The Greatest Love
8/10
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The Greatest Love |
Genre: Episodes: 16 Year: 2011
Romance
Comedy
Synopsis:
Gu Ae Jung was once the popular leader of a famous girl group, but after the group disbanded her image was ruined. Meanwhile, Dokgo Jin is a popular actor at the hight of his career. Ae Jung continues to meet Dokgo Jin in a series of chance encounters, and their relationship turns from general dislike into a begrudging friendship.
Cast:
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Cha Seung Won (Dokgo Jin) |
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Gong Hyo Jin (Gu Ae Jung) |
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Yoon Kye Sang (Yoon Pil Joo) |
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Yoo In Na (Kang Se Ri) |
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Lee Hee Jin (Jenny) |
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Im Ji Kyu (Kim Jae Suk) |
General Thoughts:
I see now why the Hong Sisters have such a good reputation. The writing for this drama was fun, witty, and the dialogue really made the relationship between our two leads much more enjoyable. Two thumbs up.
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Fun and funny |
Having one of our leads being a famous celebrity is nothing new, but I must say that I enjoyed this scenario much more than I have enjoyed the celebrity aspect of K-Dramas previously. For starters, the Entertainment Industry wasn’t treated as the greatest thing ever, nor was it treated as this horribly dark place with a shiny exterior- it was just a business with a lot of employees, each trying to get ahead in their careers. Like any other workplace there were nasty people in it, but there were also good, likeable people in it. One of the better aspects is that the President of Dokgo’s company wasn’t an evil, money-hungry woman- she was a business woman, and even when she was slightly meddlesome, it was clear she was intervening out of a desire to do what was best for both Dokgo and Ae Jung- which is always nice to see.
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And boy, 'fans' can get pretty darn nasty |
A large part of this drama’s conflict is the idea of image, which is an interesting idea to explore. Despite being a wonderful, lovely person you can have a bad image, and good image is what you really need to be successful. It was interesting that the drama treated the celebrities images as a tangible thing, rather than an abstract concept. It was something to be traded and given away- but also something that could be taken from you.
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Ahh...the things you'll do for a good image |
The biggest conflict was definitely how the relationship between our leads would impact their images. Other dramas I’ve seen haven’t really managed to snag what is so important about image, but ‘Greatest Love’ did an excellent job. It was always understandable why the two didn’t want to run headfirst into this relationship, because without image neither of them have a way to make money and support themselves- because their image is their career. It was much more interesting to have the conflict between our two leads as something internal rather than external. While the problem itself was purely external (how will the public respond), it was the way Dokgo and Ae Jung handled that problem that sparked much of the interest. It wasn’t as though they were two people deeply in love separated by some great external force- they were just two people who liked each other but weren’t sure how to go about it, as the relationship would have a negative impact on not only themselves, but the other person as well. The entertainment and investment came not from if they would move forward together but how they were going to move forward. The push-and-pull paired with witty dialogue was wonderful to watch and drew us in as an audience.
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The pull made all the push worth it |
Despite not having a lot of showy plot (there were no huge fights, or dangerous villains or mysteries to uncover), the show was extremely entertaining from beginning to end, and much of that credit has to go to our leads. Cha Seung Won and Gong Hyo Jin were just superb.
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Half the fun is just waiting to see what ridiculousness he'll do next |
They perfectly sold the relationship between the two characters and made it feel real- despite the occasional absurdities of their characters. I mean, what man that age can’t differentiate between his heart beating and liking a woman? But Cha Seung Won sold the character and his slight ridiculousness, and the humour that resulted from his confusion made it easy to overlook the over-simplified reasonings of Dokgo Jin. He was just hilarious. He never gave a half-hearted performance and really dived into the comedy. Gong Hyo Jin played a nice stable character for his silliness to bounce off of, and actually made the humour seem more real. Alone, Dokgo Jin seems ridiculous, but paired with the world the Hong Sisters created and Ae Jung, it becomes quite plausible that he’s a man that turns into a bit of a weirdo when he’s alone or around people he’s comfortable with. The show gave us a very understandable world filled with likeable, funny characters that really dazzled, and the whole thing was just an extremely enjoyable, fun ride.
What Was Great:
The Cast:
Cha Seung Won and Gong Hyo Jin are just perfect. Usually one of the leads tends to sparkle a little bit brighter than the other, but the two here were so perfectly matched. Not only did they have a heap of romantic chemistry going on, but their comedic chemistry was also firing on all cylinders.
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They suit each other like it's nobody's business |
The two really bounced of each other’s energy in the comedic scenes (of which there were so many), and so the humour just seemed to build and build as the drama went on. Not only that, but they were both able to so perfectly undercut a comedic scene with a moment of real sincerity, which gave the show a lot more heart than your standard rom-com.
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Pretty sure he pinched this move off Kim Jong Kook |
Yoon Kye Sung did an amazing job as the second male lead. Despite Pil Joo not being that exciting on paper (he’s your typical nice guy second lead), Yoon Kye Sung gave him a whole heap of personality that a different actor probably wouldn’t have been able to generate. He gave Pil Joo a bit of a dorky, nerdy air about him, so he wasn’t just a dreamy doctor- he was a dreamy doctor who was a bit too in love with his job and seemed just a tad detached from the world around him. He was also never simplistically nice- Yoon Kye Sung clearly showed Pil Joo’s pain and heartache, but also his dislike for Dokgo. A couple of times he teetered on the edge of doing something douchey to discredit Dokgo or make himself seem better to Ae Jung, but after some quiet deliberation he always made the nice guy choice. He might not have ended up with the girl, but man he made one hell of an adorable, endearing character. If I didn’t find Dokgo so amusing yet sincere, I probably would have ended up on the Pil-line. These three leads were really the heart and soul of the show, and it was the interactions between these characters that held a lot of the show’s entertainment- be it comedy or conflict.
A Multitude of Metaphors:
I probably didn’t even grasp the meaning of half the banter that floated around in this drama, but what I did catch on to was so, so, so funny.
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Never before has a potato held so much meaning |
Generally speaking, I’m not a huge fan of push-and-pull relationships as I tend to find them a bit tedious- ‘I love you but I won’t go to you blah blah blah’. But pairing the push-and-pull dynamic with a bunch of hidden meanings becomes far more interesting. When characters straight-up say what they mean and the relationship still doesn’t move forward it can be a little exasperating, but when they communicate their feelings through metaphors it somehow becomes much more enjoyable. Sure, if handled badly the metaphors would probably still be exasperating, but here it was all handled in a funny, witty way, and there was always forward movement on one end of the relationship.
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Because you for sure need a heart monitor to make sure you're in love |
There were potatoes and flowers and heart-beats and cartoon characters and Pororo and cars and broken machinery and superheroes, and I don’t even think the writers could keep track of how many metaphors they put in there.
What Wasn’t:
Some Small Plot Weaknesses:
The strength of the show was really its characters and cast- not so much the plot. With so much going on between the two leads, and even the second leads, it didn’t really matter that there wasn’t a heap of other external stuff going on. However, there were a couple of times it was a bit obvious that the plot was really only being held up by the greatness of its characters.
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I so prefer angst-ing together to separation angst though |
The whole National Treasure Girls plot seemed pretty thin to me. I was expecting something huge to have happened to explain why Ae Jung’s old manager hated her so much, but there wasn’t a lot of substance to it. While the situation behind the girl group’s breakup was sufficient, the manager seemed a bit too obsessive and butt-hurt about something that didn’t seem to impact him all that much. It was also pretty weak how we didn’t get to be a part of Doggo’s surgery. A lot of the series had Dokgo protecting and supporting Ae Jung, and I really wanted her to be with him during his surgery- or at least during his recovery. The idea of Dokgo dying played a pretty important role in getting the two together and admitting their feelings for each other, so it did seem a little weird that we went from the middle of Dokgo’s heart surgery to two months later with not a lot of dramatic tension behind it. We’d been building up to this moment for several episodes, so even if we didn’t really think our main man would die, it felt odd not to have a big recovery moment.
Re-watch?
Potentially. These days I rarely watch things twice as K-Dramaland keeps churning out so many new things I want to watch. Even if I don’t watch the whole thing again, I might come back for an episode or two.
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When potatoes and flowers don't work, a snog always gets the message across |
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