Showing posts with label 2018. Show all posts
Showing posts with label 2018. Show all posts

Monday, 2 March 2020

2018 Jaybird Awards

2018 Jaybird Awards


Guess who's back, back, back, back again, gain, gain, Shady's back, back, back, tell a friend. Oh wait, no, It's just me. Seriously though, It's been so long that I've practically forgotten how this blog works- how do I post things, what format do I use, how do you even review things? It's been a pretty busy year for me, with my job becoming full time and (gasp) getting a boyfriend, which has severely limited the time in which I can watch K-Drama and write reviews. But fear not, I plan to be continue on, though I can't promise I will be as regular as I once was- though I will try! Now on to the Awards! I know, I know- 2018 was two years ago. I have missed a whole year of K-Drama. But with this review/awards, let's just pretend that 2019 was a year of K-Drama that didn't happen, and we'll be back on track! 



Best Drama:

Ooooooooh man was this a good drama. It may have come out ages ago now, but I can still remember it so vividly. Despite how long the runtime was, I watched this drama twice. From the director-writer duo of all the Reply series, this was always going to be a show to keep an eye on. As expected, the cast, characters and plot all pulled together to deliver an emotional, heartwarming, and insanely addictive viewing experience. The momentum of the series was picture perfect, with the episodes all having enough content to fill out their runtimes, and the series as a whole never felt draggy or overly long. The drama hit just the right balance between funny and dramatic, without ever getting bogged down in its own angst, or having the comedy take away from the serious moments. Everything in this show was perfectly balanced, and I would not hesitate to recommend 'Smart Prison Living' to anyone who was requesting a good K-Drama (or good series in general) to sink their teeth into.

Runner Up: The Guest


Best Actor:

Lee Seung Gi (Hwayugi)

Despite 'Hwayugi' itself being a complete and total flop, Lee Seung Gi was completely able to dazzle. To be honest, I have never quite understood what the big deal was with Lee Seung Gi (granted I haven't seen too many of his dramas), but in 'Hwayugi' Lee Seung Gi was able to brilliantly showcase his acting ability. The cheeky, petulant character suit him extremely well, and Lee Seung Gi was able to bring an endearing spark to him that prevented the Monkey God from being an irritating character. Lee Seung Gi shined in all aspects of the show, from the CGI fight scenes, to the humour, to the heartache, to the romance. There is not a single scene in the drama where he is not giving 110%, and all his efforts gave us a loveable, charming character that will not fade from memory any time soon.

Runner Up: Park Hae Soo (Smart Prison Living)


Best Actress:

Jin Ki Joo (Come Here and Hug Me)

Despite being a fairly new actress (her first drama was in 2015), and not leaving much of an impression in her side roles, Jin Ki Joo completely blew me away in the drama she headed up this year. The role she played was one that required a multitude of different feelings, and quite a large amount of emotional acting. And Jin Ki Joo most certainly pulled it off. With this role and this performance, Jin Ki Joo made sure that she's be a name and a face to remember, and captured audiences' hearts as the feisty, yet sweet and completely loveable heroine with a dark past. It certainly wasn't an easy role for Jin Ki Joo to have as her first leading role, but she gave a performance that was a resounding success.

Runner Up: Chae Soo Bin (I'm Not A Robot)


Best Short Series:


Okay, confession time. I did not watch very many short series in 2018. However, the fact that this was the only show in the running does not diminish the fact that this was a very good short series! The plot was a little whacky and veeeery arthouse, but the quality of the show was obvious for anyone to see. It had solid acting in Ji Soo and Yoo Jae Myung, and the cinematography was just lovely. The journey the show took us on was quiet and introspective, and it may not be remembered as a short that received a lot of love, but 'Ping Pong Ball' told the story it wanted to tell in a beautiful, thoughtful way, and it was evident that everyone who worked on this show put their best effort into making sure it was something they could be proud of.


Best Character:

Nam Shin III (Are You Human Too?)

'Are You Human Too?' was a show that did a lot of things well, but by far one of the best things it did was give us one of the most loveable heroes of the year. Not only was Nam Shin III sweet, charming, dreamy, and just all-around delightful, but he had the added interest of not being human. Having the hero be a robot was a risky move for the series, but one that ultimately paid off well. Being a robot that was learning emotion (cheesey as it sounds) gave Nam Shin III a lot of depth and so much room to grow. It made his actions even more heart-fluttering when they seemed impossible as it went against his programming. 'Are You Human Too?' was not without its flaws, but the hero it gave us was certainly not one of them.

Runner Up: Ahn Jang Mi (Live)


Best Second Lead:

Park Sung Woong (Life On Mars)

No one will ever not enjoy watching Park Sung Woong as a justice-driven cop from the past. Park Sung Woong has absolutely nailed the role of a no-nonsense fighter with a soft and squishy centre, and he absolutely shows off that talent in 'Life On Mars'. He plays a character whose heart is always in the right place (even if his fists aren't), and was able to showcase his character's growth as he started to accept and adapt to his partners milder, modern police techniques. His gruff attitude was oddly endearing, and he was certainly a character that we could root for all series long. Park Sung Woong delivered a great character, that played perfect support to the show's completely different hero.

Runner Up: Kwak Dong Yeon (My ID Is Gangnam Beauty)


Best Couple:


Despite K-Dramaland giving us an abundance of adorable, loveable couples to root for, there are actually very few of them that have healthy, respectful relationships that would last long term. So even though I have a bunch of dramas and OTPs that I adore each year, there are only a small few that I think are actually good couples. 'I'm Not A Robot' may have a silly premise (girl is impersonating a robot), but the two leads actually end up having an endearing and supportive relationship that made them so easy to root for. Sure, there was no shortage of cute moments, or charming dialogue, or heart-racing skinship, but it was the quieter moments of emotional support and consideration that made this couple such a great one. Chae Soo Bin and Yoo Seung Ho had dazzling chemistry as the metaphorical icing on the metaphorical cake.

Runner Up: What's Wong With Secretary Kim?


Best Kiss:


There were many, many, many (oh so many) things wrong with this drama, but the chemistry between the two leads and the resulting explosive skinship was certainly not one of them. This scene completely did away with the safe-for-work, barely even touching kisses of k-dramas past, and was oh so steamy. The kitchen scene is one of the most remembered moments from the whole series, and if we're all being honest, after that scene it is no wonder at all that the two actors had to dodge so many dating rumours after it showed on television. K-Dramas are not usually that touchy, but it was one of the reasons the couple in this show felt so real, and the emotions so raw. 

Runner Up: This Is When You Kiss (I'm Not A Robot)


Best Villain:

Park Il Do (The Guest)

Okay, this is a little different to the winners in previous years, mainly in that Park Il Do doesn't really have an actor. It's a mystery for most of the show's run who the demon is possessing, so there's no clear actor to credit the performance to. That being said, the atmosphere created around this character was so amazingly well constructed, that he is without a doubt the best villain of the year. Being able to manipulate lesser demons while remaining hidden made Park Il Do completely terrifying, and the idea that he could be lurking inside any of our characters was both thrilling and frightening. The lore that surrounded the supernatural horror of this show was done so well, and the fight between our main characters and Park Il Do was exhilarating and entertaining to watch unfold. Despite not having a physical body, Park Il Do was unquestioningly the most frightening and unsettling villain of 2018.

Runner Up: Lee Dong Gun (Sketch)


Best Ensemble:

Man, there was just so much to like about 'Smart Prison Living'. One of which is the cast. And this cast was HUGE. There were a lot of characters coming and going throughout this series (the prison was the perfect setting for it with inmates getting arrested and discharged and transferred), and most of them were totally loveable. It seems like an odd thing to like characters that are all in jail for doing something terrible (heck, our main character kills someone), but their stories are unveiled in ways that allow us as an audience to sympathise with the characters, even if we do not condone their actions. A large chunk of this series is made up of all the relationships between the prisoners and the guards, and this is what drives most of the plot. A lot was riding on the characters being written an acted well, so we can all be grateful that they were. Not one actor was underperformed, and not one character was poorly written.

Runner Up: Life On Mars


Best Bromance:

Usually the dramas I pick for best bromance have an adorable friendship, or beautifully melancholic relationship at its centre, but 2018s bromance of the year was one that was a little more subdued. The mentor-rookie relationship in 'Live' was under the radar, but had a whole lot of heart. As well as simply having the characters coming to care and watch out for one another, the two also learned a great deal about life and working on the police force from one another. The relationship was tumultuous to begin with, but that made the camaraderie that eventually blossomed between them feel hard-earned and well deserved, as the two had come to know so much about the other, and they both ended up really caring and respecting each other. It was a quieter bromance, but that didn't make it any less endearing.



Best Gal Pals:

What's Wrong With Secretary Kim?

Oooohhhhh dear. This was the category I was least looking forward to. Reason being that there were just not a lot of good girl friends in 2018, and this is also one of the last dramas I watched before my big hiatus. So I don't really remember it that well, and I don't have a review to fall back on and jog my memory. I do remember that the three girls in this show had a sweetly satisfying friendship, and that they were always enjoyable to watch on screen together. Do I think it was a particularly strong friendship that stands out amongst other k-dramas? Not really. But was it one of the better female friendships to come out of the dramas I watched in 2018? Yes, yes it was.



Best Idol Gone Actor:

Rowoon (Where Stars Land)

I am not particularly fond of Rowoon as an idol, but man the boy's a good actor. I was totally ready for him to be an awkward side character, but he completely blew me away with the level of maturity his acting showed. The character in 'Where Stars Land' was not particularly difficult, nor was it a leading role, but it was a great place for Rowoon to find his feet and get noticed in the acting world. His one sided love was heartbreaking and acted to perfection, and Rowoon had great chemistry with Chae Soo Bin (who was the leading lady). He is definitely an idol to keep an eye on as he makes his way into more acting projects, and I don't think it will be too long before he lands a leading role himself.

Runner Up: D.O (100 Days My Prince)


Worst Idol Gone Actor:

Suho (Rich Man)

Unlike Rowoon, Suho has not begun his acting career in a supporting role (though he may have done a few short series?) Unfortunately for him, this meant that there was nowhere for his acting weaknesses to hide. It's not to say Suho is an AWFUL actor- he's just very, very green, and his lack of experience showed through in 'Rich Man'. He didn't have the ability to deliver the more emotional scenes when they rolled around, and he didn't have the experience to inject a dose of likability into a character that was written as a very arrogant, yet bland character. The whole show was a bit of a mess, but I don't think anyone can claim that Suho did a great job here. Hopefully his next project is one in which he gets a bit more support from the other actors (because no one was really that great in this show), and he can build his skills and his confidence.

Runner Up: Cha Eun Woo (My ID Is Gangnam Beauty)


Least Convincing Couple:

That Man Oh Soo

There are many things I do not recall from 2018. Sadly, what a complete and utter train wreck this drama was is not one of them. Amid a confusing plot, sporadic characters and less-than convincing acting, we had a tepid romance. I had complete Second Male Lead Syndrome, and by the time the end of the show came around, I was not convinced that this couple were a) in love with each other, and b) going to last very long together. The drama tried to be too angsty and aimed for an emotional level that it just did not hit, which left the main romance feeling empty and completely falling flat. I was a fan of both the leads (though am unsure what to think of Lee Jong Hyun now after the icky scandal), but neither of them did a good job selling the romance. There was absolutely no chemistry to speak of.

Runner Up: About Time


Show Carrier:

Yoon Park (Radio Romance)

Man, I have watched a lot of not very good dramas in my time. 'Radio Romance' is one such drama. It really, really sucked. The only thing that 'Radio Romance' did well was casting Yoon Park as the second male lead. He absolutely killed it. Yoon Park was able to deliver a multi-dimensional character that was fun, quirky and memorable, in a K-drama world that was boring, pointless and forgettable. Yoon park brought an engaging energy to the show that it otherwise would have completely lacked, and dragged the awful show along right from start to finish with his performance alone. I do not drop a lot of dramas, but I was tempted by this one, and it was really only Yoon Park and his charming character that kept me going.

Runner Up: Lee Sang Yoon (About Time)


Biggest Disappointment:

Pretty Noona Who Buys Me Food

Hoo boy, did this drama burn a lot of people. The first half of the show was actually unbelievably good- there was an engaging noona romance at its heart, it had a solid male lead, and that chemistry was on FIRE. SMOKING. SIZZLING. It was, HOT, HOT, HOT. The drama had hearts fluttering and minds engaged for the first half of its run, before it promptly undid every good thing it had ever done. At risk of sounding rude, the second half of this drama sucked *ss. The relationship fell in on itself, the plot made little sense, and the heroine became one of the most irritating characters ever. It was painful. As the show continued it became evident that it was banking solely on the chemistry between the leads. And this did. Not. Work.

Runner Up: Radio Romance


Jaybird's Choice:


What do you mean I can't have the Best Drama and Jaybird's Choice being the same show? I CAN and I WILL. There's not much more I can say about this drama. It rocked. It pulled my heartstrings and I enjoyed every minute of it. I have also seriously contemplated watching it for a third time.









Runner Up: I'm Not A Robot


Familiar Wife
The Guest
Hundred Million Stars From The Sky
Hwayugi
I'm Not A Robot
Jugglers
Life on Mars
Live
Longing Heart
My ID Is Gangnam Beauty
Mystery Queen 2
Ping Pong Ball
Player
Pretty Noona Who Buys Me Food
Radio Romance
Rich Man
Sketch
Smart Prison Living
That Man Oh Soo
Thirty But Seventeen
Voice 2
What's Wrong With Secretary Kim?
Where Stars Land
Woohoo Waikiki
YG Future Strategy Office
You Drive Me Crazy
You Who Forgot Poetry

Tuesday, 29 January 2019

Ping Pong Ball

Ping Pong Ball

7/10
Ping Pong Ball
Genre:                                                      Episodes: 2                                     Year: 2018
Mystery
Melodrama

Synopsis:
Kim Young Joon is a university student who is having trouble with the girl he is interested in. Despite the heat of summer, Young Joon jogs to keep his mind off his issues. After fainting from heatstroke, Young Joon is rescued by Kim Deuk Hwan, a homeless man who lives under a bridge by Young Joon’s apartment complex.

Cast:
Ji Soo (Kim Young Joon)
Yoo Jae Myung (Kim Deuk Hwan)
Na Hae Ryung (In Ha)
Choi Klang Il (Pub Boss)
General Thoughts:
I’m just going to start this off by saying that this is definitely not going to be a drama for everyone. I wouldn’t describe a lot of Korean dramas as being ‘arthouse’ but I can’t really think of a better word for ‘Ping Pong Ball’.
Very pretty, and pretty moody
It’s 100% not a show that aims to please the vast majority of viewers, but that’s okay. As a small show with a short runtime, this is the perfect sort of drama for writers and actors to take part in a story with unique themes that they find personally interesting. Shows like this are always nice to have around, because it seems like everyone who participated in it really wanted to be here for the story it had to tell-
I feel like I missed a lot of what was going on in this drama
not for fame (because this drama was never going to be a smash hit), and not for money (because I doubt they got paid much for it). As a result, the drama itself felt very high in quality, as everyone who was involved was putting their whole into creating something that they enjoyed and could take pride in. My biggest issue with short K-Dramas is that they usually feel like they are low-budget due to the less than stellar quality of the shows, but that’s not something that can be said about ‘Ping Pong Ball’. A lot of effort went into making the atmosphere moody and mysterious, and into making the characters veiled and intriguing. PD Kim Sang Ho who was behind this drama is no rookie, having directed some big shows (such as ‘Arang and the Magistrate’), and you could really feel his experience come through. The atmosphere set up was one of the best parts about this show, drawing you in and piquing your interest about all the characters that inhabited this strange part of the city.
I want to know all the secrets (Spoiler Alert: you do not get to learn all the secrets)
The PD was great at giving you just enough information for viewers to start drawing their own conclusions and try and piece together what was going on, but never actually gave any concrete evidence- so there was never any clear right or wrong answers, it was pretty much all down to interpretation.
There was a lot going on even when there wasn't a lot going on
The acting was all phenomenal. I’ve been a huge fan of Ji Soo ever since seeing him in ‘Angry Mom’, and I have seen every single drama he’s been in since (exceeeeeept ‘Bad Guys 2’). And have not once been disappointed in his acting. Ji Soo has taken on a variety of roles, but his role here in ‘Ping Pong Ball’ fit him much more than any of his previous roles. He slipped right into the role of Young Joon, this awkward, isolated kid who was a bit lost in life. K-Dramas tend to have a lot of dialogue going on (both internal and external) to let us know what’s going on and how our characters are feeling, but ‘Ping Pong Ball’ was rather light on dialogue, leaving us to infer a lot of what was going on in our characters’ minds through expression alone. Both Ji Soo and Yoo Jae Myung did this very well, particularly Yoo Jae Myung, who was somehow able to express only tiny snippets of his character at a time, while still keeping his history in the dark. All the elements of this drama were of a very high quality and pulled together to form an interesting and professional little show.

What Was Great:

Intelligent:
This show never assumed its audience was dumb. It never went out of its way to explain its themes and ideas, and even when it did explain them it did so in a smooth an natural way- usually as a conversation between Deuk Hwan and Young Joon as the two men swapped and shared ideologies.
This show low-key made me want to read up on some philosophy 
Regardless of whether you agreed with the philosophies and ideas that were being discussed, it was still an enjoyable experience to partake in the intelligent conversation between these two characters. Not that there’s anything wrong with dramas that have a simple approach, or characters with simple goals and ideas, it’s just nice for a change to have some discussion on a deeper level.

What Wasn’t:

What Happened?:
While I understand that this drama is all introspective and its primary function is to comment of the ambiguity of life and relationships, I do maybe wish that the show had given us a few more solid answers (I'm usually not a fan of open endings, though it did make sense here).
All these mysteries we'll never solve
I was satisfied enough with the ending between Deuk Hwan and Young Joon, with the homeless man disappearing from Young Joon’s life as suddenly as he’s appeared in it. I even liked the way his wife missed that last chance to reconnect with Deuk Hwan after lying to Young Joon that she didn’t know him. I appreciated the nuanced moments and the subtleties in the story. But I still kinda want to know what the deal was with the dead guys. Perhaps I’m missing something, or perhaps this was further continuation on the drama’s commentary that we never have the full picture and can never answer all the questions in life. But I can’t deny that I kind of what to know why the seemingly quiet, calm barman (at least I assume it was the barman) was killing people.  

Recommend?
It’s only two episodes so it’s probably worth a go. You’ll either like it which is nice, or you won’t, in which case it was only two hours.
Ah, the meaning and meaninglessness of life

Sunday, 13 January 2019

Sketch

Sketch

6/10
Sketch
Genre:                                                     Episodes: 16                                  Year: 2018
Mystery
Action

Synopsis:
Yoo Shi Hyun is a police officer who sketches future crime scenes. After a sketch depicting a murder scene comes true, Detective Kang Dong Soo joins Shi Hyun’s team in order to find the murderer.

Cast:
Rain (Kang Dong Soo)
Lee Sun Bin (Yoo Shi Hyun)
Lee Dong Gun (Kim Do Jin)
Jung Jin Young (Jang Tae Joon)
Lee Seung Joo (Yoo Shi Joon)
Lim Hwa Young (Oh Young Shim)
Kang Shin Il (Moon Jae Hyun)
Yoo Da In (Min Ji Soo)

General Thoughts:
When I first realised this drama had come out, I was a little confused as to why I had heard literally nothing about it. The premise sounded quite cool (even if we have had some similar ideas recently with ‘While You Were Sleeping’ and ‘Black’) and it had Korea’s Darling Rain returning since getting married and having a baby.
Guess who's back
So why was this drama so quietly received? Honestly speaking, probably due to the fact that it wasn’t very good. It wasn’t bad either, so there was nothing to loudly complain about. It was just very simply mediocre. Which is fine I guess- not all dramas can be great hits. I just kind of feel like 2018 was swimming in mediocre dramas. The plot is where I really felt this drama was letting itself down.
I thought this show would be more exciting than it was
While I didn’t necessarily think the writer was bad (there were some beautiful emotional beats sprinkled throughout the show) the plot just meandered along, and our characters didn’t actually end up doing all that much. It’s almost like the show couldn’t decide if it wanted to be a tense cat-and-mouse chase or a fast paced action-thriller, and in the end it didn’t end up being either. Instead we just had two groups of people fighting each other, even though they were actually trying to work towards the same goal. The acting held up pretty well all drama long, with Rain delivering a delightful, slightly rough detective for our hero. I enjoyed that Dong Soo wasn’t written the way most K-Drama detectives are. Usually our good detectives are rough around the edges but have a strong moral compass, and their belief in justice is that jail is the ultimate and most appropriate punishment for criminals. Dong Soo was set apart from those usual characters, as rather than aiming to catch Da In’s killer to bring him to lawful justice, Dong Soo wanted to catch him so that he could kill him. A different kind of justice. It was an interesting character quirk that Dong Soo was so honest and upfront about his goal, and not only set him apart from other characters, but also served to develop his relationship with Da In, as the two actually had very little time together on-screen.
Are there any detectives in K-Dramaland who haven't had a family member murdered?
Sure, Dong Soo eventually came around to the idea that murdering a murderer isn’t as great as he initially thought and settled for the legal system’s justice, but I appreciated that this was an aspect of his character that was explored. I tend to prefer Rain in comedic roles (who am I kidding, that’s all I’ve actually seen him in), but I thought he did an excellent job at handling the darker emotions that this drama called for.
Lee Dong Gun as a morally ambiguous killer? Yes, please, and thank you
Perhaps now that he has a family of his own, Rain was able to tap into something more raw and emotional when it came to acting out his fiancĂ©’s murder- whatever it was, Dong Soo’s devastation and grief was expressed perfectly, and really drew you into Dong Soo as a character. On the other side of Rain we had Lee Dong Gun, playing the man who murdered Dong Soo’s fiancĂ©. I absolutely adored Lee Dong Gun in ‘7 Day Queen’ where he made my heart bleed a thousand times over, so I was pretty excited when I saw he’d be playing another morally dubious, utterly broken character here. While his character, Do Jin, wasn’t written nearly as well as his character in ‘7 Day Queen’, Lee Dong Gun brought that same victim-turned-assailant vibe and really tugged at your heartstrings. While the mechanics of how Do Jin was wooed over onto Team Killer were a bit hazy (and honestly pretty weak), if you bypassed that and focused solely on Do Jin as a character and Lee Dong Gun’s strong portrayal, he was a villain you couldn’t help but love. The crux of Lee Dong Gun’s performance was definitely his death scene, and despite feeling a little detached from the story at that time, I can tell you that the moment in his dream when he was finally reunited with his wife was so bittersweet and really broke my heart.

Cue the tears
Lee Sun Bin was our heroine, and while she didn’t have a whole lot to work with, she did a pretty good job at being the main driving force of the thinking side of the plot (the two boys had the emotional side pretty darn covered). It’s a shame that Shi Hyun wasn’t given a bit more development, as I really felt that Lee Sun Bin had a lot left in her tank that she could have shown us- the drama just wasn’t asking for it.
Quietly manipulative
Lee Seung Joo was a nice surprise- he’s got a teeny tiny list of credits (none of which I’ve seen), but was able to portray the double-crossing prosecutor well. Similar to Lee Dong Gun’s character, the reasoning behind Shi Joon’s willingness to kill innocent people to achieve his goal wasn't totally explained, nor was his connection with Tae Joon, but if you ignored that and focused only on the character and the actor, it was okay. Lee Seung Joo did a great job at showing us exactly what Shi Joon was thinking, and his gradual slip from kind, refined prosecutor to slightly crazy ‘world-changer’ was done well, with a gradual progression from his mask to his real face. While most of the supporting cast and extras did reasonably well, I will say that some of the extras early on (like the first man Shi Hyun saves from jumping off a boat) weren’t acted all that well, and crummy acting from an extra can snap you right out of a moment. Production-wise, this drama did pretty well. Despite the subject matter not actually being all that mysterious or dark (because everything was moving so slowly), the lighting, music and camerawork all worked really hard at bringing a tense, charged atmosphere to the screen. 

What Was Great:

Fights:
While I will say that the sheer amount of fights between Dong Soo and Do Jin were probably excessive (they met every two or three episodes and fought with each other), the fights themselves were pretty cool. The last few dramas I’ve watched that have incorporated an action element fell a bit flat, with fights feeling poorly choreographed, or poorly filmed. The fights in ‘Sketch’ were neither of those things. They were choreographed to look cool and dangerous, and the moves were of a level that you believed that Do Jin was a member of special forces, and not just a thug who threw a lot of punches.
It's been a while since I've seen such good action in a K-Drama
There were some really great moves that went beyond simple punches and kicks, and it was really exciting to watch. And the filming- bless whoever filmed those fight scenes. I could actually see what was gong on! Rather than having shaky, quick movements to enhance the ‘intensity’ of the moment, the camerawork was smooth and stable, opting for extended single shots rather than rapid-change shots. Sure, this makes it harder to choreograph and execute the fight (leaves much more room for error) but when done well, as it was here, the result is a really thrilling fight scene. 

Fun Premise:
I’m always into fantasy elements, and think that mystery-thrillers/police dramas are a great genre to incorporate a bit of fantasy.
Like, I love fantasy
Having the heroine sketching future crime scenes was an interesting premise and one I was keen to see play out. It added a lot of room for moral dilemmas (are you a criminal if you haven’t committed a crime yet?), and there was a lot that could be mined from this fantasy addition.  

What Wasn’t:

No Idea Exploration:
So while the premise was fun and set up a lot of room for interest, the show did not take advantage of this. The only thing the sketches were really used for was to get Do Jin and Dong Soo into contact with each other, and be a way for the police team to find Do Jin and The Elder. Which is pretty disappointing.
Kinda wish you guys were better at your jobs
To start with, in all 16 episodes I think the group was only able to change Shi Hyun’s sketches once? Twice, maybe? Which kind of renders them useless, at least in a crime-prevention sense, which is what the team was trying to use them for. The sketches more or less ended up being self-fulfilling prophecy, with the team going out of their way to try and prevent them from happening, only to have their attempts at prevention actually trigger events that lead to the sketch coming true. Which was a little frustrating to watch as a viewer. Then there was the fact that Shi Hyun and Chief Moon kept saying that the sketches were never wrong- so why are you trying so hard to change them if they’re never wrong?There was a bit of confusion around how and why this group had been formed to save people/prevent crimes, if Shi Hyun’s sketches were always correct. Then there was the introduction of Shi Joon as another person who could see the future- only his power came in actual visions rather than abstract sketches- much more useful in my opinion. The idea was brought up that Shi Hyun and Shi Joon’s powers were somehow related, and Shi Joon was the only one who had the power to change Shi Hyun’s sketches.
Why can Shi Joon change the sketches but Shi Hyun can't? We'll never know...
But then out of nowhere Shi Hyun’s power was growing (the how and why of this are never explained) and then suddenly Shi Hyun is ‘stronger’ than Shi Joon. Yeah, I dunno what that was about either. It also kind of annoyed me that as soon as the possibility of another person with similar powers was brought up, no one even considered Shi Joon.
Shi Joon has been playing these police like a fiddle
Like, yes, I understand that it’s because he’s Shi Hyun’s brother and they would all assume they would know if he could see the future, but as Shi Hyun is the only other person with this sort of ability, I thought they would at least entertain the idea that it was a genetic thing. But no. The police group as a whole were kind of stupid, if I’m being brutally honest (which I always am). The show worked to keep the viewers in the loop of what was going on with Shi Hyun and Shi Joon’s teams, but the problem with having the audience in the know is that it makes the good guys look like morons when it takes them so long to figure things out- because the audience already has the answer it’s easy to see what all the little clues are adding up to. Yet it ends up taking a whole episode or more for the police to get there. I wish that Shi Hyun’s sketches were used more as an actual element and topic of discussion for the moral issues they presented, or simply that they were actually more useful, rather than only having them as a plot device that did nothing more than slowly try and push the plot along.

Recommend?
No, despite the fantasy element, there are better mystery police dramas out there.
Not terrible, not great