Showing posts with label Jo Han Chul. Show all posts
Showing posts with label Jo Han Chul. Show all posts

Monday, 26 November 2018

100 Days My Prince

100 Days My Prince

6.5/10
100 Days My Prince
Genre:                                                  Episodes: 16                                 Year: 2018
Romance
Historical

Synopsis:
In order to try and restore balance and bring rain during a long drought, Crown Prince Lee Yul orders all single men and women in Joseon to be married. After an assassination attempt, the Crown Prince loses his memory and lives as a peasant. A peasant girl, Yeon Hong Shim, is forced to marry the amnesic prince due to the new law that all singles must be wed.

Cast:
D.O (Lee Yul/Won Deuk)
Nam Ji Hyun (Yeon Hong Shim/Yoon Yi Seo)
Kim Sun Ho (Jung Je Yoon)
Jo Sung Ha (Kim Cha Eun)
Kim Jae Young (Moo Yeon)
Jo Han Chul (King Neungseon)
Han So Hee (Kim So Hye)
Jung Hae Kyun (Yoon)

General Thoughts:
Overall this show is a cute and sweet love story set in the Joseon era. It came pretty close to being a truly amazing drama, but just had a few too many slip ups along the way. The main issue this drama faced was that it couldn’t really decide what it wanted to be.
Are we a rom-com or are we a dramatic sageuk?
All the promo materiel sold the show as a light and fluffy rom-com dressed in Joseon setting. But as the drama kicked off, it started to seem as though the writer wanted to tell a more dramatic, sageuk story. Which wouldn’t have been that bad, but the balance was just never right- either tilting too far towards completely comedic or too far towards dry historical.
He's just too adorable
This drama could have been absolutely amazing had it been able to interweave the humour and the drama together, but as we only got one or the other, and not a nice bled of the two, we were all left with a bit of tonal whiplash. It’s not that the show did one part better than the other- I really enjoyed the lighter, funnier atmosphere when the show was in its rom-com stage, and the palace politics weren’t as boring and confusing as your usual sageuk- it’s just that they felt like to separate stories that had been crammed together into one drama. What really held this show together were the characters- and I think a large part of what made the characters so enjoyable were the actors behind them. D.O completely smashed his role of the amnesic Crown Prince, and I loved watching him show of his comedic timing. I’ve watched him in more serious roles, so it was a nice change to see him take on something a little lighter and a little sillier. And seeing him succeed so tremendously has got me all excited for the time he (hopefully) takes on a straight rom-com leading role. Considering what an amazing actor D.O is (seriously, I don’t even think the biggest idol-actor anti fans are able to criticise his acting), it’s almost a surprise that this is his first lead role in a drama.
Sad D.O makes my heart bleed
Nam Ji Hyun has a long list of credits to her name, and while I find her enjoyable, she has yet to completely amaze me. I much prefer her in lighter, more comedic roles, so I thought she suited this drama really well in it’s fluffier stage, where she played the grounded realist to D.O’s naive fool. While their chemistry wasn’t exactly off the charts, they had a sweet, innocent vibe to their relationship,
Not someone you wanna mess with
and my favourite part of the drama was definitely watching the two characters warm up to each other and start to care for one another. Also, I will never not want to see jealous D.O. Jo Sung Ha did a brilliant job as our manipulative antagonist. He has such deep charisma that he’s so good at portraying characters with power, whether they be on the side of good or evil. He always gives a layered performance that makes you believe there’s more to his characters than meets the eye- even if that depth isn’t explicitly written into the script. Jo Sung Ha gave Vice Minister Kim a calm duality that made him appear much more sinister than if he had simply been outwardly shady. One of the things I’m starting to realise I like about Jo Sung Ha’s performances is that you can almost see his characters’ minds working. Rather than having Vice Minister Kim appear like a character who had everyone under his thumb comfortably, Jo Sung Ha truly made you believe that there was a great deal of thought and process behind keeping everyone under his thumb- which not only makes his character seem smarter, but also makes it less of a long-shot that our heroes will be able to eventually topple him off his seat of power. Kim Jae Young isn’t exactly a high profile actor at this point, but I think he did a pretty great job as the heartbroken brother of our heroine.
Ah, my sageuk weakness- tall, silent guards/assassins
I wish that Moo Yeon and his story got a bit more screen time, because as it is, there wasn’t quite enough for me to get a grasp on Kim Jae Young’s acting ability. The same could be said for Han So Hee, who is a fairly new actress. She had to appear cold and calculating for most of the drama’s run, so it was difficult to really get a grasp on how well she was doing. The point that made me sit up and notice her was Moo Yeon’s death scene. For the most part So Hye had been a pretty stoic character, so I was impressed that Han So Hee was able to deliver such raw emotion in that scene without making it seem out of character for the Princess.
Is there anyone who didn't see this coming?
One of the show’s more charming points turned out to be the side characters. Which totally caught me by surprise. Usually the support characters that are only there for the humour tend to annoy me as they end up being stupid and over the top, but the villagers that populated ‘100 Days’ were funny and endearing.The peasant background was probably a helpful tool in making them so charming, as their naivety was appropriate. The contrast of book-smart Won Deuk and the street-smart villagers was a great combination,
Who knew the simple villagers would be so endearing?
and provided a nice dose of comedy that was neither ridiculous nor insulting. The editing of this show actually turned out to be one of its biggest downfalls, which is a bit disappointing when you remember that this is a pre-produced drama, so there’s really no excuse for not having the show looking sleek and smooth. The scene transitions could be totally random at times- just instantly jumping from one scene to the next. It was also hard to tell when we were entering or exiting a flashback sequence, as there was absolutely no hints to guide you in or out of the flashback. There were several times in this show where I was confused as to what was happening only to realise that the flashback scene had actually ended a few minutes earlier and we were know back in the present. The writing was fairly sloppy overall, with the character construction and development being the only real good point. The plot itself felt a bit random and all over the place, and it was fairly confusing as to what story this drama was trying to tell. For the first 12 or so episodes it seemed to want to tell a sweet love story between two kids separated in their childhood. But then it suddenly switched to being a story on how Yul learned to become an understanding and just King from is time spent amongst the people.
No, no, don't ditch the romance- that's literally why we're here
And the romance got shoved to the side- which honestly wasn’t a smart move when it’s the sugar-sweet romance that your viewers are tuning in for. While I was fairly interested in the palace plot and who was trying to get rid of the Prince and why, as soon as that plot started coming at the expense of the romance, I found it a tad exasperating. 


What Was Great:

Boys, Boys, Boys:
There were basically three things in this drama that I absolutely loved to pieces- D.O and his spot-on portrayal of the grouchy, yet loveable Crown Prince, Kim Sun Ho as the charming concubine’s son just trying to make it in the world, and Moo Yeon and his tragic romance.
May this reluctant bromance never die
D.O carried a lot of this show on his own, providing gravitas during the palace politics and adorable chemistry during the show’s rom-com stage. D.O brought the two separate plots together and delivered a completely loveable hero that was impossible not to fall for. Yul’s playful, bickering relationship with Je Yoon was nothing short of delightful, and his petty jealousy over Je Yoon and Hong Shim was always hilarious.
If D.O hadn't been the hero I might've had some hefty Second Lead Syndrome to deal with
Je Yoon was an interesting character on his own, and I liked that while we were all preeeeeetty sure he was on the Crown Prince’s side, the drama toyed with the idea that he could flip and join the Vice Minister’s team- but not enough that the show had to sacrifice Je Yoon’s likability. His dilemma between choosing love or loyalty was interesting to watch play out, even if we were all fairly certain that he would remain loyal to the Crown Prince. And what can I say- I always end up being a sucker for the tragic bodyguard characters. It was Kwak Dong Yeon in ‘Moonlight Drawn by Clouds’, it was Song Jae Rim in ‘Moon That Embraces the Sun’, and it was Kim Jae Young here. I hate mindless angst, but I love a good tragic love story. And Moo Yeon falling for the daughter of the man who killed his father and destroyed his family is a great recipe for a deliciously tragic love story. I enjoyed how appropriately angsty Moo Yeon’s dilemma was- does he run away with his sister who has been waiting for him for years, or stick by the woman he loves?
Well this won't end well
I really wish that this storyline had managed to grab a bit more screen time, as I felt it wasn’t quite done as well as it could have been. So Hye remained pretty much a non-entity for the whole show, and I would have loved to see how she and Moo Yeon fell in love.


What Wasn’t:

Timing:
This show’s biggest issue is that it had no idea how to time things properly. We were given just enough time in the childhood section of the drama (though I’d also argue that I wanted to see more of what happened to Moo Yeon rather than just having to assume it all), but after that the timing got really rocky.
At least we had a cute romance to distract us from the fact that no one really knew what was going on
This writer had a weird habit of withholding information that didn’t add to any mystery, but would have instead cleared things up for viewers. I have absolutely no idea why the drama thought it was a good plan to wait so long to tell us that Hong Shim actually believed there was a Won Deuk out there somewhere that she was supposed to marry.
Who even is Won Deuk?
I was endlessly confused when Hong Shim seemingly didn’t know that Yul wasn’t a stranger who had lost his memory and that she and her father where lying to him about his identity. Because even if she did believe Yul was the Won Deuk from the next village over (which we weren’t even told about), then why was she making up a love story using scenes from her childhood love? While I figured that she didn’t actually know the identity of ‘dummy’, it was pretty obvious that he wasn’t Won Deuk, as Dummy was a noble. So filling Yul’s head with those stories had zero chance of jogging his memory (except that they were his memories- which Hong Shim had no way of knowing). And while I totally adored watching Yul and Hong Shim fall in love with each other and start to develop their relationship, there was a big lag in the middle where that was all that was happening. And if that’s all there was to this drama it wouldn’t have been that bad, but knowing that we had to go back and resolve the palace plot made me nervous that the show was running out of time. Which, spoiler alert, it did.
Can't you guys be charming and adorable and solve the whodunnit mystery?
I fail to see why Yul and Hong Shim couldn’t have been developing their relationship at the same time that Yul and Je Yoon were working on finding who tried to kill Yul. Because once the attention shifted to Yul and Je Yoon doing their detective work, Hong Shim was hardly even in the drama. And as an excuse for her minimal screen time the writer used- you guessed it- noble idiocy!
Well, well, well- if it isn't the consequences of your own actions
At first I was on board with their angst- because Yul is the Crown Prince and he’s already married. But when Yul was so ready to risk everything in order to somehow stay with Hong Shim, it was more than a little irritating when she wasn’t onboard. It felt like Yul was the one who was going out of his way to chase Hong Shim down and prove his love to her, while Hong Shim never gave anything back. This became 100 times worse in the final episode where Yul had found and gotten rid of his threat in the palace, was happily single, and Hong Shim still wasn’t in the picture. After her noble status had been restored and Yul had made it completely clear that he wanted to marry her, I fail to understand why Hong Shim wouldn’t agree. And then she has the nerve to act all sad that she’s not together with the man she loves. Like, who’s bloody fault is that if not yours! While we should have been spending some quality time with our couple being cute and happy, instead I was questioning whether Hong Shim really loved Yul at all. Because if she did, why was she letting him pine for her alone for a whole year when there’s no good reason for them to be apart?
Least dramatic victory ever
The conclusion of the whole palace plot seemed remarkably easy, and if it were so simple to take down the Vice Minister I fail to see why Yul and his father couldn’t have done it way sooner. The war was more or less irrelevant (except that it paved the way for that darned time skip), and if all the Vice Minister’s followers fell apart and became non-threatening without him, why didn’t someone just knock him off sooner?
If he wasn't here as a responsible, plausible King option- why was he here?
Yul’s idea that death is too light a punishment was kinda okay- but it also seemed like he was making things way more complicated than it needed to be. It felt a lot like there drama tried to set up all these reasons why simply killing the Vice Minister wouldn’t solve all Yul’s problems only to find that, whoopsie, we’ve run out of time and our only option is to quickly kill the Vice Minister and pretend that the palace is full or rainbows and unicorns and people who are 100% okay with the Vice Minister getting shot and the Crown Princess being dethroned. To be honest, I’m kind of annoyed that the drama turned into a drama about Yul being King when it seemed like it was setting out to be about Yul finding love. He never wanted to be Crown Prince or King, and Prince Seowon seemed like he had a pretty steady moral compass and would have made a good King with the right guidance. I was kind of hoping the show would take the route where Yul would give up the throne to live as a nobleman (or I dunno, Magistrate) in the village where he found friendship, family and love.
Can...can I have a sageuk that isn't about a dude learning to be the best King ever?
Admittedly, I did like seeing the light tone in the palace (and this cruddy wrap up is almost with it for the joke that people thought Yul had a thing for Je Yoon), but it felt foreign after spending all our time in Hong Shim’s village. We didn’t even have the familiar face of Hong Shim to ease us into happy palace life as she was off being busy not wanting to marry Yul. 

Recommend?

If you liked ‘Moonlight Drawn by Clouds’ this is likely to be your kind of drama.
A large part of this drama was honestly delightful

Wednesday, 29 March 2017

Tomorrow With You

Tomorrow With You

5.5/10
Tomorrow With You
Genre:                                 Episodes: 16                            Year: 2017
Romance
Mystery

Synopsis:

Yoo So Joon is a time-traveller who is able to go to the future by riding the subway. On one of his trips to the future, So Joon witnesses his own death. In an attempt to try and change his future, So Joon marries Song Ma Rin, a woman who died at the exact same time as So Joon in the same accident. 

Cast:
Lee Je Hoon (Yoo So Joon)
Shin Min Ah (Song Ma Rin)
Jo Han Chul (Song Doo Shik)
Baek Hyun Jin (Kim Young Jin)
Kang Ki Doong (Kang Ki Doong)
Kim Ye Won (Lee Gun Sook)
Park Joo Hee (Shin Se Young)

















General Thoughts:
This drama made me feel so schizophrenic it’s not funny. There were times I completely adored our characters and times I wanted to lean right through the screen and give them a whack upside the head. Unfortunately, these feelings were split pretty 50/50 so I only really enjoyed about half of my time watching this show- because I just don’t really like feeling insanely frustrated at the main characters.
You guys are adorable but dumb
In the beginning So Joon was annoying because of his inability to tell his wife the truth. Not even only about him being a time traveller, but he seemed to lie to her about stupid small things as well. And really, Shin Min Ah is so cute, and her character here was pretty sweet, so it felt uncomfortable seeing So Joon basically taking her for a ride.
Though I definitely preferred when they weren't fighting
I mean, her whole marriage was a lie. Poor girl. I was pretty on board the angst that resulted after Ma Rin found out about his lies though. It felt like a really genuine relationship problem when one half of the relationship isn’t quite as ready to open up about everything as the other. I was totally on Ma Rin’s side during these arguments, and it did feel like we’d made some ground when So Joon opened up and told her about his parents and his sense of guilt. It was these types of arguments and small baby steps forward together that I really enjoyed. Trying to change the future alone and lying about it? Not so much. Generally speaking I liked all the side characters, and I wouldn’t have complained if they’d grabbed a bit more screen time. Considering how many side characters we had, we saw very little of them, and learned virtually nothing about them. Ki Doong was fab as our time traveller’s side-kick and I warmed up to his romance with Se Young once she finally quit being whiney about the guy she never confessed her feelings to getting married. Despite how annoying Gun Sook was in the beginning, I ended up loving the frenemy relationship between her and Ma Rin, and the show really missed out on having a fantastic female friendship there. The two girls almost got to the point of being close buddies, but I felt like they never quite got there.
The house of rebelling wives
I also lament all the juicy fallout we could have had in the breakdown of Gun Sook’s marriage. Like, she was dating our Big Evil Murderer, and it would have been so interesting to watch her marriage completely crumble (more than what was shown), and have her jump completely onto Team Time Travel (cuz she really only jumped halfway and then got pushed down by her cray cray husband). Ah, what could have been.
He killed people because the show needed a villain- let's leave it at that
I wasn’t totally sold on our villain either. He just didn’t get enough back story or enough development. I never had a solid understanding of who he was as a character or why he was so desperate to force this one deal through. And if he’s desperate enough to start killing people, I probably should know what the dealio is. I mean, Young Jin just straight up wasn’t that scary. I never really felt any fear for our main characters in regards to Young Jin, as I just could not for the life of me comprehend how a friggin’ time traveller who knows the future could be out-manoeuvred by a businessman. Sure he was a corrupt businessman, but it’s not like he was an evil genius or anything- he was just a regular-ass dude. Like how…how is he causing you people any trouble at all, I don’t understand. And I guess when you don’t understand the villains motivations or how no one can bring him down, the drama does lose a lot of its fun. The soundtrack was lovely, and I didn’t think it was out to manipulate our emotions- it simply reinforced what we were already seeing on screen. While there’s no song in particular that sticks in my mind, I do remember it being a nice OST. The whole show was shot rather nicely and did have a prettiness to it that enforced the lovey-dovey moments, but also tended to be darker and more colourless during sad or angsty parts of the series (ie. the future).
The dark future where everyone dies
Similarly to the soundtrack, the colour palate was a subtle way of clueing us into the emotions of the characters and was a way to tighten suspense. There were plenty of good aspects to ‘Tomorrow With You’, but at the end of the day it was the trajectory of the plot and its resolution that left me feeling rather dissatisfied. I mean, when you’re a time travel drama you’ve got to be pretty smart and pretty slick- and I don’t really think this drama was either of those things. 

What Was Great:

Sparks:
Well Shin Min Ah and Lee Je Hoon sure had a bunch of chemistry. They were so adorable and so believable as honeymoon lovers. Tell you what, if I were Kim Woo Bin I’d probably not be watching this drama cuz that might spark some mad jealousy.
They're so cute and snuggly
But it made for some believable romance, that’s for sure. I felt like Shin Min Ah stepped up her acting game a bit in this- not a lot, but a bit. I’ve always found her believable in cutesy romance, but I could really connect with her during the scenes of her fighting with her husband too. Yay- believable anger! I think her crying still needs a bit of work, but she acted everything else really well. And Lee Je Hoon is just marvellous.
I want couple jammies. Added bonus if Lee Je Hoon is in them.
Even when his character is being super annoying. And the cute scenes of these guys together were just so cute. It really felt like you were watching two people fall in love. A lot of Korean actors and actresses seem to not like touching each other even when they’re acting in a romance- and when they don’t want to touch each other, the audience can see it. But here our leads had a whole bunch of skinship and a whooooole lot of hugging and kissing scenes, but they didn’t seem awkward or uncomfortable at all. And that more than anything is what really sells a romance. The two looked and felt comfortable together and seemed like they actually wanted to get closer to each other and had fantastic loving expressions. The romance was by far the best aspect of the show, so it was wonderful that Shin Min Ah and Lee Je Hoon were able to generate such crackling chemistry. Even when the rest of the plot sort of fell apart, you were still cheering for these two to get a happy ending.

Acting:
I think I sort of went into this a bit above, but the acting really was very good. And not just from the leads. The support characters were all really excellently acted as well. Though I still don’t quite understand what was going on with the villain, I will say that Baek Hyun Jin acted him really well. I might not know why or how he got so bat-sh*t crazy, but I did believe that he was bat-sh*t crazy, and I guess of the two that one really is a smidge more important.
What a total nutbar
Baek Hyun Jin progressed well from under-appreciated businessman to psycho criminal. Early in the piece he didn’t drop too many clues that he would become a huge villain later on, but still dropped hints that there was no way that Young Jin would ever wind up on Team Time Traveller. I also thought that Jo Han Chul put in a great performance as well. He does awkward and uncomfortable so well, and he brought a lot of that to the table, which always adds a bit of humour. 

What Wasn’t:

Unexplained:
Yeah, so basically the big hole in this drama is that the time travel isn’t explained. At all. At the very least, it’s supposed to have rules, but even that doesn’t seem to be the case. If there were rules, they were very poorly explained, and probably completely discarded at times.
Apparently only boys can hang out in the future
For starters, it’s very weird how both So Joon and Ma Rin’s father got sweet time travel powers and Ma Rin didn’t. Why? Is the time travel god a sexist? It was made even more obvious in the scene where Ma Rin actively tries to time travel the way So Joon does. Like, the scene is super cute, but also reiterates how odd and inconsistent the rules around the time jumping was. She was in the exact same circumstance as the other two, yet completely missed out on all the magic. The show also never really made a clear stance on whether the future could be changed or not (y’know until the end when they didn’t die). Because for a show whose whole gimmick was that the hero was a TIME TRAVELER there wasn’t a whole heap of changing the future going on. For how much time So Joon spent worrying about and travelling to the future, he honestly didn’t do much to try and change it. Except marry Ma Rin, but that was the whole point of the show so that doesn’t really count. I’m also confused as to how So Joon ended up stuck in 2022. Like, why is that a thing?
I didn't know that getting stabbed in the tumtum would put you in a coma, but there you go
The show offered absolutely no explanation as to why So Joon was in a coma for two years after travelling to the future. It also offered no explanation as to why So Joon came out of the coma and couldn’t time travel back to his present after he woke up. They threw around little hypothesis, but never actually confirmed anything. Then, it was never explained why he suddenly could time travel back to his present- except that it was convenient for the plot. And apparently, the rule is that So Joon can only exist in times that he’s alive, but we saw no trace of 2022 So Joon, and when So Joon travelled back to his present, he was still expecting to die in 2019. Which means that there wouldn’t have been a So Joon alive in 2022. Which means that that rule is bullsh*t. I mean really, for a whole time travel drama, the time travel wasn’t very well thought out.
I don't understand how this works. I don't understand how any of this works.

Why Y'all so Daft?:
Characters acted stupidly at frequent times throughout this drama. So Joon was Stupid Number 1. In that it’s really his fault that Se Young’s father died. Like, sorry but it is. If you know a dude is gonna die, then maybe you shouldn’t let him walk around alone. Especially if you think he’s gonna get murdered.
I love you, but you're not very good at changing the future
So Joon already suspected that Se Young’s father’s death was a murder, but instead of simply sticking to that dude like glue, he makes all these convoluted plans to fly him to Japan and whatever. Then he’s kidnapped and murdered anyway. I just kind of think, that maybe if you were there that probably wouldn’t have happened. So Joon also gets double stupid points (along with a not learning anything point) for leaving Ma Rin alone moments before she gets kidnapped. Like, what’s so important that you can’t stay in a taxi 10 minutes and get your wife home. It was literally the situation that f*cked up So Joon’s future the most and he’s just like ‘nah, you can get a taxi alone right?’. So of course she gets kidnapped and of course So Joon gets on the train that’s going to cause him to go missing in the future. Of course. Because apparently knowledge of the future is NOTHING. I still don’t understand why So Joon even had to get on the train in the first place. The police are already there, and it’s not like Young Jin can escape from a moving train. It’s like So Joon just really felt like throwing himself into this situation he’s been trying to avoid for the last couple of months. Stupid Number 2 goes to Ma Rin’s father. Because really. He put in some super halfassed attempts to get Young Jin away from So Joon. I still don’t understand how not telling So Joon that Young Jin was a psycho was going to do anyone any good.
Should I tell him about the murderer? Nah, I'm sure not telling So Joon there's a bad guy will reduce the badness of the baddie.
Like, if they’d just arrested him early on for embezzlement then Se Young’s father wouldn’t have died, that other dude wouldn’t have died, and So Joon wouldn’t have gotten stuck in the future. I’m just saying, it doesn’t really seem like he tried very hard to stop that happening. Stupid Number 3 goes to Ma Rin for lying about Young Jin in the future. Like, you don’t even have any mystical time travel abilities, so why on Earth do you think lying about the evil murderer is going to do So Joon any good.
It's hard to feel bad for you when you could have easily avoided this whole situation
Maybe you should have been like, oh yeah I found some crucial evidence and then I got kidnapped and this is where he took me, so you don’t need to worry about meeting him, just take the evidence off me and hand it to the cops. Boom problem solved. A little bit of blame does have to go to Ki Doong here too, cuz I’m pretty sure that So Joon even told him about the lies future Ki Doong told him, so when Ma Rin suggested the plan in 2019, Ki Doong probably should have been like ‘oh no, that’s what you did last time and it totally didn’t work’. It really just felt like the writers weren’t trying very hard to show that the characters had exhausted all their options. Had there been legitimate reasons for these stupid moments to occur, I wouldn’t be half as upset about them as I am. But instead it’s like the characters chose to ignore very simple solutions to their problems (like maybe stay home and have a movie date and not go anywhere near cars on the day you’re supposed to die), and instead chose very complicated routes that were really bound to end up in a failure. This drama made me feel really smart, but not in a good way. 

Recommend?
Look, if you’re a huge fan of Shin Min Ah or Lee Je Hoon I’d probably recommend it because they’re just so cute together, and they do deliver pretty great performances. If you’re wanting a solid time-travel drama though, I’d advise you to look somewhere else.
Half cute, half why-is-everyone-in-this-show-so-dumb