour or so of time and end up having the episode I’m up to just be draggy and over-dramatic and boring. Every single episode in ‘Smart Doctor Living’ was filled with interesting choices for our characters, relationship development  and character growth. There was something special in each episode and as we dove deeper and deeper in we learned more about our characters, who they were, and why they acted the way they did. Every episode was fun and left you wanting more, and while there were so many great things about the show, it is this in particular that made it a stand out for me in 2021.


Runner Up: It’s Okay To Not Be Okay



2020 Dramas Watched:

365: Repeat the Year

Big Data Romance

The Game: Towards Zero

Hi Bye, Mama

How Are You Bread

Itaewon Class

It’s Okay To Not Be Okay

Kingdom 2

The King: Eternal Monarch

Mystic Pop Up Bar

My Unfamiliar Family

Oh My Baby

Nobody Knows

The School Nurse Files

Smart Doctor Living

People With Flaws

Psychopath Diary

Tale of the Nine Tailed

Was It Love

Zombie Detective