Showing posts with label Introverted Boss. Show all posts
Showing posts with label Introverted Boss. Show all posts

Monday, 12 February 2018

2017 Jaybird Awards

2017 Jaybird Awards


Another year has come and gone (and so quickly too- it’s already February, yikes!), and we find ourselves staring down the barrel of a new year that will offer us a whole new crop of K-Dramas. But let’s have a look back at the year that’s passed. 2017 was a bit of a lacklustre year in K-Dramaland, with nothing straying too far from the norm. It was honestly and truly not a very diverse year for K-Drama- if you weren’t into time travel or legal dramas it was a bit of a dry spell. K-Dramaland is usually populated with rom-coms, but 2017 had noticeably fewer- particularly less great ones. There were quite a few mystery/thrillers scattered throughout the year (thank you OCN), but I will admit that after a while everything sort of felt a bit the same. It’s not to say there weren’t good dramas, because there were, they were just completely surrounded by mediocre dramas and an excess of legal dramas. I think I’ve had enough legal K-Dramas for a lifetime, and it wasn’t exactly my favourite genre to begin with. Rambling aside, let’s have a look at the best and worst that K-Drama had to offer in 2017.


Best Drama:


‘7 Day Queen’ was a drama that really stood out from the rest. It’s one of those rare shows where everything just works together in beautiful harmony to deliver an epic, emotional story. The writing was of course brilliant, being able to tell a story so well known and make it so engaging while also sticking to historical facts. We all knew how this story was going to play out, but goodness knows we were glued to our screens for every second drinking in the hows and the whys. The acting was brilliant all round, with the leads being wonderfully dynamic (no Candy heroine here). The directing was pure brilliance and was able to get the absolute best out of the story and the actors, and made a great show an excellent one. The icing on the figurative drama cake was the stunningly emotional soundtrack and the extraordinary sets and costuming. 

Runner Up: Circle


Best Actor:

Yeo Jin Goo (Circle)

Yeo Jin Goo sure has come a long way in a very short space of time. He’s handled the transition from child to adult roles wonderfully, and his acting has done nothing but improve (which is a feat in itself because he was already so darn good). ‘Circle’ was an excellent drama in and of itself, but so much of the draw came from Yeo Jin Goo’s character, and his raw and real portrayal. There was a hugely diverse range of emotions that Yeo Jin Goo had to express throughout the drama, and he was so natural at all of them. It was hard to fathom that his shock or fear wasn’t actually real, it was all so perfectly believable. Words can never express how brilliantly dynamic Yeo Jin Goo was in this drama, and how he sucked you into his character and his story.

Runner Up:Ji Sung (Defendant)


Best Actress:

Kim Ji Won (Fight My Way)

We can all thank ‘Descendants of the Sun’ for opening up casting directors’ eyes to the delight that is Kim Ji Won. While she’s been in a couple of notable dramas previously, she’d always played prickly, stuck-up characters. 'Descendants’ let Kim Ji Won tap into her loveable side, and ‘Fight My Way’ let her really roll with it. Rom-Com heroines have a way of being remarkably unremarkable (with a few exceptions of course), but Kim Ji Won made Ae Ra sweet, fun and memorable. Despite this being her first lead role, despite being cast next to hot-shot Park Seo Joon, and despite not liking aegyo all that much, Kim Ji Won delivered a charming, comfortable, cute and relaxed performance.

Runner Up: Park Eun Bin (Age of Youth 2)


Best Short Series:


I didn’t get around to watching as many short series this year as I usually do, but I thought 2017 offered up a better than usual selection. ‘Individualist Ji Young’ was a sweet and thoughtful love story about two characters in the modern world who were damaged by their messy family situations. The show had an interesting premise, and the leading actors really brought the characters to life. Perhaps most importantly, the show was directed and filmed really well. The show felt professional and suitable for adults, not like it was filmed as part of a high school media project, as so many short K-Dramas tend to feel.

Runner Up: My Only Love Song


Best Character:


The hero in ‘Because This Life is My First’ is part of what made the series so addictive. He was quirky and unique and not the kind of hero you come across every other day in K-Dramaland. Se Hee was thoughtful and sweet, even if he was a chronic over-thinker. His introverted nature led to an abundance of comedy which Lee Min Ki played with a perfect straight face. Se Hee offered the heroine the love and support we all hope to receive, and his assuredness in his wants made him an effective communicator (which we don’t come across often). Se Hee was a fun, and often funny, hero who was always entertaining to watch, and so easy to love.

Runner Up: Hyun Tae Woon (School 2017)


Best Second Lead:


‘Goblin’ was of course a hit sensation- there was no way it wasn’t going to be what with it’s stellar cast, the PD of ‘Descendants of the Sun’, and writer of ‘Descendants of the Sun’, ‘Heirs’ and ‘Secret Garden’. While the show had many great things going for it, the aspect I found myself most drawn to was Reaper, his story, and his bitter-sweet relationship with Sunny. While Goblin and his Bride had their fair share of romance and angst, for me it was Reaper that was the emotional centre of the show. The air of mystery surrounding his identity and his memories made his character arc completely engaging. Not only was Reaper beautifully angst-filled and emotional, but he also had his lighter, funnier moments with Goblin. Reaper’s arc was the most interesting and the most satisfying, and Lee Dong Wook gave us a wonderfully loveable character.

Runner Up: Han Woo Tak (While You Were Sleeping)


Best Couple:


Despite how much I didn’t actually like this drama (the ridiculousness! The over-the-top acting!), the leads were smoking hot. Park Bo Young and Park Hyung Shik had dazzling chemistry and they were just so cute together no matter what they were doing. Not only were they completely adorable to watch on screen together, but they were a beautifully unique pairing. Our heroine is a tiny yet super-strong woman, and our hero is an eccentric rich-boy who loves that she can beat up bad guys, save him and (literally) carry him off into the sunset. I could watch hours and hours of this couple together- you can just see the hearts pouring out of their eyes. They’re the sort of couple that make you feel giddy and happy and completely content. I didn’t really care at all about the story, but boy oh boy did I care about this romance.  



Best Kiss:

Shower Kiss (Introverted Boss)

This is a new section this year, because I’ve come to realise that the best couples and the best romances don’t always have the best kisses. And in K-Dramaland, where so many kisses are awkward lip brushes, I feel we really ought to congratulate the dramas that give us a good, healthy snog. Such as Yeon Woo Jin in ‘Introverted Boss’. Who cares that his character is supposed to be the most socially awkward man on the planet? Who cares that he’s probably supposed to not have kissing experience? It was an excellent, steamy kiss, in which both characters actively participate (yay). It was almost worth watching the whole drama just for this scene. Alternatively, you could skip the drama and just watch this scene again, and again, and again. But to be fair, this drama had quite a lot of great snogging.

Runner Up: This is How You Kiss (Because This Life is My First)


Best Villain:

Lee Dong Gun (7 Day Queen)

As soon as I’d finished watching ‘7 Day Queen’ I knew that this was the villain of the year. While it’s always excellent to have a villain that you can just straight-up hate, that is full of evil intentions, and is a great obstacle for your protagonists, it adds an extra dimension when you love that villain as much as your leads. King Lee Yoong was the perfect depiction of a tragic character. We could see all his best qualities- particularly when he was around Chae Kyung, and he was actually given many scenes that are often played out by the main lead- looking after the heroine while she’s sick, holding hands while running, and of course just being generally delightful when in front of the woman he loves. However, we also couldn’t ignore his horrible qualities- what with the killing and all. What made King Lee Yoong so appealing as a villain is that we could clearly see how he veered off course, and how maybe if things had played out differently he would have been a better man. His final redemption was absolutely perfect, as was the character’s portrayal by Lee Dong Gun. Lee Dong Gun gave the King such vulnerability and such vehemence that you couldn’t help getting sucked into the character and his self-destruction.

Runner Up: Eom Ki Joon (Defendant)


Best Ensemble:


Early on in the year, ‘Defendant’ gave us a pretty exciting lineup of actors. Ji Sung was our main man, which is always something to look forward to. Uhm Ki Joon played our main villain, and Shin Rin Ah (one of my favourite child actors) played Ji Sung’s kidnapped daughter. Kim Min Suk gave a sensational performance as the morally ambiguous Sung Gyu, and filling out the cast were Oh Chang Suk, Uhm Hyun Kyung, and Jo Jae Yun. While having a great cast doesn’t necessarily guarantee success, the actors were all bursting with chemistry. Ji Sung and Uhm Ki Joon had a brilliant tense dynamic, while Shin Rin Ah was heartbreakingly sweet with both Ji Sung and Kim Min Suk. While the story was riveting itself, it was the diverse cast and the way each actor brought their character to life that made the drama really special. 



Best Bromance:


I’m not sure if I was just watching other dramas, but K-Dramaland seemed a bit light on bromance this year. That being said, the bromance in ‘Goblin’ was hilarious, sweet, and just plain delightful. Goblin and Reaper start of as antagonising forces, and have absolutely no desire to be close. Once the two end up living together it’s just magic. Their pettiness is extremely fun to watch, as are their discussions on the difficulties of having a mortal girlfriend. They go from childishly fighting with levitating cutlery to magically cooling each others’ beer and boiling their eggs. While most of their relationship is there for the humour, the two also had a delicate undercurrent of understanding. As immortal beings, they were the only ones that could really relate to each other, offer advice, and just be there to sympathise with the other’s struggles.

Runner Up: Circle 


Best Gal Pals:


Without a doubt ‘Buam Dong Revenge Club’ was the drama that offered us the best of female friendship in K-Drama this year. Initially starting off as strangers, the three ladies bond over revenge (originally hilariously petty revenge), and along the way they form an incredibly strong, life-long friendship. Despite coming from three completely different walks of life, the ajummas understand one another and their problems. They work together to help each other out, and and have an abundance of cute bonding moments along the way. When their families were going through difficult times, it was this new, yet deep friendship that kept the characters going, and encouraged each of the ladies lean on heir friends for support while struggling to escape from the men that looked down on them, and took advantage of them. This drama is all about the girl-power.

Runner Up: Age of Youth 2


Best Idol Gone Actor:

Park Hyung Shik (Strong Woman Do Bong Soon)

I love the way Park Hyung Shik has gone about acting. If you take a look at his credits, he’s got a whole bunch of smaller roles going back to around 2012. He clearly spent a lot of time learning and gaining experience, and it really shows. By taking on more smaller roles, Park Hyung Shik now looks a lot more natural in front of the camera than many other idols who jump straight into leading roles. He was in two pretty big productions this year, as the second male lead in ‘Hwarang’ and of course he was our delightful hero in ‘Strong Woman Do Bong Soon’. He was excellent in both, but he truly dazzled in ‘Strong Woman’. While ‘Hwarang’ showcased his more serious, emotional side, ‘Strong Woman’ showed his flair for comedy. While his character was always fun, the character himself never became too funny- he was always wonderfully real. By following up one excellent acting performance with another this year, Park Hyung Shik has definitely become an actor to watch out for. I’m so looking forward to seeing him in the Korean remake of ‘Suits’ in the first half of the new year!

Runner Up: Kim Se Jung (School 2017)


Worst Idol Gone Actor:


Don’t get me wrong- this isn’t just senseless bashing of an idol that gets a lot of hate for his acting. I kind of liked him as the younger version of the hero in ‘Master’s Sun’, and I thought he was pretty okay as the stoic, snappy guitarist in ‘Shut Up Flower Boy Band’. But his acting in ‘Ruler’ was just not good. He had no idea how to express the needed emotions for many of the scenes, and not only was his face awkward, but I often found myself thinking that he really had no idea what to do with the rest of his body either. Granted, the show was a complete mess, so that probably didn’t help, but his performance here kind of made me a bit embarrassed that I’d defended his acting in the past…

Runner Up: Park Kyung Ri (I’m Not a Girl Anymore)


Least Convincing Couple:


A basic starting point for creating a loveable couple is to actually have them interact on screen. ‘Ruler’ did not exactly get to this basic starting point. There were very few scenes that had both our hero and our heroine in them, and the scenes that did often had the two talking about how they really shouldn’t be seen together. There was no cute, and there was really no romance at all. Suddenly the characters were just saying they liked each other? Why? Who knows. The drama made no effort to explain why the leads fell for each other. None at all. I mean, half the fun of romance is watching the characters actually start to fall in love, so when you skip that entirely you don’t really have a lot to go on.

Runner Up: Man to Man


Show Carrier:

Park Hae Jin (Man to Man)

I came for Park Hae Jin and I stayed for Park Hae Jin. This drama had its moments, but for the most part it was bland and boring. The romance sucked and had very little chemistry, and the main spy story was confusing at the best of times. Park Hae Jin did a great job as the secret spy, and almost got me to care about what was actually going on in the story. Almost. His deadpan humour fit so well with the show’s initial comedy, and although the romance fell woefully short, Park Hae Jin did his absolute best to be swoony, slick, stylish and completely engaging throughout the drama. Park Sung Woong was also wonderful in this drama and his comedic chemistry with Park Hae Jin was fabulous- it’s a shame the writers wanted to give us romance instead of sticking to the bromance they were doing so well.

Runner Up: Yeon Woo Jin (Introverted Boss)


Biggest Disappointment:


When it comes to the drama that was the biggest let down of the year, I think we can all agree it was ‘Ruler’. The more my excitement increased in the months before the show was released, the more apprehensive I was that it would end up a complete dud. More often than not the hype-train crashes and burns, and so it was the case here. The set up was a sweeping romance between a young girl and the Prince who killed her father, with a dire conflict involving a stand-in king wanting to keep the throne for himself. It sounds dangerous and epic. Then you throw in Kim So Hyun who is so darn wonderful- and so excellent at bringing in raw emotion, and you pair her with Yoo Seung Ho who is also no lightweight. Not even L’s casting could rain on the parade that was this drama. Admittedly, the writers were pretty new, and that really started to show once the drama began. The story had no momentum, the leads no chemistry, and the plot no excitement. Rather than the epic saga we were promised, we received a painfully pointless plot and an incomprehensible love-line.

Runner Up: Tomorrow With You


Jaybird’s Choice:


When it comes to my personal pick of the year, it’s not necessarily the drama with the best writing or the best acting or the best plot, but there was just something magical in it that really caught my heart. Tae Swoon was probably a large part of why I loved this drama so much, but what can I say? Heroes who are so open with their affections and so darn unembarrassed of it just get me. Kim Se Jung was absolutely delightful as our heroine and had such innocently flirtatious chemistry with Kim Jung Hyun. The X plot and revealing the corruption in he school was interesting its own right and lead to a lot of development for a lot of our characters, but it was definitely the leads and their sugar sweet relationship that had me marathoning this drama into the wee hours of the morning. 

Runner Up: 7 Day Queen


2017 Dramas Watched:
The Best Hit

Sunday, 19 March 2017

Introverted Boss

Introverted Boss

6.5/10
Introverted Boss
Genre:                                Episodes: 16                          Year: 2017
Romance
Comedy

Synopsis:

Eun Hwan Ki is the CEO of a highly successful public relations company. He suffers from extreme shyness, and due to his inability to interact well with his staff he has earned a reputation as a cold, uncaring boss. A bright, energetic girl, Chae Ro Woon, enters Hwan Ki’s company in order to uncover the truth and get revenge for a secretary that committed suicide at the company three years ago.

Cast:
Yeon Woo Jin (Eun Hwan Ki)
Park Hye Soo (Chae Ro Woon)
Yoon Park (Kang Woo Il)
Gong Seung Yeon (Eun Yi Soo)
Han Chae Ah (Chae Ji Hye)
Ye Ji Won (Dang Yoo Hee)
Jun Hyo Seong (Kim Kyo Ri)
Heo Jeong Min (Eom Sun Bong)
Han Jae Suk (Jang Se Jong)

















General Thoughts:
Sadly, the extreme amount of cute from our leading man couldn’t quite cover up the extreme lack of plot in our story. I adored Yeon Woon Jin as Hwan Ki and the Silent Monster team, but a lack of sense and a lack of consistency meant that the plot felt mishandled and discordant.
I adore how awkward he is with everything
For the plot, I think the re-write is where a lot went wrong. I really commend the writers for listening to their audience and trying to adjust their drama to the viewer’s tastes (because what use is a drama with characters no one likes?) but unfortunately this meant that the plot ran into some obstacles further down the road. Perhaps it’s because I watch Western TV as well as Korean, but I’m used to pushy, outspoken, mildly annoying female characters, so I don’t think I was quite as averse to the original Ro Woon as the Korean audience was.
I mean, at least she's not a Candy girl
Sure, I definitely found her annoying and could not comprehend for a moment how she was not being fired what with her blatant lack of respect, so I really didn’t mind her being toned down at all. Until we started nearing the end of the drama. It was then that I started to suspect that not only was Ro Woon’s character toned down, but due to her being toned down, parts of the plot had to be changed- most notably being that the revenge story was basically discarded. Which didn’t matter at all until the last two or three episodes when suddenly nothing was happening and there was a huge inconsistency in Ro Woon’s reactions. The writer did a brilliant job at first adjusting the script so that you wouldn’t notice the re-write unless you’d heard the news, but by the end there was certainly something not quite adding up. Our story opens with Ro Woon wanting to completely destroy the man she thought pushed her sister to suicide even though she had no evidence to support that Hwan Ki had anything to do with her sister’s death. Then at the end, she’s flat-out told that Woo Il is the one who put Ro Woon’s sister in an awkward situation that most likely contributed to her suicidal thoughts and…nothing. Ro Woon cries and…moves on? Yeah, it wasn’t smooth at all.
⇧This is the big emotional payoff for the major plot-line. Yeah. ⇧
I didn’t really have a problem with Park Hye Soo’s acting, it was more the way the character was written that confused me. For sure, I think that Park Hye Soo is more suited for cute comedy over obnoxious, revenge-driven characters, but at the end of the day it was the way Ro Woon was written that made her character seem strange and amiss. However, the story was really quite enjoyable while it focused on Hwan Ki and him learning how to communicate with those around him. Before the show entered its final stages, the re-write seemed to be going quite smoothly.
I'm a total sucker for cute couple stuff
By softening Ro Woon’s character, we got to see lots of cute couple moments sprinkled throughout the series rather than only getting them at the end. As well as Ro Woon, it was fantastic to see our main man start to develop his relationships with the other employees that were a part of Silent Monster. It was wonderful to see how uniquely he thought of each of them, and how he could assign projects to the one most suited to it. As Hwan Ki learned how to interact with his employees, they also learned how to understand Hwan Ki’s intentions, and it was fun watching each of them connect to their strange boss in a different way. I wish that we’d got to see a bit more of the other members of the team, as it was with them that I found a lot of the heart of the show. Including the team members showed how Hwan Ki was learning to socialise with everyone- not just the girl he was interested in. The middle portion of this drama was highly enjoyable, but the start and the end were pretty shaky. 


What Was Great:

The Introverted Boss:
By far the greatest thing about this drama was its hero. Hwan Ki was just all kinds of delightful. Being a total introvert myself, I was definitely drawn to Hwan Ki and his struggles. Though personally I would’ve labelled Hwan Ki as psychologically scarred, I guess ‘Severely Socially Anxious Boss’ just doesn’t have the same ring to it.
I want to snuggle all his sadness away
Hwan Ki was able to be nervous and scared without ever coming across as weak, which is quite an achievement character-wise. Yeon Woo Jin really acted him to perfection so that every effort Hwan Ki made seemed like a courageous step forward rather that something he should have been able to do anyway- like tell someone he liked his coffee sweet.
As a chronic over-thinker, I identify with Hwan Ki on so many levels
The comedy was always pretty present around our hero which kept the tone light and didn't let him wander too far into the realm of emotionally damaged. Yeon Woo Jin was so good at being able to present Hwan Ki’s introverted nature in different ways. In some scenes his individual monologue and internal freak-outs were hilarious, and in others it was heart-wrenching. Yeon Woo Jin's facial expressions (his eyes in particular) were so on point that it made it easy to connect with and understand Hwan Ki, yet it still remained believable that those around him couldn’t decipher what he was thinking. The little cartoons that often accompanied Hwan Ki’s thought processes were also cute as. One of the things that really made Hwan Ki such a wonderful character and a hero that was easy to root for was just that he tried so hard. There were no points in the drama where Hwan Ki gave up- he was constantly battling his insecurities to try and better himself, better the company, or protect someone he loved. You really just wanted to reach through the screen and give him a big hug.

An Abundance of Cute:
The 6 to 8 episodes in the middle there when Ro Woon wasn’t a snoopy b*tch and before the plot started doling out unearned redemption arcs, the relationship between Ro Woon and Hwan Ki was actually pretty sweet.
I don't know where the introvert learned how to kiss so well, but I'm sure glad he figured it out
I liked watching Ro Woon slowly start to draw Hwan Ki out of his shell, and how she started helping him interact with the other members of the team. Watching Hwan Ki awkwardly interacting with those around him was probably the best part of the show, so adding a dose of romance in as well was really nice. The interactions between all the members of Silent Monster were really fun, and showed that the the series could have been a really cute rom-com had it not tried too hard with the mystery-suicide storyline. 
I wouldn't have minded waaaaaay more team shenanigans


What Wasn’t:

I Still Don’t Know What Unnie’s Suicide was About:
I’m not sure if this plot-line was something that got lost in the re-write or if it was always this all over the place- but what the hell? The story arc of Ro Woon’s sister’s suicide just really made no sense. The writer amped up the mystery element so much that it made it super disappointing that it was just a straight-up suicide and didn’t actually have a murder-twist or at least an accident-twist.
I thought there was more to it but there really kinda wasn't
Because the fact is, there’s not a lot of story to work with if it’s a suicide. Okay, I’m sure Ro Woon gained some closure on finding out the reasoning behind her sister choice, but the fact is that we all went into this drama looking for someone to blame. And you kind of can’t blame anyone for a suicide, particularly in Ji Hye’s case, because none of the scenarios that were explored were really adequate reasons why a seemingly mentally sound person would throw herself out a window (because we were shown nothing that would lead us to the conclusion that she was depressed or psychologically unstable). At least when the plot seemed like it was leaning towards Woo Il as the cause (because the plot apparently really needed to blame someone for Ji Hye’s own decision to jump) it made a bit of sense. Young, innocent girl gets mass amounts of attention from her crush, sleeps with him, then finds out he’s engaged and telling everyone she came onto him and it was a mistake and she means nothing. Sure, I can see why that maybe would have lead Ji Hye to the window ledge.
I can roll with Woo Il being the bad guy cuz he's super gross and super sleazy
But then they tried pushing the blame back onto Hwan Ki. No, nope, never. It made no sense, and Hwan Ki is precious and gorgeous so don’t you dare make him feel guilty about this. Because it is in no way Hwan Ki’s fault that he didn’t show romantic interest in a girl that never confessed and was actually actively helping him woo another girl.
I don't even know
Especially when you consider that she slept with his best friend. The show seemed super unwilling to label Woo Il as a rapist (because how would they redeem him then?), yet is seemed weird that Ji Hye was so into Hwan Ki to the point that she would kill herself for not being able to confess to him and then slept with someone else. No show, just no. I’m sure situations like this actually do happen, but in a series that is so clear-cut like this one, I need obvious reasons why the characters acted the way they did. And we did not get that with Ji Hye at all. Right until the end there were viewers debating why Ji Hye did what she did, and it’s really not okay to have your main plot-point be so convoluted and confusing- especially when it plays into whether our leading couple will be together or not. And look, I'm not gonna lie, I'm pretty seriously against movies and shows assigning blame to someone else over a suicide- because harsh as it seems, no one except the one who died can really be attributed as the cause. And this was so not the drama to explore those dark, uncomfortable themes of who's at fault for a suicide.

Woo Il’s Not a Bad Guy?: 
So Woo Il’s a total toxic asshat but he gets a redemption arc anyway. Super lame, and super uncomfortable. He’s been characterised as a chronic cheater who destroys most of his relationships, both with women and with Hwan Ki. I loathed the way the bromance was forced down our throats. I’m always a fan of bromance, but this was so not okay. While Woo Il never really actively worked against Hwan Ki in the company, he also didn’t go out of his way to help him either.
I never thought I'd say this- but get that bromance away from me
He was happy to use all Hwan Ki’s ideas and stand in the limelight taking all the credit, and made no effort to dispel the rumours about Hwan Ki being a cruel, cold boss who mistreated and overworked his employees. Woo Il also actively put Hwan Ki down when he was trying to muster up the courage to speak in public, which is super not an okay thing to do to your best friend. Then Woo Il cheats on Hwan Ki’s sister once, and almost twice.
Ew x2
He’s so uncaring towards Yi Soo that she actually starts harming herself to get his attention. While I can’t outright blame Woo Il for Yi Soo’s self-harm, the way he treated her was still far from okay, and definitely did her more harm than good. Then apparently everyone forgets these things. Yeah. What. Woo Il gets virtually no consequences for his actions. He volunteers at an orphanage for a while before being invited back to the company by Hwan Ki, who still treats him like a friend (ew). And that’s not all. The writers actually go as far as to try and make me believe that Woo Il has fallen in love with Yi Soo (who still isn’t getting professional help for her self-harm I might add) for realsies, and that they make a cute, happy couple. They don’t make a cute happy couple at all! He’s the biggest coward on the planet and she has enough psychological distress to fill a small ocean! The show clearly wanted to have an edgy dark undertone, but didn’t quite have the balls to go all the way, so we ended up with a drama that wasn’t satisfying in a cute, fluffy way or a solved mystery way. 

Suddenly Not an Introvert:
Along with Woo Il suddenly becoming repentant and not being a giant jerkface anymore, Hwan Ki apparently lost all his anxiety. At the beginning of the series he couldn’t even look his own assistant in the eye, but by the end he was doing a dancing serenade in front of his whole company.
I don't know how we got here
It would have been more believable had the entire series focused on reducing Hwan Ki’s anxiety, however instead the writers chose to focus on Ro Woon’s sister’s suicide, which left Hwan Ki’s sudden transformation confusing and inexplicable. I mean, the only other time Hwan Ki did something in front of people was when he gave a presentation he’d meticulously prepared for, and he still fainted and became extremely sick just from that.
I kinda miss him being awkward and misunderstood 
I dearly wish that Hwan Ki’s quiet, introverted nature had been explained more than Unnie’s suicide. Because no matter how sad a death is (and this one wasn’t even that sad because it was just far too confusing), I’m always much more engaged by current issues- not issues rooted solely in the past. I found the small glimpse we got of Ro Woon and Hwan Ki’s clashing personalities in that final episode deeply interesting, and wish we’d got way more of it. I’d much rather watch two people who love each other battle to understand and compromise rather than watching an issue that can only really be resolved by time- like the revelation of Ji Hye’s feelings for Hwan Ki. It would have been nice if the show focused more on Hwan Ki’s social anxiety and how he overcame it rather than just brushing over it completely.

Recommend?
Look, probably not. While the drama had some really cute moments and I totally adore our leading man and his character, I can’t deny that the plot’s just not very good. There are definitely worse dramas out there, but ‘Introverted Boss’ sadly doesn’t flow all that smoothly.
Not flawless, but I adore Yeon Woo Jin as Hwan Ki