Showing posts with label Age of Youth. Show all posts
Showing posts with label Age of Youth. Show all posts

Monday, 20 November 2017

Top 5 2016 Dramas

Top 5 
2016 Dramas


As we near the end of 2017 (seriously, where did this year go?) I thought I’d look back on some of the best K-Dramas of 2016. 2016 was a year that gave a lot of variety, and didn’t seem to stick with any one genre or idea. There were a lot of great, hugely anticipated dramas, and there were a few low-key, slice-of-life dramas that gained a lot of attention. It was the year we sent Lee Seung Gi and Jung Il Woo off to the army and the year we got Yoon Shi Yoon back. Here’s my pick of the best 5 dramas to come out of 2016. Also you can find a list of my Top 5 2015 Dramas here.



Fast paced with a great hero and an addictive romance, ‘W’ was quick to gain a lot of attention. The show was pretty successful ratings-wise pulling in a commendable average of about 14.5%- which is nothing to sniff at these days. The best thing it had going for it is something a lot of TV shows and movies lack these days- imagination. While there may have been a few plot holes now and then, the idea behind ‘W’ was so fresh and so unique that it was worth watching despite a few confusing moments in the writing. Lee Jong Suk is worth watching in anything, and boy did he have some sizzling chemistry with Han Hyo Joo. The plot never dragged and always had clever developments, and most importantly the drama was engaging from its first episode to its last.



Who knew what a smash hit this little drama was going to be? ‘Age of Youth’ didn’t even boast the full 16 episodes that most K-Dramas have, but still came out being one of the most popular dramas of the year. In fact, it’s huge popularity actually started the momentum for filming a second season which was released earlier this year. It hit a unique niche where the story follows the lives and friendships of five young women. With female friendships being pretty uncommon in K-Dramaland people seemed to grab onto this offering with enthusiasm. The girls were all unique, well developed and believable, and the relationships between them were sweetly realistic and authentic. It might not have been a huge ratings success (it aired on JTBC- a pay TV network), but it gained momentum through word-of-mouth and was a huge hit with international audiences.



Now here’s a drama that was a big commercial success. It was the show that marked Song Joong Ki’s return from the military and paired him in a romance with Song Hye Kyo (the two have since gotten married after meeting on set). The drama had a HUGE budget which included overseas shoots, which of course made the show look splendid. It was a booming success all over the world with ratings in Korea going unbelievably high around the 40% mark and I’ve even heard that it was viewed in North Korea. The drama was penned by Kim Eun Seok who also wrote the smash hit ‘Secret Garden’ (though admittedly she also wrote the stinker ‘Heirs’). Despite the unbelievable amount of hype that preceded the drama, it was a show that lived up to its excitement. The acting was top notch, the romance was dazzling and the story was engaging. 



‘Weightlifting Fairy’ is similar to ‘Age of Youth’ in that it was a bit of a sleeper hit. Looking at the ratings you wouldn’t think much of the show (it stays in a safe but unremarkable range of about 3-5%), yet those who did tune into the drama absolutely loved it. Like me. The tone was sweet and wistful with a dash of nostalgia and the whole show had a beautiful pastel quality that suit lead actress Lee Sung Kyung perfectly. The romance was a gentle smoulder with the two friends becoming best friends then lovers, which actually mirrored the actors' feelings themselves (though they have since broken up ☹). Conflicts that arose weren’t overplayed but nor were they understated- the show hit a nice balance of normal while providing an amazing romance. The acting, writing and directing, along with the soundtrack, all came together to provide an absolutely endearing and delightful experience.


1: Signal

‘Signal’ was a drama that created a lot of buzz. Despite showing on a cable station (ie- pay to view), the show pulled in an average rating of 8% with a best of just above 12%. Ratings certainly don't equate quality, but in this case those numbers were rightfully earned. The show was action packed with a mature, experienced cast that knew exactly how to deliver the emotions that were needed in a scene. The plot was quick and quirky- not quite a time travel drama, but more a time warp drama. The show was highly unpredictable (which is always a plus in my books), and had a gritty, realistic underdog feel. And now that ‘Signal’ is in the works for a season 2, my biggest issue with the drama (its open ending) may turn out not to be an issue after all.


What were your favourite dramas from 2016?


















Thursday, 12 January 2017

2016 Jaybird Awards

2016 Jaybird Awards


Wow, another year has come and gone- welcome to 2017! While 2016 wasn’t exactly my favourite year in K-Dramaland, I can’t deny that there was loads to choose from and a heap of variety. There were some huge dramas that were released last year- some lived up to the hype while others drowned under it, and there were of course a few lesser known dramas that snuck in some great stories. Not a lot really jumped out at me as being some of the best dramas of all time, but they all seemed to be on the higher parts of middle ground (though admittedly there are a few total stinkers). All in all, I think 2016 was a fairly good year for K-Dramas- the variety meant that there was something for everyone and bound to be at least a couple of dramas that you fell in love with.

Best Drama:

‘Signal’ really was a cracker of a drama. It’s a quirky little piece that stays a fair bit off the beaten track, but for a drama that covers so much new territory, it makes perfect sense. Time travel shows are a hard nut to crack as there can be so much that can go wrong, and have a higher risk of forming plot holes than other types of shows. However, the writing for ‘Signal’ was so fluid and sure of itself that it was hard to critique the plot. It was easy to trust that the writers weren’t going to drop the ball halfway through, as the story started off with such conviction that it was clear the drama knew what it wanted to do with itself. The acting was all splendid and everyone involved did an excellent job at bringing the story and the characters to life, so that it was almost impossible to disengage from our three detectives and their struggles. The confident and brilliant directing was really just the icing on the cake. 




Best Actor:

Despite what a complete and utter clusterf*ck ‘Moon Lovers’ ended up being, you can’t deny that Lee Joon Ki was totally killer. While the plot made little (to no) sense, Lee Joon Ki’s performance was always engaging, and he made So likeable in a way that might not have been possible had the role been taken on by a different actor. The odd directing hand that resulted in extreme close ups of our characters really gave us all a good look at how completely Lee Joon Ki threw himself into the role. His facial expressions were so incredible, right down to the smallest lip twitch.


Runner Up: Song Joong Ki (Descendants of the Sun)


Best Actress:
Oh Yeon Seo (Come Back, Ajusshi)
I find it quite hard to sort out the really great actress from the good ones, as sadly there’s not a huge variety of heroine roles- at least not as varying as the men get. However, every now and then there’s a drama with an actress who makes you really laugh, or really feel- or both. This year it was definitely Oh Yeon Seo. I don’t think she’s exactly a new face in K-Dramaland, but it was for sure the first time I was seeing her. She totally owned the role of an ajusshi trapped in a woman’s body, and was oddly believable as Kim Soo Ro. She has a flair for laugh-out-loud comedy, and paired with Rain it was just hilarious. Not only was Oh Yeon Seo able to bring the laughs, but she also hit the emotional beats perfectly. She conveyed perfectly the pain of a love that was never realised, and it truly ended up being a stand-out performance of hers.


Runner Up: Lee Sung Kyung (Weightlifting Fairy Kim Bok Joo)


Best Short Series:

This mini-series was so good I almost wished they’d made it into a full 16 episode series. The young cast dazzled and gave strong, compelling performances, which is something mini-series often tend to lack. The story was succinct and tight, and got right to the point. Despite the limited amount of time the series had to tell it’s story, it was able to throw in so much emotion- both happy and heartache. 










Best Support:

Shin Rin Ah (Marriage Contract)
Oh my goodness, what an amazing, pocket-sized actress. A lot of young actors and actresses are passable because they’re adorable, and don’t have to do very much. Shin Rin Ah had a huge role in ‘Marriage Contract’, and had the acting chops to back up her sweetly adorable face. She had dazzling chemistry with both UEE and Lee Seo Jin, and added a huge amount of enjoyment to the series.










Best Couple:
Lee Sung Kyung and Nam Joo Hyuk (Weightlifting Fairy Kim Bok Joo)
This totally didn’t seem like the drama that would have the best romance, but it definitely was. The two characters of Bok Joo and Joon Hyung were so sweet and innocent, and felt all their emotions so clearly. It was a beautiful coming-of-age series, and really highlighted the ways relationships shape you into the person you become. The two were not only insanely adorable, but a source of support and strength for each other. Their relationship highlighted so beautifully and so simply that there are some things that family and friends can’t do for you- and you just need that one special someone to not only tell you that you’re perfect the way you are, but believe it themselves. The progression of the relationship between Bok Joo and Joon Hyung was so sweet and so realistic, and the friends-to-lovers dynamic really came into its own- the two were practically dating before they even knew they liked each other. It was a cute romance that had a lot of heart, and two loveable leads.

Runner Up: Gong Hyo Jin and Jo Jung Suk (Jealousy Incarnate) 


Best Villain:

Yum Jung Ah (Mirror of the Witch)
It might be an understatement to say that historical dramas can verge on boring. But in ‘Mirror of the Witch’ Yum Jung Ah delivered a spine-chilling performance that added a huge amount of intensity to the series. Hong Joo wasn’t just a villain without rhyme or reason, and could at times be oddly pitiful- a huge credit to Yum Jung Ah who could make the same character so hatable and horrific, but also strangely sympathetic. While the writing often seemed a bit repetitive, Yum Jung Ah continued to deliver a strong performance as the villain, and was always a force to be reckoned with, while also gradually drawing back the layers of her character’s complexity.

Runner Up: Kwon Yul (Let’s Fight, Ghost)


Best Ensemble:

There’s something so wonderful about a drama that has a beautiful ensemble. It’s so much easier to fall in love with a series that has a number of different characters, but so much harder to write a number of characters convincingly. ‘Age of Youth’ appeared to be a happy coming-of-age story, but surprisingly had some darker undertones. The five girls each had a different story to tell, and the writers managed to focus on each of the housemates without the drama feeling jumpy. Each of the girls was acted brilliantly, with the actress fitting the character perfectly. While the girls were delightful on their own, it was the scenes of them together and the budding friendship that arose despite their differences that really sold the show. No matter how much they bickered and criticised each other, the housemates were always there for support, advice or a drink. The girls created a true feeling of camaraderie that made the show so enjoyable to watch, and the girls so easy to love.

Runner Up: Fantastic


Best Bromance:

A great bromance is always a fun time, but it just becomes even funnier when one half of the bromance is trapped in the body of a stunningly beautiful woman. This was an adorable bromance that transcended lifetimes, with the two dead ajusshis returning to the world of the living together. The relationship between the two was so sweet, and often hilarious, and was the true heart of the show. All four of our ajusshis (their souls and their reincarnations) did a brilliant job, and Rain and Oh Yeon Seo had brilliant chemistry. The two did an excellent job in ensuring that the relationship between the characters remained purely platonic- especially when you consider how smokin’ hot they both are. The bro-love in ‘Come Back’ was definitely a winner, and rivalled both the love-lines.


Best Gal Pals:

The housemates in ‘Age of Youth’ were just so sweet and likeable. As each girl had a completely different personality it was inevitable that they clashed, but it was so enjoyable the way they all reconciled after. No matter how angry they got at each other or how many toes were trod on, at the end of the day the girls were all there for each other when it was most important. The relationships that sprung up between the friends were so real and relatable, and were just pure entertaining to watch.





Runner Up: Fantastic

Best Idol Gone Actor:

Seo Kang Joon (Cheese in the Trap)
Three of the 5urprise boys were keeping themselves very busy this year with some notable acting roles, but Seo Kang Joon was a standout. Despite all the conundrums going on behind the cameras of the drama, no one can deny that Seo Kang Joon put in a strong performance. He was able to easily grab the necessary emotions in a character that could have easily come across as too closed off or too volatile. Seo Kang Joon hit a nice balance between the two and delivered an engaging, likeable second male lead, and definitely earned himself some attention in the world of acting.



Runner Up: Kang Min Hyuk (Entertainer)


Worst Idol Gone Actor:

It’s a sad truth that for every successful idol-turned-actor there’s going to be…well…a not so successful one. Son Naeun took on the second female lead in ‘Cinderella’, and the results weren’t that pretty. Her obvious green acting did little to help a character so poorly written that it was at best difficult to watch, and at worst downright annoying when Hye Ji was on screen. 








Runner Up: Kwon Yuri (Gogh’s Starry Night)


Least Convincing Couple:

Yoon Shi Yoon and Kim Sae Ron (Mirror of the Witch)
The drama had a lot of things going for it, but romance was not one of them. Which is a shame when love is kind of the driving force behind the characters’ motivations. Yoon Shi Yoon did a pretty good job carrying the romance all on his own, but where the series made its error is probably in casting a heroine half Yoon Shi Yoon’s age. Poor Kim Sae Ron just didn’t have the capacity for portraying a convincing love story. I think that really, due to her incredibly young age, she didn’t have enough experience as either an actress or in actually experiencing romantic love. Sure, the two had some pretty cute scenes- but did I ever believe they were so madly in love with each other that they’d die for the other? No. Not really.

Runner Up: Madame Antoine


Show Carrier:

Ryu Joon Yeol (Lucky Romance)
‘Lucky Romacne’ was a pretty cute drama overall, but I think that most of the cute came from Ryu Joon Yeol. He absolutely carried this show, no questions asked. The plot was really pretty minimal and the love interest was bland if not annoying, yet the show remained engaging and enjoyable as our adorable robot hero learned to love. And he learned to love in the cutest way possible.








Runner Up: Song Jae Rim (Thumping Spike)


Biggest Disappointment:

There are several ways that a drama can be a huge disappointment- the most common being a drama getting so hyped up before its screening, only to then fall underneath all the crushing expectations. ‘Moorim School’ was not one of those. The drama didn’t really create much hype, but the writers, producers and director were all making some pretty loud noises about how ‘Moorim School’ was going to be a groundbreaking drama in terms of making K-Drama a more international place. Which excited me to no end being a Westerner with a huge love of K-Drama. And then it so did not do that. Sure, there were some international cast members, but none of them were important- none of them did anything, and the fact that they were non-Korean was pretty swept under the rug. Also it was just a bad drama. The story sucked, the acting wasn’t that great, and the romance was beyond disappointing.



Jaybird's Choice

This is not only my favourite drama of the year, but quite possibly my favourite drama of all time. It may not be a high-stakes drama, but the characters are the heart of the show- and they’re such great characters. Bok Joo and Joon Hyung are just a dream to watch develop, and their adorable friends-to-lovers romance is backed up by stellar acting from both our leads. A host of side characters gave the show an in-depth, fleshed out feeling, and the ties of friendship and family were just as prominent, important, and adorable as the romance. The drama never had any lags, or points were the conflict was dragged out for too long, and always kept a cracking pace that left you wanting more, more, more. I could talk for days about how much I love this show. This show is love. This show is life.


Runner Up: W- Two Worlds





2016 Dramas Watched:

Wednesday, 21 September 2016

Age of Youth

Age of Youth

8/10
Age of Youth
Genre:                               Episodes: 12                         Year: 2016
Melodrama

Synopsis:

Five university students live in a share house, and each girl lives with their own dreams and struggles. The story follows the five girls and their friendships as they learn about each other and the secrets they each keep hidden.

Cast:
Han Ye Ri (Yoon Jin Myung)
Park Hye Soo (Yoo Eun Jae)
Hwa Young (Kang Yi Na)
Han Seung Yeon (Jung Ye Eun)
Park Eun Bin (Song Ji Won)
Shin Hyun Soo (Yoon Jong Yeol)
Yoon Park (Park Jae Wan)
Ji Il Joo (Go Doo Young)
Son Seung Won (Im Sung Min)
Yoon Jong Hoon (Seo Dong Joo)


General Thoughts:
While in no way perfect, the drama still manages to capture hearts, tug at your emotions, and leave in a sadly satisfying way. It’s not often that I find myself sad to watch a drama go (especially not with those longer ones that drag on for more episodes than necessary), but it was a tad sad having to say goodbye to these five wonderful girls.
Our glorious heroines
The writer did such a great job with these characters, as did the actresses who portrayed them. While each girl was distinctly different and had their own quirky characteristics, they never fell into a typical K-Drama heroine category. While the girls definitely had overarching qualities that you could use to label them (studious, shy, glamorous, bubbly, loud) there was so much more to every one of their characters.
Girl friendships are where it's at
To add to how amazing our five heroines were, we had the splendid friendship that was shared between them. The show really hit the nail on the head with the way it began. We enter into this share-house with Eun Jae, who is as new to the situation as we are, so it gives us time to observe the other girls that will be in our story. Then as each episode goes by we have a different main narrator for the hour, with one girl taking centre stage for that episode. Yet the other girls were always present, sometimes coming in with snippets of their own story, sometimes being completely involved in another’s story as either a support, a friend, or an obstacle. As for each girl’s story, they were all unique and different. While most of the stories were a little too dramatic to be considered ‘everyday’ stories, there were always aspects of our characters and their situations that felt similar and relatable: feeling isolated, lost, confused and scared as you try to make your way through the world as an ‘adult’. While none of the storylines were exactly new, the writing and characters were like a breath of fresh air, and completely invigorated the story, making it seem totally original again. I loved that the show felt very ’20’. I haven’t watched a heap of shows that focus on this stage of life, so it was nice to have a drama that was so focused on this period.
Welcome to the 20s- where we drink away our problems
Most dramas tend to go for late 20s-30 and focus on an everlasting love, or on the teens and first love. But ‘Age of Youth’ focuses itself on that weirdly messy period of time in between. Our characters have all made mistakes and have pasts that they have to deal with, but they also have such a question-mark over their futures. Plot-wise I do wish we’d got into some of the stories a little quicker, as while the pacing of the show never felt drawn out (yay for 12 episodes), it did feel a little rushed at the end in regards to Eun Jae’s story, and Ji Won didn’t even really get a story at all.
There were some great love-lines flying around
And while I love that the series focused mainly on the relationships between the girls, I do wish we’d had just a smidge more on the boys. Jae Wan and Doo Young had the perfect amount of screen time and story, but I wouldn’t have been mad if the other three boys were given a little more attention. Jong Yeol had a cute love-line, but did disappear in the middle there as the drama only focused a lot on Eun Jae in the beginning and then at the end. Our other two boys, Sung Min and Dong Joo, were hard to catch a glimpse of. Blink and you might miss them. I do wish that a little more effort had been put into Dong Joo and Yi Na’s relationship, as I found Dong Joo such an interesting character. It’s pretty common to see the ‘sugar daddy’ card played, so I enjoyed that this drama branched out a little and had a male gold-digger. It’s not a new or unheard of concept, but it is rarely seen on screen. His feelings for Yi Na were pretty heavily hinted at, and I dearly wish we could have seen some sort of reciprocated feelings on Yi Na's part. Son Seung Won caught my eye as the young version of the villain in ‘Healer’ and I’ve eagerly anticipated seeing him in more roles since then. Sadly, his character here is pretty blasé and relatively unimportant- but he did sparkle nicely in those scenes he was given.
If you'd made some moves on her maybe you would have gotten more screen-time
The cinematography was beautiful and really gave the whole show a melancholy, reflective feeling. The shots and angles were lovely, but what really caught my attention was the colour of this drama. It’s very soft and clean and gives off a bit of a dream-like, nostalgic quality that was simply stunning. The music helped support this weird (yet totally likeable) melancholy but heartwarming vibe, and really gave the show a sense of endearment. 

What Was Great:

Our Girls:
The characters were great and the actresses were great. If you have both of those things, it’s pretty hard to dislike the characters. Every girl had both likeable and dislikable aspects, and the show really capitalised on that, showing how relationships must overcome these less than wonderful parts of a person in order to be able to continue enjoying all these other wonderful things about them.
You can't not love these girls
What was really sweet about the relationships between the girls is that it wasn’t super in-your-face that they were making a drama that focused on female friendships. While the heart and soul of this drama was definitely all the gal pals, the lovely friendship moments came about in beautifully unforced ways. It was sweet and natural and never overplayed, which only made it that much more rewarding to watch.
Oddly dark for a slice-of-life drama
Rather than having great acts of friendship to display the love between the girls, the show opted for rather mundane, everyday, yet totally heart-tugging ways for the girls to show that they cared, and this made all the relationships feel wonderfully real and authentic.

Our Stories:
I was thoroughly invested in all the different stories going on in this drama. The romances were adorable and you couldn’t help but root for our heroines in all their endeavours- romance or other. The drama shined light on every one of our girls (though Ji Won definitely got less light than the others), and as each story slowly played out, we learned more and more about our different girls, their pasts, and what shaped them into the people they were in the present. It’s a wonderful example of beautiful, fluid writing that keeps the series completely engaging from start to finish. 

Our Visuals:
It’s so pretty to watch. Obviously the girls are all gorgeous and stunning (especially Hwa Young- I mean really, how can anyone be that attractive?), and the boys aren’t bad to look at either. But what really set the drama apart from others visually was the beautiful way it was shot. Even in the funny moments the drama managed to snag a rather thoughtful, pensive tone. The whole thing was just so, so pretty.
It was so nice to look at

What Wasn’t:

Some Unanswered Questions:
While all the stories were loveable and engaging, there were some aspects to them that left me wanting a little more explanation. My main question-mark after the series ended was what the deal was with the ballerina ex-roommate.
Please give me my answers now
It felt like the drama had more mysteries it wanted to go into regarding her character- it felt like she was going to be used for more than just a tool to have Eun Jae suspect that her roommates weren’t very nice people. I kept expecting her to make a reappearance (maybe as a part of Ji Won’s story as she was rather story-less, and is ballerina the Hyo Jin that Ji Won called out to in one of the epilogues?). But alas, she never returned. I felt a little disappointed that this question wasn’t answered- simply because the drama had set her up like some big secret. None of the girls seemed comfortable talking about her and it just seemed like one big lie that she left because she got knocked up. After learning more about each of the housemates, I seriously doubt they’d cut ties with someone just because she got pregnant. But unfortunately for us, we’ll never know. Another unanswered question was the ringing in Ji Won’s ears. Seeing as she was supposedly lying about seeing ghosts and reading auras, I wondered if maybe she did have some supernatural power she didn’t know about yet. But that seemed to eventuate to nothing, and the drama ended without really explaining Ji Won’s ringing ears. And then there’s Doo Young. While we do get to see occasional instances of him being a giant jerk, he mostly just came across as a boyfriend who took his girlfriend for granted.
From uncaring to crazy in one fell swoop
While I appreciate that the show did go into domestic violence, I would have liked to see a gradual buildup to Ye Eun’s kidnapping, as it just seemed to be a bolt from the blue. I think it would have had more effect if his violent behaviours started of small and we saw Ye Eun ignoring or explaining away his actions until it climaxed at the kidnapping. As it was, it was a tad random to have him turn into a deranged, psychopathic kidnapper when he’d really been played as a disinterested boyfriend who cheats for most of the show’s run.

Re-watch?
I would love to go back and revisit this drama when I have the time. The relationships (both friendship and romantic) were just so sweet, and the drama has managed to snag a rather unique niche for itself where there’s nothing else quite like it around. It’s truly a very, very enjoyable drama.
Super satisfying